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Prof. Dr. Ina Habermann

Department of Languages and Literatures
Profiles & Affiliations

Publications

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Habermann, Ina. (2023). In the Thick of the Woods: Contemporary Obscurity in the RSC’s 2021 Virtual ‘Dream’. Shakespeare Bulletin, 1(41), 35–50.

Habermann, Ina. (2022). Something Rotten in the State of Gibraltar: M.G. Sanchez’s Autobiographical Explorations of Borderlands. Mediterranean Studies, 30(1), 163–176. https://doi.org/10.5325/mediterraneanstu.30.2.0163

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Habermann, Ina. (2022). ‘A Little Touch of Harry in the Night’: Mysteries of Kingship and the Stage in Shakespeare’s The Life of King Henry the Fifth. In Poplawski, Paul (Ed.), Studying English Literature in Context (pp. 117–131). Cambridge University Press.

Habermann, Ina. (2022). Shakespeare heute? In Theater Basel (Ed.), Ein Sommernachtstraum. Schauspiel - Programmheft (pp. 21–25). Theater Basel.

Keller, Daniela, & Habermann, Ina. (2021). Brexit and Beyond: Nation and Identity. In Swiss Papers in English Language and Literature (Vol. 39). Narr Francke Attempto.

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Habermann, Ina. (2021). Chang(el)ing spaces: dramatic forms of worlding in late Jacobean England. In McMullan, Gordon; Stage, Kelly (Ed.), The Changeling: The State of Play (The Arden Shakespeare, pp. 42–58). Bloomsbury.

Habermann, Ina, & Keller, Daniela. (2021). Introduction: In the Shallows of National Identity. In Keller, Daniela; Habermann, Ina (Ed.), Brexit and Beyond: Nation and Identity (pp. 9–22). Narr Francke Attempto.

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Habermann, Ina. (2020). The road to Brexit: A cultural perspective on British attitudes of Europe. Manchester University Press. https://doi.org/10.7765/9781526145093

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Habermann, Ina. (2020). Gibraltarian Hauntologies: Spectres of Colonialism in the Fiction of M. G. Sanchez. Open Library of the Humanities, 6(1), 19. https://doi.org/10.16995/olh.503

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Habermann, Ina, & Krug, Christian. (2020). And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales. In FAU Studien aus der Philosophischen Fakultät (Vol. 15). FAU University Press. https://doi.org/10.25593/978-3-96147-343-4

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Rostek, Joanna, Zwierlein, Anne Julia, & Habermann, Ina. (2019). Literatures of Brexit. In Journal for the Study of British Cultures (Journal for the Study of British Cultures, Vol. 26). Königshausen & Neumann.

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Habermann, Ina. (2018). Machtwort und Wortgewalt im Fall Othello. Zeitsprünge - Forschungen zur Frühen Neuzeit, 22(3-4), 286–301.

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Habermann, Ina. (2018). British- European Entanglements: M.G. Sanchez’ The Escape Artist and the Case of Gibraltar. Journal for Literary and Intermedial Crossings, 2, b1–20. http://www.jlic.be/doku.php?id=spaces_of_entanglement

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Habermann, Ina. (2018). The Road to Brexit - A Students’ Podcast Project. University of Basel. https://soundcloud.com/user-426594293/the-road-to-brexit-a-students-podcast-project

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Habermann, Ina. (2018). The Literary Channel: Identity and Liminal Space in Island Fictions. In Riquet, Johannes; Kollmann, Elizabeth (Ed.), Spatial Modernities: Geography, Narrative, Imaginaries (pp. 150–160). Routledge.

