Prof. Dr. Anton F.H. Bierl

Bierl, Anton. (2024). Richard Neer/Leslie Kurke: Pindar, Song, and Space. Towards a Lyric Archaeology. Baltimore 2019. Göttingische Gelehrten Anzeigen .

Bierl, Anton. (2024). Niobe: A Mythic Example and Emblem of a Human / Non-Human Mother in Mourning. A New Reading of Iliad 24.599-620 and Modern Interpretations of the Figure. In Human and Non Human in Homeric and Archaic Epic.

Bierl, Anton. (2024). Fliessend-gleitende Wortverwebungen”, Lyrikbesprechung von Sonja Crone: Einen Spalt weit. Gedichte, Gesst-Verlag. Orte. Schweizer Literaturzeitschrift .

Bierl, Anton. (2023). Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen. In C. Semenzato, L. Hartmann (Ed.), Von der Antike begeistert! (pp. 147–162).

Bierl, Anton. (2023). From Image to Theatrical Play in Aeschylus’ Oresteia. Iconicity, Intervisuality, the Image Act, and the Dramatic Performance Act. In , & Bierl, Anton (Trans.), Intervisuality. New Approaches to Greek Literature (pp. 33–78). De Gruyter.

Bierl, Anton. (2023). Robert Ickes Orestie (2015/2018) als Psychotherapie und theatrale Traumaverarbeitung. Eine Klassikeradaption für die Problemlage und Ästhetik ewig junger Menschen im 21. Jahrhundert unter den Bedingungen des westlich-konsumorientierten Globalismus. In Visioni Del Tragico. La Tragedia Greca Sulla Scena Del XXI Secolo (pp. 55–84).

Bierl, Anton F.H. (2023). Leid, Stimme und Musik als Grund des Tragischen. Metapoetische Reflexionen zur akustischen und choreutischen Dimension im ‘Agamemnon’ des Aischylos. In G. Rechenauer, S. Kazmierski (Ed.), Vom Grund des Tragischen. Ansätze zur Interpretation der Tragödie (pp. 99–131).

Bierl, Anton F.H. (2023). The Parodos of Euripides’ Cretans (fr. 472 Kannicht) between an Amalgam of Epichoric Mystic Experience and Dionysian Metatheatricality. In A. Papachrysostomou, A. P. Antonopoulos, A.-F. Mitsis, F. Papadimitriou, and P. Taktikou (Ed.), Γέρα: Studies in honor of Professor Menelaos Christopoulos. https://nrs.harvard.edu/URN-3:HLNC.ESSAY:103900184

Wesselmann, Katharina. (2023). Book VII Homer’s Iliad (; Bierl Anton F.H., Trans.). De Gruyter.

Bierl, Anton. (2022). Prometheus Bound as ‘Epic’ Tragedy and Its Narratology of Emotion. In de Bakker, Mathieu P. ; van den Berg, Baukje; Klooster, Jacqueline (Ed.), Emotions and Narrative in Ancient Literature and Beyond. Studies in Honour of Irene de Jong (pp. 287–306). Brill.

Bierl, Anton. (2022). Griechische Helden und die Gewalt: Ambivalenz, Opfer und Heroenkult. In Fischer, S.; Hankel, G. ;Knöbel, W. (Ed.), Die Gegenwart der Gewalt und die Macht der Aufklärung. FS für Jan Philipp Reemtsma (Vol. 2, pp. 11–46). Zu Klampen.

Bierl, Anton. (2022). “Se non posso esser Saffo, preferisco esser nulla”: Eine Neuinterpretation der Rolle Sapphos in Cesare Paveses Schiuma d’onda im Lichte des Phaonmythos. In Barbero, M. M. A.; Vitale, V. (Ed.), Alla frontiera del testo. Studi in onore di Maria Antonietta Terzoli (pp. 527–550). Carocci.

Bierl, Anton. (2022). Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen. In Semenzato, C.; Hartmann, L. (Ed.), Von der Antike begeistert! Festschrift für Christoph Riedweg (pp. 147–162). Schwabe.

Bierl, Anton. (2022). Loren D. Marsh: Muthos. Aristotle’s Concept of Narrative and the Fragments of Old Comedy. Göttingen (Vandenhoeck & Ruprecht) 2021. Studia Comica: 12. 212 S. 2 Abb. 4 Tab. Euro 64,99. Gymnasium, 129, 77–78.

