Publications
178 found
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. (2024). Richard Neer/Leslie Kurke: Pindar, Song, and Space. Towards a Lyric Archaeology. Baltimore 2019. Göttingische Gelehrten Anzeigen .
. (2024). Richard Neer/Leslie Kurke: Pindar, Song, and Space. Towards a Lyric Archaeology. Baltimore 2019. Göttingische Gelehrten Anzeigen .
. (2024). Niobe: A Mythic Example and Emblem of a Human / Non-Human Mother in Mourning. A New Reading of Iliad 24.599-620 and Modern Interpretations of the Figure. In Human and Non Human in Homeric and Archaic Epic.
. (2024). Niobe: A Mythic Example and Emblem of a Human / Non-Human Mother in Mourning. A New Reading of Iliad 24.599-620 and Modern Interpretations of the Figure. In Human and Non Human in Homeric and Archaic Epic.
. (2024). Fliessend-gleitende Wortverwebungen”, Lyrikbesprechung von Sonja Crone: Einen Spalt weit. Gedichte, Gesst-Verlag. Orte. Schweizer Literaturzeitschrift .
. (2024). Fliessend-gleitende Wortverwebungen”, Lyrikbesprechung von Sonja Crone: Einen Spalt weit. Gedichte, Gesst-Verlag. Orte. Schweizer Literaturzeitschrift .
Wesselmann, Katharina. (2023). Book VII Homer’s Iliad. De Gruyter.
Wesselmann, Katharina. (2023). Book VII Homer’s Iliad. De Gruyter.
. (2023). Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen. In C. Semenzato, L. Hartmann (Ed.), Von der Antike begeistert! (pp. 147–162).
. (2023). Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen. In C. Semenzato, L. Hartmann (Ed.), Von der Antike begeistert! (pp. 147–162).
. (2023). From Image to Theatrical Play in Aeschylus’ Oresteia. Iconicity, Intervisuality, the Image Act, and the Dramatic Performance Act. In , & Bierl, Anton (Trans.), Intervisuality. New Approaches to Greek Literature (p. 33–78 ). De Gruyter.
. (2023). From Image to Theatrical Play in Aeschylus’ Oresteia. Iconicity, Intervisuality, the Image Act, and the Dramatic Performance Act. In , & Bierl, Anton (Trans.), Intervisuality. New Approaches to Greek Literature (p. 33–78 ). De Gruyter.
. (2023). Robert Ickes Orestie (2015/2018) als Psychotherapie und theatrale Traumaverarbeitung. Eine Klassikeradaption für die Problemlage und Ästhetik ewig junger Menschen im 21. Jahrhundert unter den Bedingungen des westlich-konsumorientierten Globalismus. In Visioni Del Tragico. La Tragedia Greca Sulla Scena Del XXI Secolo (pp. 55–84).
. (2023). Robert Ickes Orestie (2015/2018) als Psychotherapie und theatrale Traumaverarbeitung. Eine Klassikeradaption für die Problemlage und Ästhetik ewig junger Menschen im 21. Jahrhundert unter den Bedingungen des westlich-konsumorientierten Globalismus. In Visioni Del Tragico. La Tragedia Greca Sulla Scena Del XXI Secolo (pp. 55–84).
(2023). Leid, Stimme und Musik als Grund des Tragischen. Metapoetische Reflexionen zur akustischen und choreutischen Dimension im ‘Agamemnon’ des Aischylos. In G. Rechenauer, S. Kazmierski (Ed.), Vom Grund des Tragischen. Ansätze zur Interpretation der Tragödie (pp. 99–131).
(2023). Leid, Stimme und Musik als Grund des Tragischen. Metapoetische Reflexionen zur akustischen und choreutischen Dimension im ‘Agamemnon’ des Aischylos. In G. Rechenauer, S. Kazmierski (Ed.), Vom Grund des Tragischen. Ansätze zur Interpretation der Tragödie (pp. 99–131).