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Habermann, Ina. (2018). English Visions: The Work of Jacquetta Hawkes Priestley. In Orgis, Rahel Orgis; Heim, Matthias (Ed.), Fashioning England and the English Literature, Nation, Gender (pp. 253–271). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-92126-6_11

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Habermann, Ina. (2018). Public Intellectuals and the Politics of Literature: The Causes and Collaborations of J.B. Priestley and Jacquetta Hawkes Priestley. In Plain, Gill (ed.), British Literature in Transition, 1940-1960: Postwar (pp. 192–208). Cambridge University Press. https://doi.org/10.1017/9781316340530.012

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Habermann, Ina. (2017). Review of M. Matei-Chesnoiu, Geoparsing Early Modern English Drama, G. Hollis, The Absence of America. The London Stage, 1576-1642, Peter Whitfield, Mapping Shakespeare’s World. Shakespeare-Jahrbuch, 153, 247–250.

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Habermann, I. (2017). Death by Water: The Theory and Practice of Shipwrecking (pp. 104–120). Taylor and Francis. https://doi.org/10.4324/9781315255279-14

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Habermann, Ina. (2017). The Pressburger Touch. Ein ungarischer Jude im britischen Filmgeschäft. In Kuhn, Konrad; Sontag, Katrin; Leimgruber, Walter (ed.), Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard (pp. 133–142). Böhlau. https://doi.org/10.7788/9783412510268.133

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Habermann, Ina, & Keller, Daniela. (2016). English Topographies in Literature and Culture. Space, Place, and Identity. In Spatial practices (Vol. 23). Koninklijke Brill NV. http://www.brill.com/products/book/english-topographies-literature-and-culture

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Habermann, Ina, & Witen, Michelle. (2016). Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. In Palgrave Shakespeare studies. Palgrave Macmillan. https://doi.org/10.1057/978-1-137-51835-4

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Habermann, Ina, & Keller, Daniela. (2016). English Topographies: Introduction. In Habermann, Ina; Keller, Daniela (Ed.), English Topographies in Literature and Culture. Space, Place, and Identity (pp. 1–13). Brill Rodopi.

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Habermann, Ina, & Witen, Michelle. (2016). Introduction. In Habermann, Ina; Witen, Michelle (Ed.), Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm (pp. 1–13). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-51835-4_1

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Habermann, Ina. (2015). Review of Andrew James Hartley, Shakespeare & Political Theatre in Practice, Palgrave Macmillan 2013 and Daniel Juan Gil, Shakespeare’s Anti-Politics. Sovereign Power and the Life of the Flesh, Palgrave Macmillan 2013 [Review of Review of Andrew James Hartley, Shakespeare & Political Theatre in Practice, Palgrave Macmillan 2013 and Daniel Juan Gil, Shakespeare’s Anti-Politics. Sovereign Power and the Life of the Flesh, Palgrave Macmillan 2013]. Shakespeare-Jahrbuch, 151, 254–256. http://www.digizeitschriften.de/dms/resolveppn/?PID=PPN338286934_0151%7CLOG_0025

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Habermann, Ina. (2015). Ominous Feasts. Celebration in Shakespeare’s Drama. Shakespeare-Jahrbuch, 151, 116–130. http://www.digizeitschriften.de/download/PPN338286934_0151/PPN338286934_0151___LOG_0014.pdf

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Habermann, Ina. (2014). Hamlets Misogynie? In Marx, Peter W. (Ed.), Hamlet-Handbuch (pp. 62–66). Metzler. https://doi.org/10.1007/978-3-476-00516-8_14

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Habermann, Ina. (2013). Review of Wes Williams, Monsters & their Meanings in Early Modern Culture: Mighty Magic, Oxford University Press 2011 [Review of Review of Wes Williams, Monsters & their Meanings in Early Modern Culture: Mighty Magic, Oxford University Press 2011]. Shakespeare-Jahrbuch, 149, 280–281.

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Habermann, Ina. (2013). Review of Ann Margaret Lange, Writing the Way Out. Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth, Peter Lang 2011 [Review of Review of Ann Margaret Lange, Writing the Way Out. Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth, Peter Lang 2011]. Anglistik. International Journal of English Studies, 24, Article 2.