Bierl, Anton. (2021). Übersetzung von Ilias 21. In Bierl, Anton; Latacz, Joachim (Ed.), Homers Ilias. vol. XIV.1.: Einundzwanzigster Gesang: Text von M. West (†), Übersetzung von A. Bierl (pp. 1–41). De Gruyter.

Bierl, Anton. (2021). Pratinas and Euripides: Wild Origins, Choral Self-Reference and Performative Release of Dionysian Energy in Satyr Drama. In Antonopoulos, Andreas P.; Christopoulos, Menelaos M.; Harrison, George W. M. (Ed.), Reconstructing Satyr Drama (pp. 337–359). De Gruyter.

Bierl, Anton. (2021). Narrative Strategien der lysis in ausgewählten Szenen von Ilias 24 und die Umsetzung in der Ilias Latina. Aufschub im Monumentalen und Hervorhebung der archaischen anthropologischen Grunderfahrung im Leid vs. Ilias light mit römischem Anstrich. In Falcone, Maria Jennifer; Schubert, Christoph (Ed.), Ilias Latina: Text, Interpretation, and Reception (pp. 115–142). Brill.

Bierl, Anton. (2021). New Thoughts on Metatheatre in Attic Drama: Self-Referentiality, Ritual and Performativity as Total Theatre. In Paillard, Elodie; Milanezi, Silvia (Ed.), Theatre and Metatheatre. Definitions, Problems, Limits (pp. 107–129). De Gruyter.

Bierl, Anton. (2021). Choral Dance as Play: Paizein in Greek Drama, or Body Movement as Sexual Attraction between Gender and Genre. In Dasen, Véronique; Vespa, Marco (Ed.), Jouer dans l’Antiquité classique. Définition, transmission, réception. Play and Games in Classical Antiquity. Definition, Transmission, Reception (pp. 29–47). Presses Universitaires de Liège.

Bierl, Anton. (2021, January 1). Sappho und der Eros: Mit einem Essay. Philosophiemagazin, 66–73.

Bierl, Anton. (2021). The Deeper Structure of Religious Discourse in Aristophanes’ Wealth: Plutos, the Eiresione, Metaphor, and the Reevaluation of the Vegetation Paradigm. Dioniso. Rivista Di Studi Sul Teatro Antico, nuova serie 10/11, 255–298.

Bierl, Anton. (2021). Sappho, the Shining Star. Illuminating the Fragments of the World’s Most Famous Female Poet. In Antigone: Open-access resources for the Classics-keen and curious. Antigone: Open-access resources for the Classics-keen and curious. https://doi.org/https://antigonejournal.com/2021/10/sappho-shining-star/

Bierl, Anton. (2021). The Cambridge companion to Sappho. Edited by P. J. Finglass and Adrian Kelly. Cambridge University Press, Cambridge 2021. XXXII, 553 p. Museum Helveticum, 78(2), 311–312.

Bierl, Anton. (2021, January 1). Am Ende sind die Politiker schuld: In seiner Beschreibung des Peloponnesischen Kriegs schildert Thukydides eine Epidemie. Hat sie so stattgefunden? Nzz, 36.

Bierl, Anton. (2021). Walter Burkert e la tragedia greca: Vol. Blog of Visioni del Tragico. Blog of Visioni del Tragico. https://www.visionideltragico.it/blog/studiosi/walter-burkert-e-la-tragedia-greca

Bierl, Anton F.H. (2021). Sappho: Lieder: Griechisch/Deutsch, hrsg. und übersetzt sowie mit Anmerkungen und Nachwort versehen. Reclam.

Bierl, Anton, & Latacz, Joachim. (2021). Homers Ilias. vol. XIV.2: Einundzwanzigster Gesang: Kommentar von M. Coray und M. Krieter-Spiro. In Sammlung wissenschaftlicher Commentare. De Gruyter.

Bierl, Anton, & Latacz, Joachim. (2021). Homers Ilias. vol. XIV.1.: Einundzwanzigster Gesang: Text von M. West (†), Übersetzung von A. Bierl. In Sammlung wissenschaftlicher Commentare. De Gruyter.