(2023). The Parodos of Euripides’ Cretans (fr. 472 Kannicht) between an Amalgam of Epichoric Mystic Experience and Dionysian Metatheatricality. In A. Papachrysostomou, A. P. Antonopoulos, A.-F. Mitsis, F. Papadimitriou, and P. Taktikou (Ed.), Γέρα: Studies in honor of Professor Menelaos Christopoulos. https://nrs.harvard.edu/URN-3:HLNC.ESSAY:103900184
(2023). The Parodos of Euripides’ Cretans (fr. 472 Kannicht) between an Amalgam of Epichoric Mystic Experience and Dionysian Metatheatricality. In A. Papachrysostomou, A. P. Antonopoulos, A.-F. Mitsis, F. Papadimitriou, and P. Taktikou (Ed.), Γέρα: Studies in honor of Professor Menelaos Christopoulos. https://nrs.harvard.edu/URN-3:HLNC.ESSAY:103900184
. (2022). Loren D. Marsh: Muthos. Aristotle’s Concept of Narrative and the Fragments of Old Comedy. Göttingen (Vandenhoeck & Ruprecht) 2021. Studia Comica: 12. 212 S. 2 Abb. 4 Tab. Euro 64,99. Gymnasium, 129, 77–78.
. (2022). Loren D. Marsh: Muthos. Aristotle’s Concept of Narrative and the Fragments of Old Comedy. Göttingen (Vandenhoeck & Ruprecht) 2021. Studia Comica: 12. 212 S. 2 Abb. 4 Tab. Euro 64,99. Gymnasium, 129, 77–78.
. (2022). Prometheus Bound as ‘Epic’ Tragedy and Its Narratology of Emotion. In de Bakker, Mathieu P. ; van den Berg, Baukje; Klooster, Jacqueline (Ed.), Emotions and Narrative in Ancient Literature and Beyond. Studies in Honour of Irene de Jong (pp. 287–306). Brill.
. (2022). Prometheus Bound as ‘Epic’ Tragedy and Its Narratology of Emotion. In de Bakker, Mathieu P. ; van den Berg, Baukje; Klooster, Jacqueline (Ed.), Emotions and Narrative in Ancient Literature and Beyond. Studies in Honour of Irene de Jong (pp. 287–306). Brill.
. (2022). Griechische Helden und die Gewalt: Ambivalenz, Opfer und Heroenkult. In Fischer, S.; Hankel, G. ;Knöbel, W. (Ed.), Die Gegenwart der Gewalt und die Macht der Aufklärung. FS für Jan Philipp Reemtsma (Vol. 2, pp. 11–46). Zu Klampen.
. (2022). Griechische Helden und die Gewalt: Ambivalenz, Opfer und Heroenkult. In Fischer, S.; Hankel, G. ;Knöbel, W. (Ed.), Die Gegenwart der Gewalt und die Macht der Aufklärung. FS für Jan Philipp Reemtsma (Vol. 2, pp. 11–46). Zu Klampen.
. (2022). “Se non posso esser Saffo, preferisco esser nulla”: Eine Neuinterpretation der Rolle Sapphos in Cesare Paveses Schiuma d’onda im Lichte des Phaonmythos. In Barbero, M. M. A.; Vitale, V. (Ed.), Alla frontiera del testo. Studi in onore di Maria Antonietta Terzoli (pp. 527–550). Carocci.
. (2022). “Se non posso esser Saffo, preferisco esser nulla”: Eine Neuinterpretation der Rolle Sapphos in Cesare Paveses Schiuma d’onda im Lichte des Phaonmythos. In Barbero, M. M. A.; Vitale, V. (Ed.), Alla frontiera del testo. Studi in onore di Maria Antonietta Terzoli (pp. 527–550). Carocci.
. (2022). Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen. In Semenzato, C.; Hartmann, L. (Ed.), Von der Antike begeistert! Festschrift für Christoph Riedweg (pp. 147–162). Schwabe.