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Habermann, Ina. (2013). Introduction: Political Topographies. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 20(2), 91–95. https://doi.org/10.1093/acprof:oso/9780199929177.003.0008

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Habermann, Ina. (2013). Political Topographies. In Journal for the study of British cultures (Vol. 20). Königshausen & Neumann.

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Habermann, Ina. (2013). Wann denkt Shakespeare an Ovid? In Harich-Schwarzbauer, Henriette; Honold, Alexander (Ed.), Carmen Perpetuum. Ovids Metamorphosen in der Weltliteratur (pp. 149–163). Schwabe.

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Habermann, I. (2012). Sabine Mollenhauer: Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen. Der Beitrag moralischdidaktischer Traktate in der elisabethanischen und jakobäischen Zeit [Journal-article]. Archiv für das Studium der neueren Sprachen und Literaturen, 2. https://doi.org/10.37307/j.1866-5381.2012.02.45

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Habermann, Ina. (2012). ‘I shall have share in this most happy wreck’ - Shakespeare’s Topology of Shipwrecking. Shakespeare-Jahrbuch, 148, 55–72. http://www.digizeitschriften.de/download/PPN338286934_0148/PPN338286934_0148___LOG_0014.pdf

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Habermann, Ina. (2012). Review of Merle Tönnies and Heike Buschmann (eds.), Spatial Representations of British Identities, Winter 2012 [Review of Review of Merle Tönnies and Heike Buschmann (eds.), Spatial Representations of British Identities, Winter 2012]. Anglia, 130, Article 4. https://doi.org/10.1515/ang-2012-0543

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Habermann, Ina. (2012). Review of Sabine Mollenhauer, Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen, Winter 2011 [Review of Review of Sabine Mollenhauer, Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen, Winter 2011]. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 164, Article 249.

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Habermann, Ina, & Kuhn, Nikolaus. (2011). Sustainable Fictions - Geographical, Literary and Cultural Intersections in J.R.R. Tolkien’s The Lord of the Rings. The Cartographic Journal, 48(4), 263–273. https://doi.org/10.1179/1743277411y.0000000024

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Habermann, Ina. (2011). Reaching Beyond Silence: Metaphors of Ineffability in English Poetry - Donne, Wordsworth, Keats, Eliot. In Fludernik, Monika (Ed.), Beyond Cognitive Metaphor Theory. Perspectives on Literary Metaphor (pp. 77–93). Routledge.

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Habermann, Ina. (2011). Shakespeare’s Comedies: A Midsummer Night’s Dream and Twelfth Night. In Baumbach, Sibylle; Neumann, Birgit; Nünning, Ansgar (Ed.), A History of British Drama: Genres, Developments, Interpretations (pp. 47–62). WVT.

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Habermann, Ina. (2010). Myth, memory and the middlebrow: Priestley, du Maurier and the symbolic form of Englishness. Palgrave Macmillan. https://doi.org/10.1057/9780230277496

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Habermann, Ina. (2010). Review of “The Martin Marprelate Tracts. A Modernized and Annotated Edition” by Joseph L. Black (CUP 2008) [Review of Review of “The Martin Marprelate Tracts. A Modernized and Annotated Edition” by Joseph L. Black (CUP 2008)]. Anglistik. International Journal of English Studies, 187–188.

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Habermann, Ina. (2010). Review John A. Lynn II, Women, Armies, and Warfare in Early Modern Europe, Ros King and Paul J.C.M. Franssen (eds.), Shakespeare and War, 2008 [Review of Review John A. Lynn II, Women, Armies, and Warfare in Early Modern Europe, Ros King and Paul J.C.M. Franssen (eds.), Shakespeare and War, 2008]. Shakespeare-Jahrbuch, 146, 254–257.

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Habermann, Ina, & Kern-Stähler, Annette. (2010). Introduction: Literature and Silence. In Helbig, Jörg; Schalleger, René (Ed.), Anglistentag 2009 Klagenfurt: Proceedings (pp. 377–381). WVT.