Klaeui, Andreas, & Bierl, Anton. (2021, January 1). Sappho neu entdeckt - Sappho war aristokratisch, lesbisch und eine begnadete Dichterin (mit Interview A. Bierl). In SRF 2 Kultur. https://doi.org/https://www.srf.ch/kultur/literatur/sappho-neu-entdeckt-sappho-war-aristokratisch-lesbisch-und-eine-begnadete-dichterin

Meyer-Blankenburg, Lukas, & Bierl, Anton. (2021, January 1). Anton Bierl - Sappho. In SWR 2. https://doi.org/https://www.swr.de/swr2/literatur/anton-bierl-sappho-lieder-100.html

Bierl, Anton. (2020). The Phaeacians’ Last Transfer from the Under World to the Upper Word: Petrification and Crystallization between Anthropology, Narratology and Metapoetics (Odyssey 13.125-187). In Christopoulos, Menelao; Païzē-Apostolopoulou, Machē (Ed.), The Upper and the Under World in Homeric and Archaic Epic. Proceedings of the 13th International Symposium on the Odyssey, 25-29 August 2017 (pp. 333–368). Kentro Odysseiakōn spudōn.

Bierl, Anton. (2020). Paratragic Fragmentation and Patchwork-Citation as Comic Aesthetics: the Potpourri Use of Euripides’ Helen and Andromeda in Aristophanes’ Thesmophoriazusae and Their Symbolic Meaning. In Lamari, Anna; Montanari, Franco; Novokhatko, Anna (Ed.), Fragmentation in Ancient Greek Drama (pp. 453–480). De Gruyter.

Bierl, Anton. (2020). Nachwort. In Steinmann, Kurt (Ed.), Aischylos, Der Gefesselte Prometheus. Griechisch / Deutsch (pp. 119–165). Reclam.

Bierl, Anton. (2020). Phaedra: a Tragic Queen in Turmoil Between Violent Love and Its Chaste Suppression. An Interpretation of Euripides’ Hippolytus in Initiatory Terms. Skenè, 6(1), 57–83. https://doi.org/10.13136/sjtds.v6i1.270

Bierl, Anton. (2020). [Review:] Francisco Barrenechea, Comedy and Religion in Classical Athens: Narratives of Religious Experiences in Aristophanes’ Wealth, Cambridge, New York 2018. Bryn Mawr Classical Review, 2020.04.34, 1–5.

Bierl, Anton. (2020, January 1). Bildung und das Wesentliche. Nzz, 18.

Bierl, Anton, & Latacz, Joachim. (2020). Homers Ilias. Gesamtkommentar vol. XII.2: Siebter Gesang. In Homers Ilias. Gesamtkommentar (Basler Kommentar / BK): Vol. 12.2. De Gruyter.

Bierl, Anton. (2019). Agonistic Excess and Its Ritual Resolution in Hero Cult: The Funeral Games in Iliad 23 as a mise en abyme. In Damon, Cynthia; Pieper, Christoph (Ed.), Eris vs. Aemulatio. Valuing Competition in Classical Antiquity (pp. 53–77). Brill. https://doi.org/10.1163/9789004383975_004

Bierl, Anton. (2019). Griechische Literatur - ein Musterfall von ‘Literatur und Religion’ (mit einer Interpretation von Sapphos Fragment 2 Voigt). In Braungart, Wolfgang; Jacob, Joachim; Tück, Jan-Heiner (Ed.), Literatur / Religion. Bilanz und Perspektiven eines interdisziplinären Forschungsgebietes (pp. 29–56). Metzler. https://doi.org/10.1007/978-3-476-04694-9_2

Bierl, Anton. (2019). Oedipus at Colonus as a Reflection of the Oresteia: The Abomination from Thebes as an Athenian Hero in the Making. In Bigliazzi, Silvia (Ed.), Oedipus at Colonus and King Lear: Classical and Early Modern Intersections (Vol. 2, pp. 165–199). Skenè. https://textsandstudies.skeneproject.it/index.php/TS/catalog/view/67/13/461-2

Bierl, Anton. (2019). Essay. In Euripides: Hippolytos. Wenn Menschen lieben. Eine Tragödie (pp. 108–140). Diogenes.

Bierl, Anton. (2019). Genre Criticism. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 384–385). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842

Bierl, Anton. (2019). Metaphor. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (Vol. 2, pp. 550–552). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842

Bierl, Anton. (2019). Narratology. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 598–599). Wiley.