. (2022). Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen. In Semenzato, C.; Hartmann, L. (Ed.), Von der Antike begeistert! Festschrift für Christoph Riedweg (pp. 147–162). Schwabe.
. (2021, January 1). Sappho und der Eros: Mit einem Essay. Philosophiemagazin, 66–73.
. (2021, January 1). Sappho und der Eros: Mit einem Essay. Philosophiemagazin, 66–73.
. (2021). The Deeper Structure of Religious Discourse in Aristophanes’ Wealth: Plutos, the Eiresione, Metaphor, and the Reevaluation of the Vegetation Paradigm. Dioniso. Rivista Di Studi Sul Teatro Antico, nuova serie 10/11, 255–298.
. (2021). The Deeper Structure of Religious Discourse in Aristophanes’ Wealth: Plutos, the Eiresione, Metaphor, and the Reevaluation of the Vegetation Paradigm. Dioniso. Rivista Di Studi Sul Teatro Antico, nuova serie 10/11, 255–298.
. (2021). Sappho, the Shining Star. Illuminating the Fragments of the World’s Most Famous Female Poet. In Antigone: Open-access resources for the Classics-keen and curious. Antigone: Open-access resources for the Classics-keen and curious. https://doi.org/https://antigonejournal.com/2021/10/sappho-shining-star/
. (2021). Sappho, the Shining Star. Illuminating the Fragments of the World’s Most Famous Female Poet. In Antigone: Open-access resources for the Classics-keen and curious. Antigone: Open-access resources for the Classics-keen and curious. https://doi.org/https://antigonejournal.com/2021/10/sappho-shining-star/
. (2021). The Cambridge companion to Sappho. Edited by P. J. Finglass and Adrian Kelly. Cambridge University Press, Cambridge 2021. XXXII, 553 p. Museum Helveticum, 78(2), 311–312.
. (2021). The Cambridge companion to Sappho. Edited by P. J. Finglass and Adrian Kelly. Cambridge University Press, Cambridge 2021. XXXII, 553 p. Museum Helveticum, 78(2), 311–312.
. (2021, January 1). Am Ende sind die Politiker schuld: In seiner Beschreibung des Peloponnesischen Kriegs schildert Thukydides eine Epidemie. Hat sie so stattgefunden? Nzz, 36.
. (2021, January 1). Am Ende sind die Politiker schuld: In seiner Beschreibung des Peloponnesischen Kriegs schildert Thukydides eine Epidemie. Hat sie so stattgefunden? Nzz, 36.
. (2021). Walter Burkert e la tragedia greca: Vol. Blog of Visioni del Tragico. Blog of Visioni del Tragico. https://www.visionideltragico.it/blog/studiosi/walter-burkert-e-la-tragedia-greca
. (2021). Walter Burkert e la tragedia greca: Vol. Blog of Visioni del Tragico. Blog of Visioni del Tragico. https://www.visionideltragico.it/blog/studiosi/walter-burkert-e-la-tragedia-greca
(2021). Sappho: Lieder: Griechisch/Deutsch, hrsg. und übersetzt sowie mit Anmerkungen und Nachwort versehen. Reclam.
(2021). Sappho: Lieder: Griechisch/Deutsch, hrsg. und übersetzt sowie mit Anmerkungen und Nachwort versehen. Reclam.
, & Latacz, Joachim. (2021). Homers Ilias. vol. XIV.2: Einundzwanzigster Gesang: Kommentar von M. Coray und M. Krieter-Spiro. In Sammlung wissenschaftlicher Commentare. De Gruyter.
, & Latacz, Joachim. (2021). Homers Ilias. vol. XIV.2: Einundzwanzigster Gesang: Kommentar von M. Coray und M. Krieter-Spiro. In Sammlung wissenschaftlicher Commentare. De Gruyter.