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Habermann, I. (2009). Ekkehart Krippendorf: Shakespeares Komödien. Spiele aus dem Reich der Freiheit [Journal-article]. Archiv für das Studium der neueren Sprachen und Literaturen, 1. https://doi.org/10.37307/j.1866-5381.2009.01.27

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Habermann, Ina. (2009). “What Sounds are Those, Helvellyn?” : William Wordsworths geistige Landschaften. Colloquium Helveticum, 39 (2008), 41–60.

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Habermann, Ina. (2009). [Review of] Dympna Callaghan, The Impact of Feminism on Renaissance Studies, Basingstoke (Palgrave Macmillan) 2006, XIV-346 S., ISBN 1-4039-9212-6, GBP 55,00 [Review of [Review of] Dympna Callaghan, The Impact of Feminism on Renaissance Studies, Basingstoke (Palgrave Macmillan) 2006, XIV-346 S., ISBN 1-4039-9212-6, GBP 55,00]. Francia Recensio : Forschungen Zur Westeuropäischen Geschichte, 1, 1–3. http://www.perspectivia.net/content/publikationen/francia/francia-recensio/2009-1/FN/Callaghan_Habermann

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Habermann, Ina. (2009). Review of “Upward Mobility and the Common Good, toward a Literary History of the Welfare State” by Bruce Robbins : Princeton: Princeton University Press, 2007 [Review of Review of “Upward Mobility and the Common Good, toward a Literary History of the Welfare State” by Bruce Robbins : Princeton: Princeton University Press, 2007]. Zeitschrift für Anglistik und Amerikanistik, 57, Article 1. https://doi.org/10.1515/zaa.2009.57.1.93

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Habermann, Ina. (2009). [Review of] “Shakespeares Komödien. Spiele aus dem Reich der Freiheit” by Ekkehart Krippendorff : (Berlin: Kulturverlag Kadmos, 2007) [Review of [Review of] “Shakespeares Komödien. Spiele aus dem Reich der Freiheit” by Ekkehart Krippendorff : (Berlin: Kulturverlag Kadmos, 2007)]. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 246, Article 1.

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Habermann, Ina. (2009). [Rezension von] Beck, Rudolf, Kuester, Hildegard und Kuester, Martin: Basislexikon anglistische Literaturwissenschaft : München 2007 [Review of [Rezension von] Beck, Rudolf, Kuester, Hildegard und Kuester, Martin: Basislexikon anglistische Literaturwissenschaft : München 2007]. Anglia, 127, Article 3. https://doi.org/10.1515/angl.2009.077

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Habermann, Ina. (2009). Review Laurie Maguire, Shakespeare’s Names, Oxford: Oxford University Press 2007 [Review of Review Laurie Maguire, Shakespeare’s Names, Oxford: Oxford University Press 2007]. Shakespeare-Jahrbuch, 145, 264–265. http://www.digizeitschriften.de/download/PPN338286934_0145/PPN338286934_0145___LOG_0030.pdf

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Habermann, Ina. (2009). Die Welt als Gutshof - von der Illusion, unpolitisch bleiben zu können. In Schabert, Ina (Ed.), Wolfgang Clemen im Kontext seiner Zeit : ein Beitrag zur Wissenschaftsgeschichte vor und nach dem Zweiten Weltkrieg (p. S. 103–118). Universitätsverlag Winter.

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Habermann, Ina. (2009). May Sinclair. In Arnold, Heinz Ludwig (Ed.), Kindlers Literatur Lexikon (p. S. 191). Verlag J.B. Metzler.

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Habermann, Ina. (2009). The life and death of harriet frean. In Arnold, Heinz Ludwig (Ed.), Kindlers Literatur Lexikon (p. S. 191–192). Verlag J.B. Metzler.