Bierl, Anton. (2019). Phallikon. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 694). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842

Bierl, Anton. (2019). Trickster. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 980–981). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842

Bierl, Anton. (2019). Utopias. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 989–991). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842

Bierl, Anton. (2019). Lösung in der Schwebe durch Provokation: Metanarrative Überlegungen zum Aufschub und Ende der Erzählung in den Lytra (Ilias XXIV). Maia : Rivista Quadrimestrale Di Letterature Classiche, 71(1), 49–74.

Bierl, Anton. (2018). Odysseus als Sänger im Prozess narrativer Sinnbildung. Eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee. In Roeder, Hubert (Ed.), Eine Archäologie der narrativen Sinnbildung: Vol. 2/2 (pp. 197–220). Wilhelm Fink.

Bierl, Anton. (2018). Fear in Choral Action: Thoughts about a Dionysian Emotion in Aeschylean Tragedy. In De Poli, Mattia (Ed.), Il teatro delle emozioni: la paura (pp. 17–40). Padova University Press.

Bierl, Anton. (2018). Longus’ Hyperreality: Daphnis and Chloe as a Meta-text about Mimesis and Simulation. In Cueva, Edmund; Harrison, Stephen; Mason, Hugh; Owens, William; Schwartz, Saundra (Ed.), Re-Wiring the Ancient, Novel (Vol. 24, pp. 3–28). Barkhuis & Groningen University Library. https://www.barkhuis.nl/product_info.php?products_id=235

Bierl, Anton. (2018). God of Many Names: Dionysus in the Light of his Cult Epithets. In Kavoulaki, Athena (Ed.), Πλειών: Papers in Memory of Christiane Sourvinou-Inwood: Vol. Supplement 1 (pp. 229–288). Εκδόσεις της Φιλοσοφικής Σχολής του Πανεπιστημίου Κρήτης. https://www.academia.edu/38285474/PLEION_PAPERS_IN_MEMORY_OF_CHRISTIANE_SOURVINOU-INWOOD_.pdf

Bierl, Anton. (2018). Symmachos esso: Theatrical Role-Playing and Mimesis in Sappho fr. 1 V. In Bigliazzi, Silvia; Lupi, Francesco; Ugolini, Gherardo (Ed.), Συναγωνίζεσθαι. Essays in Honour of Guido Avezzù (Vol. 1, pp. 925–952). Skenè. https://www.academia.edu/38614387/%CE%A3%CF%85%CE%BD%CE%B1%CE%B3%CF%89%CE%BD%CE%AF%CE%B6%CE%B5%CF%83%CE%B8%CE%B1%CE%B9_Studies_in_Honour_of_Guido_Avezz%C3%B9

Bierl, Anton. (2018). The mise en scène of Kingship and Power in Aeschylus’ Seven Against Thebes: Ritual Performativity or Goos, Cledonomancy and Catharsis. Skenè, 4(2), 19–54.

Bierl, Anton. (2018). [Review] Jeffrey M. Duban: The Lesbian lyre. Reclaiming Sappho for the 21st century. Clairview, West Hoathly 2016. XXXVI, 795 p. Museum Helveticum, 75(2), 226–227.

Bierl, Anton. (2018). [Review] Aldo Tagliabue: Xenophon’s Ephesiaca. A paraliterary love-story from the ancient world. Ancient Narrative Supplementum 22. Barkhuis & Groningen University Library, Groningen 2017. VIII, 243 p. Museum Helveticum, 75(2), 229–230.

Bierl, Anton, & Melchinger, Gwendolyne. (2018). Um dieses Haus ist es nicht gut bestellt: Anton Bierl im Gespräch mit der Dramaturgin Gwendolyne Melchinger. Theaterprogramm, Schauspiel Stuttgart, 10–26.

Bierl, Anton. (2017). Die Dialektik von πολυπραγμοσύνη und ἀπραγμοσύνη. Die athenische Demokratie in den Komödien des Aristophanes und in Platons Politeia. In Abbt, Christine; Niazi, Nahyan (Ed.), Der Vieltuer und die Demokratie. Politische und philosophische Aspekte von Allotrio- und Polypragmosyne (pp. 31–55). Colmena.