, & Latacz, Joachim. (2021). Homers Ilias. vol. XIV.1.: Einundzwanzigster Gesang: Text von M. West (), Übersetzung von A. Bierl. In Sammlung wissenschaftlicher Commentare. De Gruyter.
, & Latacz, Joachim. (2021). Homers Ilias. vol. XIV.1.: Einundzwanzigster Gesang: Text von M. West (), Übersetzung von A. Bierl. In Sammlung wissenschaftlicher Commentare. De Gruyter.
Klaeui, Andreas, & . (2021, January 1). Sappho neu entdeckt - Sappho war aristokratisch, lesbisch und eine begnadete Dichterin (mit Interview A. Bierl). In SRF 2 Kultur. https://doi.org/https://www.srf.ch/kultur/literatur/sappho-neu-entdeckt-sappho-war-aristokratisch-lesbisch-und-eine-begnadete-dichterin
Klaeui, Andreas, & . (2021, January 1). Sappho neu entdeckt - Sappho war aristokratisch, lesbisch und eine begnadete Dichterin (mit Interview A. Bierl). In SRF 2 Kultur. https://doi.org/https://www.srf.ch/kultur/literatur/sappho-neu-entdeckt-sappho-war-aristokratisch-lesbisch-und-eine-begnadete-dichterin
Meyer-Blankenburg, Lukas, & . (2021, January 1). Anton Bierl - Sappho. In SWR 2. https://doi.org/https://www.swr.de/swr2/literatur/anton-bierl-sappho-lieder-100.html
Meyer-Blankenburg, Lukas, & . (2021, January 1). Anton Bierl - Sappho. In SWR 2. https://doi.org/https://www.swr.de/swr2/literatur/anton-bierl-sappho-lieder-100.html
. (2021). Übersetzung von Ilias 21. In ; Latacz, Joachim (Ed.), Homers Ilias. vol. XIV.1.: Einundzwanzigster Gesang: Text von M. West (), Übersetzung von A. Bierl (pp. 1–41). De Gruyter.
. (2021). Übersetzung von Ilias 21. In ; Latacz, Joachim (Ed.), Homers Ilias. vol. XIV.1.: Einundzwanzigster Gesang: Text von M. West (), Übersetzung von A. Bierl (pp. 1–41). De Gruyter.
. (2021). Pratinas and Euripides: Wild Origins, Choral Self-Reference and Performative Release of Dionysian Energy in Satyr Drama. In Antonopoulos, Andreas P.; Christopoulos, Menelaos M.; Harrison, George W. M. (Ed.), Reconstructing Satyr Drama (pp. 337–359). De Gruyter.
. (2021). Pratinas and Euripides: Wild Origins, Choral Self-Reference and Performative Release of Dionysian Energy in Satyr Drama. In Antonopoulos, Andreas P.; Christopoulos, Menelaos M.; Harrison, George W. M. (Ed.), Reconstructing Satyr Drama (pp. 337–359). De Gruyter.
. (2021). Narrative Strategien der lysis in ausgewählten Szenen von Ilias 24 und die Umsetzung in der Ilias Latina. Aufschub im Monumentalen und Hervorhebung der archaischen anthropologischen Grunderfahrung im Leid vs. Ilias light mit römischem Anstrich. In Falcone, Maria Jennifer; Schubert, Christoph (Ed.), Ilias Latina: Text, Interpretation, and Reception (pp. 115–142). Brill.
. (2021). Narrative Strategien der lysis in ausgewählten Szenen von Ilias 24 und die Umsetzung in der Ilias Latina. Aufschub im Monumentalen und Hervorhebung der archaischen anthropologischen Grunderfahrung im Leid vs. Ilias light mit römischem Anstrich. In Falcone, Maria Jennifer; Schubert, Christoph (Ed.), Ilias Latina: Text, Interpretation, and Reception (pp. 115–142). Brill.
. (2021). New Thoughts on Metatheatre in Attic Drama: Self-Referentiality, Ritual and Performativity as Total Theatre. In Paillard, Elodie; Milanezi, Silvia (Ed.), Theatre and Metatheatre. Definitions, Problems, Limits (pp. 107–129). De Gruyter.