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Habermann, Ina. (2007). [Rezension von] Forgone Nations - Constructions of National Identity in Elizabethan Historiography and Literature - Stanihurst, Spenser, Shakespeare by Florian Kläger : Trier, wvt 2006 [Review of [Rezension von] Forgone Nations - Constructions of National Identity in Elizabethan Historiography and Literature - Stanihurst, Spenser, Shakespeare by Florian Kläger : Trier, wvt 2006]. Journal for the Study of British Cultures, 14, Article 2.

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Habermann, Ina. (2007). Review of “Feminism and Territoriality, a Bifocal Case Study of Literary Irelands” by Susanne Hagemann : Trier: wvt, 2005 [Review of Review of “Feminism and Territoriality, a Bifocal Case Study of Literary Irelands” by Susanne Hagemann : Trier: wvt, 2005]. Anglia, 125, Article 3. https://doi.org/10.1515/angl.2007.571

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Habermann, Ina. (2007). Review of “Rhetoric and Renaissance Culture” by Heinrich F. Plett : Berlin: de Gruyter, 2004 [Review of Review of “Rhetoric and Renaissance Culture” by Heinrich F. Plett : Berlin: de Gruyter, 2004]. Anglia, 125, Article 2. https://doi.org/10.1515/angl.2007.367

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Habermann, Ina. (2007). Review Saskia Kossak, ″Frame My Face to All Occasions″ - Shakespeare’s Richard III on Screen, 2005; H.R. Coursen, Shakespeare Translated. Derivatives on Film and TV, 2005; Sarah Hatchuel, Shakespeare, from Stage to Screen, 2004 [Review of Review Saskia Kossak, ″Frame My Face to All Occasions″ - Shakespeare’s Richard III on Screen, 2005; H.R. Coursen, Shakespeare Translated. Derivatives on Film and TV, 2005; Sarah Hatchuel, Shakespeare, from Stage to Screen, 2004]. Shakespeare-Jahrbuch, 143, 253–255. http://www.digizeitschriften.de/dms/resolveppn/?PID=PPN338286934_0143|LOG_0032

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Habermann, Ina. (2007). England an Island: Englishness as a symbolic form in Jacquetta Hawkes’s a Land (1951). In Kamm, Jürgen; Sedlmayr, Gerold (Ed.), Insular mentalities : mental maps of Britain : essays in honour of Bernd Lenz (p. S. 89–102). Stutz.

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Habermann, Ina. (2006). [Review of] Literaturwissenschaft in Theorie und Praxis. Eine anglistischamerikanistische Einführung. Ed. Ralf Schneider unter Mitwirkung von Christina Spittel / Hans-Werner Ludwig und Thomas Rommel: Studium Literaturwissenschaft. Arbeitstechniken und Neue Medien [Review of [Review of] Literaturwissenschaft in Theorie und Praxis. Eine anglistischamerikanistische Einführung. Ed. Ralf Schneider unter Mitwirkung von Christina Spittel / Hans-Werner Ludwig und Thomas Rommel: Studium Literaturwissenschaft. Arbeitstechniken und Neue Medien]. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 243, Article 1.

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Habermann, Ina, & Feldmann, Doris. (2006). Theorising Cultural Difference and Transdifference. In Journal for the Study of British Cultures: Vol. Vol. 13, H. 2 (2006). Gunter Narr.

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Habermann, Ina, & Feldmann, Doris. (2006). Theorising Cultural Difference and Transdifference - Editorial. Journal for the Study of British Cultures, 13(2), 99–104.

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Habermann, Ina. (2006). British Cinema and “the People’s War”. In Kamm, Jürgen; Lenz, Bernd (Ed.), Medialised Britain (p. S. 119–139). Karl Stutz.

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Habermann, Ina. (2005). [Rezension von] Angela McRobbie (2005), The Uses of Cultural Studies - a textbook : London et al., Sage 2005, 211 S., £ 18.99, ISBN 1-4129-845-0 [Review of [Rezension von] Angela McRobbie (2005), The Uses of Cultural Studies - a textbook : London et al., Sage 2005, 211 S., £ 18.99, ISBN 1-4129-845-0]. Journal for the Study of British Cultures, 12, Article 2.