Bierl, Anton. (2017). ‘Hail and Take Pleasure!’ Making Gods Present In Narration Through Choral Song and Other Epiphanic Strategies in the Homeric Hymns to Dionysus and Apollo. In Tsagalis, Christos; Markantonatos, Andreas (ed.), The Winnowing Oar. New Perspectives in Homeric Studies (pp. 231–266). De Gruyter. https://doi.org/10.1515/9783110559873-013

Bierl, Anton. (2017). The Bacchic-Chor(a)ic Chronotope: Dionysus, Chora and Chorality in the Fifth Stasimon of Sophocles’ Antigone. In Bierl, Anton; Christopoulos, Menelaos; Papachrysostomou, Athina (ed.), Time and Space in Ancient Myth, Religion and Culture (pp. 99–144). De Gruyter. https://doi.org/10.1515/9783110535150-007

Bierl, Anton, Christopoulos, Menelaos, & Papachrysostomou, Athina. (2017). Preface. In Bierl, Anton; Christopoulos, Menelaos; Papachrysostomou, Athina (ed.), Time and Space in Ancient Myth, Religion and Culture (pp. ix–xvii). De Gruyter.

Bierl, Anton. (2017). Passion in a Stoic’s Satire Directed against a Dead Caesar? Seneca’s Apocolocyntosis as a Saturnalian Text Composed for Overcoming the Crisis. Maia, 69(2), 326–349.

Bierl, Anton. (2017). Rezension von: John Scheid, Jesper Svenbro: La tortue et la lyre. Dans l’atelier du mythe antique. Paris: CNRS Editions 2014. Gnomon, 89(5), 385–389. https://doi.org/10.17104/0017-1417-2017-5

Bierl, Anton. (2017). Klytaimestra Tyrannos: Fear and Tyranny in Aeschylus’s Oresteia (with a Brief Comparison with Macbeth). Comparative Drama, 51(4), 528–563. https://doi.org/10.1353/cdr.2017.0042

Bierl, Anton, Christopoulos, Menelaos, & Papachrysostomou, Athina. (2017). Time and Space in Ancient Myth, Religion and Culture. In MythosEikonPoiesis (Vol. 10). De Gruyter. https://doi.org/10.1515/9783110535150

Bierl, Anton. (2016). Visualizing the Cologne Sappho: Mental Imagery Through Chorality, the Sun, and Orpheus. In Cazzato, Vanessa; Lardinois, André (Ed.), The Look of Lyric: Greek Song and the Visual (pp. 307–342). Brill. https://doi.org/10.1163/9789004314849_014

Bierl, Anton. (2016). ‘All you Need is Love’: Some Thoughts on the Structure, Texture, and Meaning of the Brothers Song as well as on Its Relation to the Kypris Song (P. Sapph. Obbink). In Bierl, Anton; Lardinois, André (Ed.), The Newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4 (pp. 302–336). Brill. https://doi.org/10.1163/9789004314832_016

Bierl, Anton. (2016). Sappho as Aphrodite’s Singer, Poet, and Hero(ine): The Reconstruction of Context and Sense of the Kypris Song. In Bierl, Anton; Lardinois, André (Ed.), The Newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4 (pp. 339–352). Brill. https://doi.org/10.1163/9789004314832_017

Bierl, Anton. (2016). Germany, Austria, and Switzerland. In van Zyl Smit, Bettine (Ed.), A Handbook to the Reception of Greek Drama (pp. 257–282). Wiley Blackwell. https://doi.org/10.1002/9781118347805.ch13

Bierl, Anton. (2016). Melizein Pathe or the Tonal Dimension in Aeschylus’ Agamemnon: Voice, Song, and Choreia as Leitmotifs and Metatragic Signals for Expressing Suffering. In Slater, Niall (ed.), Voice and Voices in Antiquity (pp. 166–207). Brill. https://doi.org/10.1163/9789004329737_010

Bierl, Anton. (2016). Nachwort (und Literaturhinweise). In Steinmann, Kurt (ed.), Die Orestie. Aischylos (pp. 239–289). Reclam.

Bierl, Anton, & Lardinois, André. (2016). Introduction. In Bierl, Anton; Lardinois, André (ed.), The Newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4 (pp. 1–9). Brill. https://doi.org/10.1163/9789004314832_002

Bierl, Anton. (2016). Lived Religion and the Construction of Meaning in Greek Literary Texts: Genre, Context, Occasion. Religion in the Roman Empire, 2(1), 10–37. https://doi.org/10.1628/219944616x14537295637754

Bierl, Anton, & Lardinois, André. (2016). The newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4. In Mnemosyne. Supplements (Vol. 392). Brill. https://doi.org/10.1163/9789004314832

