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Gräzistik (Bierl)

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Marthot-Santaniello, I. and Serbaeva, O. (2024) ‘Digital palaeography of Iliad papyri, D-scribes project and the Research Environment for Ancient Documents (READ) platform’. De Gruyter, pp. 327–346. Available at: https://doi.org/10.1515/9783111070162-019.

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Wesselmann, Katharina (2023) Book VII Homer’s Iliad. De Gruyter (Homer’s Ilias).

Bierl, Anton (2023) ‘Thukydides’ Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen’, in C. Semenzato, L. Hartmann (ed.) Von der Antike begeistert! Basel (Von der Antike begeistert!), pp. 147–162.

Bierl, Anton (2023) ‘From Image to Theatrical Play in Aeschylus’ Oresteia. Iconicity, Intervisuality, the Image Act, and the Dramatic Performance Act’, in , Bierl, Anton (tran.) Intervisuality. New Approaches to Greek Literature. Berlin: De Gruyter (MEP), p. 33–78 .

Bierl, Anton (2023) ‘Robert Ickes Orestie (2015/2018) als Psychotherapie und theatrale Traumaverarbeitung. Eine Klassikeradaption für die Problemlage und Ästhetik ewig junger Menschen im 21. Jahrhundert unter den Bedingungen des westlich-konsumorientierten Globalismus’, in Visioni Del Tragico. La Tragedia Greca Sulla Scena Del XXI Secolo . (Visioni Del Tragico. La Tragedia Greca Sulla Scena Del XXI Secolo ), pp. 55–84.

Bierl, Anton F.H. (2023) ‘Leid, Stimme und Musik als Grund des Tragischen. Metapoetische Reflexionen zur akustischen und choreutischen Dimension im ‘Agamemnon’ des Aischylos’, in G. Rechenauer, S. Kazmierski (ed.) Vom Grund des Tragischen. Ansätze zur Interpretation der Tragödie. Regensburg (Vom Grund des Tragischen. Ansätze zur Interpretation der Tragödie), pp. 99–131.

Bierl, Anton F.H. (2023) ‘The Parodos of Euripides’ Cretans (fr. 472 Kannicht) between an Amalgam of Epichoric Mystic Experience and Dionysian Metatheatricality’, in A. Papachrysostomou, A. P. Antonopoulos, A.-F. Mitsis, F. Papadimitriou, and P. Taktikou (ed.) Γέρα: Studies in honor of Professor Menelaos Christopoulos. (Classics@ 25). Available at: https://nrs.harvard.edu/URN-3:HLNC.ESSAY:103900184.

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Bierl, Anton (2022) ‘Loren D. Marsh: Muthos. Aristotle’s Concept of Narrative and the Fragments of Old Comedy. Göttingen (Vandenhoeck & Ruprecht) 2021. Studia Comica: 12. 212 S. 2 Abb. 4 Tab. Euro 64,99’, Gymnasium, 129, pp. 77–78.

Bierl, Anton (2022) ‘Prometheus Bound as “Epic” Tragedy and Its Narratology of Emotion’, in de Bakker, Mathieu P. ; van den Berg, Baukje; Klooster, Jacqueline (ed.) Emotions and Narrative in Ancient Literature and Beyond. Studies in Honour of Irene de Jong. Leiden: Brill (Mnemosyne, Supplements), pp. 287–306.

Bierl, Anton (2022) ‘Griechische Helden und die Gewalt: Ambivalenz, Opfer und Heroenkult’, in Fischer, S.; Hankel, G. ;Knöbel, W. (ed.) Die Gegenwart der Gewalt und die Macht der Aufklärung. FS für Jan Philipp Reemtsma. Springe: Zu Klampen (Die Gegenwart der Gewalt und die Macht der Aufklärung. FS für Jan Philipp Reemtsma), pp. 11–46.