. (2021). New Thoughts on Metatheatre in Attic Drama: Self-Referentiality, Ritual and Performativity as Total Theatre. In Paillard, Elodie; Milanezi, Silvia (Ed.), Theatre and Metatheatre. Definitions, Problems, Limits (pp. 107–129). De Gruyter.
. (2021). Choral Dance as Play: Paizein in Greek Drama, or Body Movement as Sexual Attraction between Gender and Genre. In Dasen, Véronique; Vespa, Marco (Ed.), Jouer dans l’Antiquité classique. Définition, transmission, réception. Play and Games in Classical Antiquity. Definition, Transmission, Reception (pp. 29–47). Presses Universitaires de Liège.
. (2021). Choral Dance as Play: Paizein in Greek Drama, or Body Movement as Sexual Attraction between Gender and Genre. In Dasen, Véronique; Vespa, Marco (Ed.), Jouer dans l’Antiquité classique. Définition, transmission, réception. Play and Games in Classical Antiquity. Definition, Transmission, Reception (pp. 29–47). Presses Universitaires de Liège.
. (2020). Phaedra: a Tragic Queen in Turmoil Between Violent Love and Its Chaste Suppression. An Interpretation of Euripides’ Hippolytus in Initiatory Terms. Skenè, 6(1), 57–83. https://doi.org/10.13136/sjtds.v6i1.270
. (2020). Phaedra: a Tragic Queen in Turmoil Between Violent Love and Its Chaste Suppression. An Interpretation of Euripides’ Hippolytus in Initiatory Terms. Skenè, 6(1), 57–83. https://doi.org/10.13136/sjtds.v6i1.270
. (2020). [Review:] Francisco Barrenechea, Comedy and Religion in Classical Athens: Narratives of Religious Experiences in Aristophanes’ Wealth, Cambridge, New York 2018. Bryn Mawr Classical Review, 2020.04.34, 1–5.
. (2020). [Review:] Francisco Barrenechea, Comedy and Religion in Classical Athens: Narratives of Religious Experiences in Aristophanes’ Wealth, Cambridge, New York 2018. Bryn Mawr Classical Review, 2020.04.34, 1–5.
. (2020, January 1). Bildung und das Wesentliche. Nzz, 18.
. (2020, January 1). Bildung und das Wesentliche. Nzz, 18.
, & Latacz, Joachim. (2020). Homers Ilias. Gesamtkommentar vol. XII.2: Siebter Gesang. In Homers Ilias. Gesamtkommentar (Basler Kommentar / BK): Vol. 12.2. De Gruyter.
, & Latacz, Joachim. (2020). Homers Ilias. Gesamtkommentar vol. XII.2: Siebter Gesang. In Homers Ilias. Gesamtkommentar (Basler Kommentar / BK): Vol. 12.2. De Gruyter.
. (2020). The Phaeacians’ Last Transfer from the Under World to the Upper Word: Petrification and Crystallization between Anthropology, Narratology and Metapoetics (Odyssey 13.125-187). In Christopoulos, Menelao; Païzē-Apostolopoulou, Machē (Ed.), The Upper and the Under World in Homeric and Archaic Epic. Proceedings of the 13th International Symposium on the Odyssey, 25-29 August 2017 (pp. 333–368). Kentro Odysseiakōn spudōn.
. (2020). The Phaeacians’ Last Transfer from the Under World to the Upper Word: Petrification and Crystallization between Anthropology, Narratology and Metapoetics (Odyssey 13.125-187). In Christopoulos, Menelao; Païzē-Apostolopoulou, Machē (Ed.), The Upper and the Under World in Homeric and Archaic Epic. Proceedings of the 13th International Symposium on the Odyssey, 25-29 August 2017 (pp. 333–368). Kentro Odysseiakōn spudōn.