Bierl, Anton. (2015). New Trends in Homeric Scholarship (NTHS). In Bierl, Anton; Latacz, Joachim (ed.), Prolegomena : Homer’s Iliad. The Basel Commentary (pp. 177–203). De Gruyter. https://doi.org/10.1515/9781501501746-013

Bierl, Anton. (2015). Preface to the English Edition. In Bierl, Anton; Latacz, Joachim (ed.), Prolegomena : Homer’s Iliad. The Basel Commentary (pp. 11–26). De Gruyter. https://doi.org/10.1515/9781501501746-002

Bierl, Anton. (2015). Diachronic Shifts between the Epic Past and Future at the Phaeacians: Binding, Chorality, and Fluidity in Demodokos’ Song of Ares and Aphrodite in Homer’s Odyssey (8.266-366). In González, José M. (ed.), Diachrony. Diachronic Studies of Ancient Greek Literature and Culture (pp. 43–77). Walter de Gruyter. https://doi.org/10.1515/9783110422962-004

Bierl, Anton. (2015). Nach der Konferenz ‘Sappho in the Third Millennium’ ein renommierter Band zur Neuesten Sappho [Collegium Beatus Rhenanus]. EUCOR-Newsletter, 18, 11. https://easyweb-lite-001.unibas.ch/cbr/wp-content/uploads/sites/27/2016/10/Newsletter-18-2015.pdf

Bierl, Anton. (2015). Die Literaturkonzertreihe “Die Neue Sappho”. Sappho, Penelope, Joyce oder Wissenschaft als Kunst [Collegium Beatus Rhenanus]. EUCOR-Newsletter, 18, 11–12. https://easyweb-lite-001.unibas.ch/cbr/wp-content/uploads/sites/27/2016/10/Newsletter-18-2015.pdf

Bierl, Anton. (2015). Momente performativen Selbstreflexiv-Werdens in der Tragödie des Aischylos (mit besonderem Blick auf die Dareios-Szene in den Persern). Forum Modernes Theater, 30(1-2), 86–105. https://doi.org/10.1353/fmt.2019.0007

Bierl, Anton. (2014). Love, Myth, and Ritual: The Mythic Dimension and Adolescence in Longus’ Daphnis and Chloe. In A companion to the ancient novel (pp. 441–455). Wiley Blackwell. https://doi.org/10.1002/9781118350416.ch28

Bierl, Anton. (2014). ‘Riddles over Riddles’: ‘Mysterious’ and ‘Symbolic’ (Inter)textual Strategies. The Problem of Language in the Derveni Papyrus. In Papadopoulou, Ioanna; Muellner, Leonard (ed.), Poetry as Initiation : The Center for Hellenic Studies Symposium on the Derveni Papyrus (pp. 187–210). Center for Hellenic Studies. https://chs.harvard.edu/CHS/article/display/5694

Bierl, Anton. (2014). Choreia und Fest: Neue Ansätze in der Interpretation der griechischen Liedkultur. Gymnasium, 121(3), 217–239.

Bierl, Anton. (2014). Sappho, der sensationelle Neufund und die weltweit führende Lyrikforschung in Castelen bei Basel: Bericht über die Tagung “Sappho in the Third Millennium. New Approaches, Readings and the ‘Brand-New Sappho’” - Core Group Meeting of the Network for the Study of Archaic and Classical Greek Song, Landgut Castelen bei Augst/Basel, 26.-28. Juni 2014 [Collegium Beatus Rhenanus]. EUCOR-Newsletter, 17, 9–10. https://easyweb-lite-001.unibas.ch/cbr/wp-content/uploads/sites/27/2016/10/Newsletter-17-2014.pdf

Bierl, Anton. (2013). Maenadism as Self-Referential Chorality in Euripides’ Bacchae. In Choral Mediations in Greek Tragedy (pp. 211–226). Cambridge University Press. https://doi.org/10.1017/cbo9781139519564.009

Bierl, Anton. (2013). Dionysos in Old Comedy : Staging of Experiments on Myth and Cult. In Redefining Dionysos (pp. 366–385). De Gruyter. https://doi.org/10.1515/9783110301328.366

Bierl, Anton. (2013). Myth and the Novel: Introductory Remarks and Comments on the Roundtable Discussion. In Intende, Lector : Echoes of Myth, Religion and Ritual in the Ancient Novel (pp. 7–23). De Gruyter. https://doi.org/10.1515/9783110311907.7

Bierl, Anton. (2013). From Mystery to Initiation: A Mytho-Ritual Poetics of Love and Sex in the Ancient Novel even in Apuleius’ Golden Ass? In Intende, Lector : Echoes of Myth, Religion and Ritual in the Ancient Novel (pp. 82–99). De Gruyter. https://doi.org/10.1515/9783110311907.82

Bierl, Anton. (2013). Der vielnamige Dionysos : Wesen und Funktion des Gottes im Spiegel seiner Beinamen. In Dionysos : Rausch und Ekstase (Bucerius Kunstforum, pp. 30–39). Hirmer.