Bierl, Anton (2022) ‘‘Se non posso esser Saffo, preferisco esser nulla’: Eine Neuinterpretation der Rolle Sapphos in Cesare Paveses Schiuma d’onda im Lichte des Phaonmythos’, in Barbero, M. M. A.; Vitale, V. (ed.) Alla frontiera del testo. Studi in onore di Maria Antonietta Terzoli. Rome: Carocci (Alla frontiera del testo. Studi in onore di Maria Antonietta Terzoli), pp. 527–550.

Bierl, Anton (2022) ‘Thukydides” Beschreibung der Seuche von Athen zwischen Medizin und traditionellen Diskursen’, in Semenzato, C.; Hartmann, L. (ed.) Von der Antike begeistert! Festschrift für Christoph Riedweg. Basel: Schwabe (Von der Antike begeistert! Festschrift für Christoph Riedweg), pp. 147–162.

Paillard, Elodie Anne and Milanezi, Silvia (2021) Theatre and Metatheatre: Definitions, Problems, Limits, MythosEikonPoiesis. Berlin: De Gruyter (MythosEikonPoiesis). Available at: https://doi.org/10.1515/9783110716559.

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Paillard, Elodie Anne (2021) ‘Secondary Characters” Rhetorical Skills in Fifth-Century Athenian Tragedy’, in Encinas Reguero, M. Carmen; Quijada Sagredo, Milagros (ed.) Tragic Rhetoric. The Rhetorical Dimensions of Greek Tragedy. Bari: I Rani (Tragic Rhetoric. The Rhetorical Dimensions of Greek Tragedy), pp. 143–184.

Paillard, Elodie Anne (2021) ‘Greek to Latin and Back: Did Roman Theatre Change Greek Theatre?’, in Paillard, Elodie; Milanezi Silvia (ed.) Theatre and Metatheatre: Definitions, Problems, Limits. Berlin/Boston: De Gruyter (Theatre and Metatheatre: Definitions, Problems, Limits), pp. 63–86.

Paillard, Elodie Anne and Milanezi, Silvia (2021) ‘Theatre, Paratheatre, Metatheatre: What are we talking about?’, in Paillard, Elodie; Milanezi, Silvia (ed.) Theatre and Metatheatre: Definitions, Problems, Limits. Berlin/Boston: De Gruyter (Theatre and Metatheatre: Definitions, Problems, Limits), pp. 1–16.

Bierl, Anton (2020) ‘Phaedra: a Tragic Queen in Turmoil Between Violent Love and Its Chaste Suppression. An Interpretation of Euripides” Hippolytus in Initiatory Terms’, Skenè, 6(1), pp. 57–83. Available at: https://doi.org/10.13136/sjtds.v6i1.270.

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Bierl, Anton (2020) ‘[Review:] Francisco Barrenechea, Comedy and Religion in Classical Athens: Narratives of Religious Experiences in Aristophanes” Wealth, Cambridge, New York 2018’, Bryn Mawr Classical Review, (2020.04.34), pp. 1–5.

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Bierl, Anton (2020) ‘Bildung und das Wesentliche’, NZZ, 1 January, p. 18.

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Bierl, Anton and Latacz, Joachim (2020) Homers Ilias. Gesamtkommentar vol. XII.2: Siebter Gesang, Homers Ilias. Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias. Gesamtkommentar (Basler Kommentar / BK)).

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West, Martin and Latacz, Joachim (2020) Homers Ilias. Gesamtkommentar vol. XII.1: Siebter Gesang, Homers Ilias. Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias. Gesamtkommentar (Basler Kommentar / BK)).

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Bierl, Anton (2020) ‘Paratragic Fragmentation and Patchwork-Citation as Comic Aesthetics: the Potpourri Use of Euripides” Helen and Andromeda in Aristophanes” Thesmophoriazusae and Their Symbolic Meaning’, in Lamari, Anna; Montanari, Franco; Novokhatko, Anna (ed.) Fragmentation in Ancient Greek Drama. Berlin/Boston: De Gruyter (Trends in Classics - Supplementary Volumes), pp. 453–480.