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Habermann, Ina. (2005). Review of “Theorien der Literatur, Grundlagen und Perspektiven” edited by Hans Vilmar Geppert and Hubert Zapf (Tübingen and Basel: Francke, 2003), “Theory Matters” by Vincent B. Leitch (New York, London: Routledge, 2003 [Review of Review of “Theorien der Literatur, Grundlagen und Perspektiven” edited by Hans Vilmar Geppert and Hubert Zapf (Tübingen and Basel: Francke, 2003), “Theory Matters” by Vincent B. Leitch (New York, London: Routledge, 2003]. Zeitschrift für Anglistik und Amerikanistik, 53, Article 4. https://doi.org/10.1515/zaa-2005-0407

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Habermann, Ina. (2005). Tennis mit Kanonenkugeln - Heinrich V und die Dynamik der Macht. In Shakespeare, William; Günther, Frank (Ed.), König Heinrich V (p. S. 387–411). Ars Vivendi.

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Habermann, Ina. (2005). Modifikationen des Modernismus - Medialität, Identität, Populärkultur. In Nünning, Vera (Ed.), Kulturgeschichte der englischen Literatur : von der Renaissance bis zur Gegenwart (p. S. 251–64). Francke.

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Habermann, Ina. (2004). Einleitung - Panel 5: Lehrinhalte und Qualifikationsprofile (Klein, B.; Kramer, J., Ed.). http://www.ruhr-uni-bochum.de/ britcult/doKomplett.pdf

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Habermann, Ina. (2004). [Rezension von] A Fast-Forward Version of England by Silvia Mergenthal : Heidelberg, Winter 2003 [Review of [Rezension von] A Fast-Forward Version of England by Silvia Mergenthal : Heidelberg, Winter 2003]. Journal for the Study of British Cultures, 11, Article 1.

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Habermann, Ina. (2004). Review Ania Loomba, Shakespeare, Race and Colonialism, 2002 and Chantal Zabus, Tempests After Shakespeare, 2002 [Review of Review Ania Loomba, Shakespeare, Race and Colonialism, 2002 and Chantal Zabus, Tempests After Shakespeare, 2002]. Shakespeare-Jahrbuch, 140, 303–305.

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Habermann, Ina. (2004). Breathing Stones - Shakespeare and the Theatre of the Passions. Shakespeare-Jahrbuch, 140, 1–18. http://www.digizeitschriften.de/dms/resolveppn/?PID=PPN338286934_140%7CLOG_0012

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Habermann, Ina. (2004). Theatre and the Law: The Concept of Equity in John Webster’s The White Devil. In Ruge, Enno; Laqué, Stephan (Ed.), Realigning Renaissance Culture: Intrusion and Adjustment on the Renaissance Stage (p. S. 137–148). wvt.

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Habermann, Ina. (2004). She has that in her belly will dry up your ink: Femininity as challenge in the equitable drama of John Webster. In Hutson, Lorna; Sheen, Erica (Ed.), Literature, politics and law in Renaissance England (p. S. 100–22). Palgrave Macmillan.

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Habermann, Ina. (2003). Staging slander and gender in early modern England. In Women and gender in the early modern world. Ashgate.

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Habermann, Ina. (2003). Review of “Plotting Women, Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel” by Alison A. Case : Charlottesville: University Press of Virginia, 1999 [Review of Review of “Plotting Women, Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel” by Alison A. Case : Charlottesville: University Press of Virginia, 1999]. Zeitschrift für Anglistik und Amerikanistik, 50, Article 4.

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Habermann, Ina. (2003). The Cultural Turn and Its Spindoctors (Patent No. 2). Anglistik. International Journal of English Studies, 14(2), Article 2. Winter.