Futre Pinheiro, Marília, Bierl, Anton, & Beck, Roger. (2013). Intende, lector : echoes of myth, religion and ritual in the ancient novel. In MythosEikonPoiesis (Vol. 6). de Gruyter. https://doi.org/10.1515/9783110311907

Bierl, Anton. (2012). Odysseus als Sänger im Prozess narrativer Sinnbildung : eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee. In Das Erzählen in frühen Hochkulturen: Vol. Bd. 2: Eine Archäologie der narrativen Sinnbildung (pp. 197–220). Wilhelm Fink.

Bierl, Anton. (2012). Women on the Acropolis and Mental Mapping: Comic Body-Politics in a City in Crisis, or Ritual and Metaphor in Aristophanes’ Lysistrata. In Markantonatos, A; Zimmermann, B (ed.), Crisis on Stage : Tragedy and Comedy in Late Fifth-Century Athens (pp. 255–290). De Gruyter. https://doi.org/10.1515/9783110271560.255

Bierl, Anton. (2012). Demodokos’ song of Ares and Aphrodite in Homer’s Odyssey (8.266-366) : an epyllion? Agonistic performativity and cultural metapoetics. In Brill’s Companion to Greek and Latin Epyllion and its Reception (pp. 111–134). Brill. https://doi.org/10.1163/9789004233058_006

Bierl, Anton. (2012). Orality, fluid textualization and interweaving themes : some remarks on the Doloneia : magical horses from night to light and death to life. In Montanari, F; Rengakos, A; Tsagalis, C (ed.), Homeric Contexts : Neoanalysis and the Interpretation of Oral Poetry (pp. 133–174). De Gruyter. https://doi.org/10.1515/9783110272017.133

Bierl, Anton. (2012). Ästhetik, Sex und Opfer : der Blick auf die hingeschlachtete Jungfrau im Liebesroman des Achilleus Tatios. In Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel (pp. 131–161). Fink.

Bierl, Anton. (2012). Traumatic dreams : lacanian love, Kubrick’s Eyes Wide Shut, and the Ancient Greek Novel, or, gliding in phantasmagoric chains of metonymy. In Donum natalicium digitaliter confectum Gregorio Nagy septuagenario a discipulis collegis familiaribus oblatum : a virtual birthday gift presented to Gregory Nagy on turning seventy by his students, colleagues, and friends (: http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Bers_etal_eds.Donum_Natalicium_Gregorio_Nagy.2012). Harvard Press. http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=4388

Bierl, Anton. (2012). [Rezension von] Cécile Corbel-Morana, Le Bestiaire d’Aristophane (Collection d’études anciennes. Série grecque 144) : Paris, 2012 [Review of [Rezension von] Cécile Corbel-Morana, Le Bestiaire d’Aristophane (Collection d’études anciennes. Série grecque 144) : Paris, 2012]. Bryn Mawr Classical Review, Vol. 2012.08.05 , 1 S. http://www.bmcreview.org/2012/08/20120805.html

Bierl, Anton. (2012). Postdramatic Theater and Politics: The Oresteia Today. Atene E Roma Nuova Serie Seconda, 6(3-4), 283–296.

Bierl, Anton. (2012). Dionysοs’ Epiphany in Performance. The God of Ecstatic Cry, Noise, Song, Music, and Choral Dance”, in: Electra 2: Dionysus: Myth, Cult, Ritual. Electra, 2, 1–12. http://electra.lis.upatras.gr/index.php/electra/issue/view/235

Honold, Alexander, Bierl, Anton, & Luppi, Valentina. (2012). Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel. Wilhelm Fink. http://deposit.d-nb.de/cgi-bin/dokserv?id=4050406&prov=M&dok_var=1&dok_ext=htm