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Bierl, Anton (2020) ‘Nachwort’, in Steinmann, Kurt (ed.) Aischylos, Der Gefesselte Prometheus. Griechisch / Deutsch. Stuttgart: Reclam (Reclams Universal-Bibliothek), pp. 119–165.

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Bierl, Anton (2018) ‘The mise en scène of Kingship and Power in Aeschylus” Seven Against Thebes: Ritual Performativity or Goos, Cledonomancy and Catharsis’, Skenè, 4(2), pp. 19–54.

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Bierl, Anton (2018) ‘[Review] Jeffrey M. Duban: The Lesbian lyre. Reclaiming Sappho for the 21st century. Clairview, West Hoathly 2016. XXXVI, 795 p.’, Museum Helveticum, 75(2), pp. 226–227.

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Bierl, Anton (2018) ‘[Review] Aldo Tagliabue: Xenophon’s Ephesiaca. A paraliterary love-story from the ancient world. Ancient Narrative Supplementum 22. Barkhuis & Groningen University Library, Groningen 2017. VIII, 243 p.’, Museum Helveticum, 75(2), pp. 229–230.

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Bierl, Anton and Melchinger, Gwendolyne (2018) ‘Um dieses Haus ist es nicht gut bestellt: Anton Bierl im Gespräch mit der Dramaturgin Gwendolyne Melchinger’, Theaterprogramm, Schauspiel Stuttgart.

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Coray, Marina (2018) ‘[Andreas Bedke] Der gute Ton bei Homer. Ausprägungen sprachlicher Höflichkeit in Ilias und Odyssee. Münster: Aschendorff 2017. 378 S. (Orbis antiquus. 49)’, Gnomon, 90(5), pp. 385–388. Available at: https://doi.org/10.17104/0017-1417-2018-5-385.

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Coray, Marina (2018) Book XVIII, Homer’s Iliad. The Basel Commentary. Berlin: De Gruyter (Homer’s Iliad. The Basel Commentary.). Available at: https://doi.org/10.1515/9783110572889.

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Bierl, Anton (2018) ‘Odysseus als Sänger im Prozess narrativer Sinnbildung. Eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee’, in Roeder, Hubert (ed.) Eine Archäologie der narrativen Sinnbildung. Paderborn: Wilhelm Fink (Das Erzählen in frühen Hochkulturen / Ägyptologie und Kulturwissenschaft), pp. 197–220.

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Bierl, Anton (2018) ‘Fear in Choral Action: Thoughts about a Dionysian Emotion in Aeschylean Tragedy’, in De Poli, Mattia (ed.) Il teatro delle emozioni: la paura. Padua: Padova University Press (Il teatro delle emozioni: la paura), pp. 17–40.

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Bierl, Anton (2018) ‘Longus” Hyperreality: Daphnis and Chloe as a Meta-text about Mimesis and Simulation’, in Cueva, Edmund; Harrison, Stephen; Mason, Hugh; Owens, William; Schwartz, Saundra (ed.) Re-Wiring the Ancient, Novel. Groningen: Barkhuis & Groningen University Library (Ancient narrative Supplementum), pp. 3–28. Available at: https://www.barkhuis.nl/product_info.php?products_id=235.

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Bierl, Anton (2018) ‘God of Many Names: Dionysus in the Light of his Cult Epithets’, in Kavoulaki, Athena (ed.) Πλειών: Papers in Memory of Christiane Sourvinou-Inwood. Rethymnon: Εκδόσεις της Φιλοσοφικής Σχολής του Πανεπιστημίου Κρήτης (Ariadne), pp. 229–288. Available at: https://www.academia.edu/38285474/PLEION_PAPERS_IN_MEMORY_OF_CHRISTIANE_SOURVINOU-INWOOD_.pdf.