. (2020). Paratragic Fragmentation and Patchwork-Citation as Comic Aesthetics: the Potpourri Use of Euripides’ Helen and Andromeda in Aristophanes’ Thesmophoriazusae and Their Symbolic Meaning. In Lamari, Anna; Montanari, Franco; Novokhatko, Anna (Ed.), Fragmentation in Ancient Greek Drama (pp. 453–480). De Gruyter.
. (2020). Paratragic Fragmentation and Patchwork-Citation as Comic Aesthetics: the Potpourri Use of Euripides’ Helen and Andromeda in Aristophanes’ Thesmophoriazusae and Their Symbolic Meaning. In Lamari, Anna; Montanari, Franco; Novokhatko, Anna (Ed.), Fragmentation in Ancient Greek Drama (pp. 453–480). De Gruyter.
. (2020). Nachwort. In Steinmann, Kurt (Ed.), Aischylos, Der Gefesselte Prometheus. Griechisch / Deutsch (pp. 119–165). Reclam.
. (2020). Nachwort. In Steinmann, Kurt (Ed.), Aischylos, Der Gefesselte Prometheus. Griechisch / Deutsch (pp. 119–165). Reclam.
. (2019). Lösung in der Schwebe durch Provokation: Metanarrative Überlegungen zum Aufschub und Ende der Erzählung in den Lytra (Ilias XXIV). Maia : Rivista Quadrimestrale Di Letterature Classiche, 71(1), 49–74.
. (2019). Lösung in der Schwebe durch Provokation: Metanarrative Überlegungen zum Aufschub und Ende der Erzählung in den Lytra (Ilias XXIV). Maia : Rivista Quadrimestrale Di Letterature Classiche, 71(1), 49–74.
. (2019). Agonistic Excess and Its Ritual Resolution in Hero Cult: The Funeral Games in Iliad 23 as a mise en abyme. In Damon, Cynthia; Pieper, Christoph (Ed.), Eris vs. Aemulatio. Valuing Competition in Classical Antiquity (pp. 53–77). Brill. https://doi.org/10.1163/9789004383975_004
. (2019). Agonistic Excess and Its Ritual Resolution in Hero Cult: The Funeral Games in Iliad 23 as a mise en abyme. In Damon, Cynthia; Pieper, Christoph (Ed.), Eris vs. Aemulatio. Valuing Competition in Classical Antiquity (pp. 53–77). Brill. https://doi.org/10.1163/9789004383975_004
. (2019). Griechische Literatur - ein Musterfall von ‘Literatur und Religion’ (mit einer Interpretation von Sapphos Fragment 2 Voigt). In Braungart, Wolfgang; Jacob, Joachim; Tück, Jan-Heiner (Ed.), Literatur / Religion. Bilanz und Perspektiven eines interdisziplinären Forschungsgebietes (pp. 29–56). Metzler. https://doi.org/10.1007/978-3-476-04694-9_2
. (2019). Griechische Literatur - ein Musterfall von ‘Literatur und Religion’ (mit einer Interpretation von Sapphos Fragment 2 Voigt). In Braungart, Wolfgang; Jacob, Joachim; Tück, Jan-Heiner (Ed.), Literatur / Religion. Bilanz und Perspektiven eines interdisziplinären Forschungsgebietes (pp. 29–56). Metzler. https://doi.org/10.1007/978-3-476-04694-9_2
. (2019). Oedipus at Colonus as a Reflection of the Oresteia: The Abomination from Thebes as an Athenian Hero in the Making. In Bigliazzi, Silvia (Ed.), Oedipus at Colonus and King Lear: Classical and Early Modern Intersections (Vol. 2, pp. 165–199). Skenè. https://textsandstudies.skeneproject.it/index.php/TS/catalog/view/67/13/461-2
. (2019). Oedipus at Colonus as a Reflection of the Oresteia: The Abomination from Thebes as an Athenian Hero in the Making. In Bigliazzi, Silvia (Ed.), Oedipus at Colonus and King Lear: Classical and Early Modern Intersections (Vol. 2, pp. 165–199). Skenè. https://textsandstudies.skeneproject.it/index.php/TS/catalog/view/67/13/461-2
. (2019). Essay. In Euripides: Hippolytos. Wenn Menschen lieben. Eine Tragödie (pp. 108–140). Diogenes.