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Habermann, Ina, & Feldmann, Doris. (2003). Das Graduiertenkolleg Kulturhermeneutik im Zeichen von Differenz und Transdifferenz an der Friedrich-Alexander-Universität Erlangen-Nürnberg. Anglistik, 14(2), 105–112.

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Habermann, Ina. (2003). The Archers’ Tale: Images of Britain in the Films of Michael Powell and Emeric Pressburger. In Mengel, Ewald; Schmid, Hans-Jörg; Steppat, Michael (Ed.), Anglistentag 2002 Bayreuth: Proceedings (pp. 295–306). WVT.

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Habermann, Ina. (2002). [Rezension von] The Practice of Cultural Analysis - Exposing Inter-disciplinary Interpretation, edited by Mieke Bal : Stanford, Stanford University Press 1999 [Review of [Rezension von] The Practice of Cultural Analysis - Exposing Inter-disciplinary Interpretation, edited by Mieke Bal : Stanford, Stanford University Press 1999]. Journal for the Study of British Cultures, 9, Article 2.

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Habermann, Ina. (2002). Shakespeare unlimited - News from the stock exchange. Review Christy Desmet und Robert Sawyer (ed.), Shakespeare and Appropriation, 1999; Daniel Fischlin/Mark Fortier (eds.), Adaptations of Shakespeare, 2000; Katharina Kettner, ‘Such Stuff as Films are Made on’: Shakespeare im Medienwechsel, 1999 [Review of Shakespeare unlimited - News from the stock exchange. Review Christy Desmet und Robert Sawyer (ed.), Shakespeare and Appropriation, 1999; Daniel Fischlin/Mark Fortier (eds.), Adaptations of Shakespeare, 2000; Katharina Kettner, ‘Such Stuff as Films are Made on’: Shakespeare im Medienwechsel, 1999]. Shakespeare-Jahrbuch, 138, 242–245. http://www.digizeitschriften.de/dms/resolveppn/?PID=PPN338286934_0138|LOG_0043

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Habermann, Ina. (2002). Elizabeth Bowen. In Nünning, A.; Kreutzer, E. (Ed.), Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe (p. S. 56–57). Metzler.

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Habermann, Ina. (2002). Death by Water : the Theory and Practice of Shipwrecking. In Klein, B. (Ed.), Fictions of the sea : critical perspectives on the ocean in British literature and culture (p. S. 104–121). Ashgate.

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Habermann, Ina. (2002). Elizabeth Cary. In Nünning, A.; Kreutzer, E. (Ed.), Metzler-Lexikon englischsprachiger Autorinnen und Autoren (p. S. 104–105). Metzler.

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Habermann, Ina. (2002). May Sinclair. In Nünning, A.; Kreutzer, E. (Ed.), Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe (p. S. 533–534). Metzler.

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Habermann, Ina, & Feldmann, Doris. (2002). Cultural Feminism. In Kroll, R. (Ed.), Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe (p. S. 54–55). Metzler.

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Habermann, Ina, & Feldmann, Doris. (2002). Gendered Identity. In Kroll, R. (Ed.), Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe (p. S. 145–146). Metzler.

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Habermann, Ina, & Feldmann, Doris. (2002). Geschlechterrolle. In Kroll, R. (Ed.), Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe (p. S. 158–159). Metzler.

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Habermann, Ina, & Feldmann, Doris. (2002). Women’s Cultural Criticism. In Kroll, R. (Ed.), Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe (p. S. 407–408). Metzler.

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Habermann, Ina, & Schabert, Ina. (2002). Einleitung. In Schaber, Ina; Boenke, M. (Ed.), Imaginationen des Anderen im 16. und 17. Jahrhundert (Herzog August Bibliothek, p. S. 7–24). Harrassowitz Verlag. https://doi.org/10.1007/978-3-322-89960-6_1

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Habermann, Ina. (2001). Review of “Lebenstexte, Literarische Selbststilisierungen englischer Frauen in der frühen Neuzeit” by Gabriele Rippl : München: Wilhelm Fink Verlag, 1998 [Review of Review of “Lebenstexte, Literarische Selbststilisierungen englischer Frauen in der frühen Neuzeit” by Gabriele Rippl : München: Wilhelm Fink Verlag, 1998]. Zeitschrift für Anglistik und Amerikanistik, 49, Article 2.