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Bierl, Anton (2018) ‘Symmachos esso: Theatrical Role-Playing and Mimesis in Sappho fr. 1 V.’, in Bigliazzi, Silvia; Lupi, Francesco; Ugolini, Gherardo (ed.) Συναγωνίζεσθαι. Essays in Honour of Guido Avezzù. Verona: Skenè (Skenè Studies I), pp. 925–952. Available at: https://www.academia.edu/38614387/%CE%A3%CF%85%CE%BD%CE%B1%CE%B3%CF%89%CE%BD%CE%AF%CE%B6%CE%B5%CF%83%CE%B8%CE%B1%CE%B9_Studies_in_Honour_of_Guido_Avezz%C3%B9.

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Bierl, Anton (2017) ‘Passion in a Stoic’s Satire Directed against a Dead Caesar? Seneca’s Apocolocyntosis as a Saturnalian Text Composed for Overcoming the Crisis’, Maia, 69(2), pp. 326–349.

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Bierl, Anton (2017) ‘Rezension von: John Scheid, Jesper Svenbro: La tortue et la lyre. Dans l’atelier du mythe antique. Paris: CNRS Editions 2014’, Gnomon, 89(5), pp. 385–389. Available at: https://doi.org/10.17104/0017-1417-2017-5.

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Bierl, Anton (2017) ‘Klytaimestra Tyrannos: Fear and Tyranny in Aeschylus’s Oresteia (with a Brief Comparison with Macbeth)’, Comparative Drama, 51(4), pp. 528–563. Available at: https://doi.org/10.1353/cdr.2017.0042.

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Bierl, Anton, Christopoulos, Menelaos and Papachrysostomou, Athina (2017) Time and Space in Ancient Myth, Religion and Culture, MythosEikonPoiesis. Berlin/New York: De Gruyter (MythosEikonPoiesis). Available at: https://doi.org/10.1515/9783110535150.

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Brügger, Claude (2017) Book XXIV, Homer’s Iliad. The Basel Commentary. Berlin: De Gruyter (Homer’s Iliad. The Basel Commentary).

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Coray, Marina, Krieter-Spiro, Martha and Visser, Edzard (2017) Vierter Gesang. Faszikel 2: Kommentar, Homers Ilias: Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar / BK)). Available at: https://doi.org/10.1515/9783110468472.

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Bierl, Anton (2017) ‘Die Dialektik von πολυπραγμοσύνη und ἀπραγμοσύνη. Die athenische Demokratie in den Komödien des Aristophanes und in Platons Politeia’, in Abbt, Christine; Niazi, Nahyan (ed.) Der Vieltuer und die Demokratie. Politische und philosophische Aspekte von Allotrio- und Polypragmosyne. Basel: Colmena (Colmena Philosophica), pp. 31–55.

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Bierl, Anton (2017) ‘“Hail and Take Pleasure!” Making Gods Present In Narration Through Choral Song and Other Epiphanic Strategies in the Homeric Hymns to Dionysus and Apollo’, in Tsagalis, Christos; Markantonatos, Andreas (ed.) The Winnowing Oar. New Perspectives in Homeric Studies. Berlin/New York: De Gruyter (The Winnowing Oar. New Perspectives in Homeric Studies), pp. 231–266. Available at: https://doi.org/10.1515/9783110559873-013.

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Bierl, Anton (2017) ‘The Bacchic-Chor(a)ic Chronotope: Dionysus, Chora and Chorality in the Fifth Stasimon of Sophocles” Antigone’, in Bierl, Anton; Christopoulos, Menelaos; Papachrysostomou, Athina (ed.) Time and Space in Ancient Myth, Religion and Culture. Berlin/New York: De Gruyter (MythosEikonPoiesis), pp. 99–144. Available at: https://doi.org/10.1515/9783110535150-007.