. (2019). Essay. In Euripides: Hippolytos. Wenn Menschen lieben. Eine Tragödie (pp. 108–140). Diogenes.
. (2019). Genre Criticism. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 384–385). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Genre Criticism. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 384–385). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Metaphor. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (Vol. 2, pp. 550–552). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Metaphor. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (Vol. 2, pp. 550–552). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Narratology. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 598–599). Wiley.
. (2019). Narratology. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 598–599). Wiley.
. (2019). Phallikon. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 694). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Phallikon. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 694). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Trickster. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 980–981). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Trickster. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 980–981). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Utopias. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 989–991). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2019). Utopias. In Sommerstein, Alan H. (Ed.), The Encyclopedia of Greek Comedy (pp. 989–991). Wiley. https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118542842
. (2018). The mise en scène of Kingship and Power in Aeschylus’ Seven Against Thebes: Ritual Performativity or Goos, Cledonomancy and Catharsis. Skenè, 4(2), 19–54.
. (2018). The mise en scène of Kingship and Power in Aeschylus’ Seven Against Thebes: Ritual Performativity or Goos, Cledonomancy and Catharsis. Skenè, 4(2), 19–54.
. (2018). [Review] Jeffrey M. Duban: The Lesbian lyre. Reclaiming Sappho for the 21st century. Clairview, West Hoathly 2016. XXXVI, 795 p. Museum Helveticum, 75(2), 226–227.
. (2018). [Review] Jeffrey M. Duban: The Lesbian lyre. Reclaiming Sappho for the 21st century. Clairview, West Hoathly 2016. XXXVI, 795 p. Museum Helveticum, 75(2), 226–227.
. (2018). [Review] Aldo Tagliabue: Xenophon’s Ephesiaca. A paraliterary love-story from the ancient world. Ancient Narrative Supplementum 22. Barkhuis & Groningen University Library, Groningen 2017. VIII, 243 p. Museum Helveticum, 75(2), 229–230.
. (2018). [Review] Aldo Tagliabue: Xenophon’s Ephesiaca. A paraliterary love-story from the ancient world. Ancient Narrative Supplementum 22. Barkhuis & Groningen University Library, Groningen 2017. VIII, 243 p. Museum Helveticum, 75(2), 229–230.
, & Melchinger, Gwendolyne. (2018). Um dieses Haus ist es nicht gut bestellt: Anton Bierl im Gespräch mit der Dramaturgin Gwendolyne Melchinger. Theaterprogramm, Schauspiel Stuttgart, 10–26.
, & Melchinger, Gwendolyne. (2018). Um dieses Haus ist es nicht gut bestellt: Anton Bierl im Gespräch mit der Dramaturgin Gwendolyne Melchinger. Theaterprogramm, Schauspiel Stuttgart, 10–26.
. (2018). Odysseus als Sänger im Prozess narrativer Sinnbildung. Eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee. In Roeder, Hubert (Ed.), Eine Archäologie der narrativen Sinnbildung: Vol. 2/2 (pp. 197–220). Wilhelm Fink.
. (2018). Odysseus als Sänger im Prozess narrativer Sinnbildung. Eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee. In Roeder, Hubert (Ed.), Eine Archäologie der narrativen Sinnbildung: Vol. 2/2 (pp. 197–220). Wilhelm Fink.
. (2018). Fear in Choral Action: Thoughts about a Dionysian Emotion in Aeschylean Tragedy. In De Poli, Mattia (Ed.), Il teatro delle emozioni: la paura (pp. 17–40). Padova University Press.
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