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Habermann, Ina. (2001). On the pain of not being English. In Klein, B.; Kramer, J. (Ed.), Common ground? : crossovers between cultural studies and postcolonial studies (p. S. 137–151). Wissenschaftlicher Verlag.

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Habermann, Ina, & Feldmann, Doris. (2000). Review of “A Revolution in Sentiments, Manners, and Moral Opinions, Catharine Macaulay und die politische Kultur des englischen Radikalismus, 1760-1790” by Vera Nünning : Heidelberg: Universitätsverlag C. Winter, 1998 [Review of Review of “A Revolution in Sentiments, Manners, and Moral Opinions, Catharine Macaulay und die politische Kultur des englischen Radikalismus, 1760-1790” by Vera Nünning : Heidelberg: Universitätsverlag C. Winter, 1998]. Zeitschrift für Anglistik und Amerikanistik, 48, Article 1.

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Habermann, Ina. (2000). Two, by their bloods, and by thy Spirit one: Sir Philip Sidney and Mary Sidney Herbert, Countess of Pembroke. In Heitmann, A.; Nieberle, S.; Schaff, B.; Schülting, S. (Ed.), Bi-Textualität : Inszenierungen des Paares : ein Buch für Ina Schabert (p. S. 29–44). Erich Schmidt.

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Habermann, Ina, & Klein, Bernhard. (2000). Shakespeare: Die Historien. In Schabert, Ina (Ed.), Shakespeare-Handbuch : die Zeit, der Mensch, das Werk, die Nachwelt (4 ed., p. S. 324–380). Alfred Kröner.

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Habermann, Ina. (1999). Review of “The Culture of Slander in Early Modern England” by Lindsay M. Kaplan : Cambridge : Cambridge University Press, 1997 [Review of Review of “The Culture of Slander in Early Modern England” by Lindsay M. Kaplan : Cambridge : Cambridge University Press, 1997]. Anglia, 117, Article 4. https://doi.org/10.1515/angl.1999.117.4.558

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Habermann, Ina. (1999). Imagining Otherness in the 16th and 17th Centuries: A Conference Report (Patent No. 1). Journal for the Study of British Cultures, 6(1), Article 1. Königshausen & Neumann.

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Habermann, Ina. (1999). The Taming of the Masculine Scold : Misconstrued Femininities in Swetnam, the Woman-hater. In Röttger, K; Paul, H. (Ed.), Differenzen in der Geschlechterdifferenz : aktuelle Perspektiven der Geschlechterforschung = Differences within gender studies (p. S. 222–240). Erich Schmidt Verlag.

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Habermann, Ina. (1998). Review Von lustigen Weibern und gehörnten Männern - Neues aus der Gender-Forschung (Helen Wilcox (ed.), Women and Literature in Early Modern Britain, 1996; Mark Breitenberg, Anxious Masculinity, 1996; Rosemary Kegl, The Rhetoric of Concealment, 1994; Laura Gowing, Domestic Dangers, 1996) [Review of Review Von lustigen Weibern und gehörnten Männern - Neues aus der Gender-Forschung (Helen Wilcox (ed.), Women and Literature in Early Modern Britain, 1996; Mark Breitenberg, Anxious Masculinity, 1996; Rosemary Kegl, The Rhetoric of Concealment, 1994; Laura Gowing, Domestic Dangers, 1996)]. Shakespeare-Jahrbuch, 134, 277–282. http://www.digizeitschriften.de/download/PPN338286934_0134/PPN338286934_0134___log41.pdf

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