Dr. Federico Lanzellotti Department of Arts, Media, Philosophy Profiles & Affiliations OverviewResearch Publications Publications by Type Unpublished Research Outputs Projects & Collaborations Academic Activities Academic Self-Administration Continuing Education Junior Development, Doctorate and Advanced Studies Academic Reputation & Networking Teaching Bachelor/Master Unpublished Research Outputs OverviewResearch Publications Publications by Type Unpublished Research Outputs Projects & Collaborations Academic Activities Academic Self-Administration Continuing Education Junior Development, Doctorate and Advanced Studies Academic Reputation & Networking Teaching Bachelor/Master Profiles & Affiliations Unpublished Research Outputs 8 foundShow per page100 100 200 500 2025 - Conference Papers (not Peer-Reviewed) ‘“Chi vuol l’Iddio, vada alla notte”: Portraying the Night in 17th-Century Bologna’ 2025 - Conference Papers (not Peer-Reviewed) ‘Donne in ombra: scene notturne per le prime canterine viennesi (1701–1715)’. 2025 - Conference Papers (not Peer-Reviewed) ‘“O notte, o cara notte”: The Depiction of Night in Händel’s Italian Operas’ 2025 - Conference Papers (not Peer-Reviewed) Pietro Nicolò Sorosina (ca. 1645-1732), «tüchtiger Musiker und Komponist» 2025 - Conference Papers (not Peer-Reviewed) ‘Spaces and Times of Nocturnal Musicking in Seventeenth-Century Bologna’ 2025 - Conference Papers (not Peer-Reviewed) ‘Time, Music, and Night in Seventeenth-Century Italy: Bologna as a Case Study’ 2024 - Conference Papers (not Peer-Reviewed) Sonate-pasticcio e movimenti alternativi nelle fonti tartiniane a Venezia: alcuni casi di studio 2024 - Conference Papers (not Peer-Reviewed) ‘What Musical Instruments for Nocturnal Devotion and the Representation of the Night?’ 1 1 OverviewResearch Publications Publications by Type Unpublished Research Outputs Projects & Collaborations Academic Activities Academic Self-Administration Continuing Education Junior Development, Doctorate and Advanced Studies Academic Reputation & Networking Teaching Bachelor/Master
Unpublished Research Outputs 8 foundShow per page100 100 200 500 2025 - Conference Papers (not Peer-Reviewed) ‘“Chi vuol l’Iddio, vada alla notte”: Portraying the Night in 17th-Century Bologna’ 2025 - Conference Papers (not Peer-Reviewed) ‘Donne in ombra: scene notturne per le prime canterine viennesi (1701–1715)’. 2025 - Conference Papers (not Peer-Reviewed) ‘“O notte, o cara notte”: The Depiction of Night in Händel’s Italian Operas’ 2025 - Conference Papers (not Peer-Reviewed) Pietro Nicolò Sorosina (ca. 1645-1732), «tüchtiger Musiker und Komponist» 2025 - Conference Papers (not Peer-Reviewed) ‘Spaces and Times of Nocturnal Musicking in Seventeenth-Century Bologna’ 2025 - Conference Papers (not Peer-Reviewed) ‘Time, Music, and Night in Seventeenth-Century Italy: Bologna as a Case Study’ 2024 - Conference Papers (not Peer-Reviewed) Sonate-pasticcio e movimenti alternativi nelle fonti tartiniane a Venezia: alcuni casi di studio 2024 - Conference Papers (not Peer-Reviewed) ‘What Musical Instruments for Nocturnal Devotion and the Representation of the Night?’ 1 1
2025 - Conference Papers (not Peer-Reviewed) ‘“Chi vuol l’Iddio, vada alla notte”: Portraying the Night in 17th-Century Bologna’
2025 - Conference Papers (not Peer-Reviewed) ‘Donne in ombra: scene notturne per le prime canterine viennesi (1701–1715)’.
2025 - Conference Papers (not Peer-Reviewed) ‘“O notte, o cara notte”: The Depiction of Night in Händel’s Italian Operas’
2025 - Conference Papers (not Peer-Reviewed) Pietro Nicolò Sorosina (ca. 1645-1732), «tüchtiger Musiker und Komponist»
2025 - Conference Papers (not Peer-Reviewed) ‘Spaces and Times of Nocturnal Musicking in Seventeenth-Century Bologna’
2025 - Conference Papers (not Peer-Reviewed) ‘Time, Music, and Night in Seventeenth-Century Italy: Bologna as a Case Study’
2024 - Conference Papers (not Peer-Reviewed) Sonate-pasticcio e movimenti alternativi nelle fonti tartiniane a Venezia: alcuni casi di studio
2024 - Conference Papers (not Peer-Reviewed) ‘What Musical Instruments for Nocturnal Devotion and the Representation of the Night?’