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Bierl, Anton, Christopoulos, Menelaos and Papachrysostomou, Athina (2017) ‘Preface’, in Bierl, Anton; Christopoulos, Menelaos; Papachrysostomou, Athina (ed.) Time and Space in Ancient Myth, Religion and Culture. Berlin/New York: De Gruyter (MythosEikonPoiesis), pp. ix–xvii.

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Bierl, Anton (2016) ‘Lived Religion and the Construction of Meaning in Greek Literary Texts: Genre, Context, Occasion’, Religion in the Roman Empire, 2(1), pp. 10–37. Available at: https://doi.org/10.1628/219944616x14537295637754.

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Bierl, Anton and Lardinois, André (2016) The newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4, Mnemosyne. Supplements. Leiden: Brill (Mnemosyne. Supplements). Available at: https://doi.org/10.1163/9789004314832.

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Brügger, Claude (2016) Sechzehnter Gesang. Faszikel 2: Kommentar, Homers Ilias: Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar / BK)).

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Coray, Marina (2016) Achtzehnter Gesang. Faszikel 2: Kommentar, Homers Ilias: Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar / BK)). Available at: https://doi.org/10.1515/9783110407013.

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Coray, Marina (2016) Book XIX, Homer’s Iliad. The Basel Commentary. Berlin: De Gruyter (Homer’s Iliad. The Basel Commentary). Available at: https://doi.org/10.1515/9781501504419.

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West, Martin L. and Latacz, Joachim (2016) Sechzehnter Gesang. Faszikel 1: Text und Übersetzung, Homers Ilias: Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar / BK)).

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Bierl, Anton (2016) ‘Visualizing the Cologne Sappho: Mental Imagery Through Chorality, the Sun, and Orpheus’, in Cazzato, Vanessa; Lardinois, André (ed.) The Look of Lyric: Greek Song and the Visual. Leiden: Brill (Mnemosyne. Supplements), pp. 307–342. Available at: https://doi.org/10.1163/9789004314849_014.

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Bierl, Anton (2016) ‘“All you Need is Love”: Some Thoughts on the Structure, Texture, and Meaning of the Brothers Song as well as on Its Relation to the Kypris Song (P. Sapph. Obbink)’, in Bierl, Anton; Lardinois, André (ed.) The Newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4. Leiden: Brill (Mnemosyne. Supplements), pp. 302–336. Available at: https://doi.org/10.1163/9789004314832_016.

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Bierl, Anton (2016) ‘Sappho as Aphrodite’s Singer, Poet, and Hero(ine): The Reconstruction of Context and Sense of the Kypris Song’, in Bierl, Anton; Lardinois, André (ed.) The Newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4. Leiden: Brill (Mnemosyne. Supplements), pp. 339–352. Available at: https://doi.org/10.1163/9789004314832_017.

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Bierl, Anton (2016) ‘Germany, Austria, and Switzerland’, in van Zyl Smit, Bettine (ed.) A Handbook to the Reception of Greek Drama. Chicheste: Wiley Blackwell (Wiley Blackwell Handbooks to Classical Reception), pp. 257–282. Available at: https://doi.org/10.1002/9781118347805.ch13.

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Bierl, Anton (2016) ‘Melizein Pathe or the Tonal Dimension in Aeschylus” Agamemnon: Voice, Song, and Choreia as Leitmotifs and Metatragic Signals for Expressing Suffering’, in Slater, Niall (ed.) Voice and Voices in Antiquity. Leiden: Brill (Mnemosyne. Supplements; Orality and Literacy in the Ancient World), pp. 166–207. Available at: https://doi.org/10.1163/9789004329737_010.

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Bierl, Anton (2016) ‘Nachwort (und Literaturhinweise)’, in Steinmann, Kurt (ed.) Die Orestie. Aischylos. Stuttgart: Reclam (Die Orestie. Aischylos), pp. 239–289.

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Bierl, Anton and Lardinois, André (2016) ‘Introduction’, in Bierl, Anton; Lardinois, André (ed.) The Newest Sappho. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4. Leiden: Brill (Mnemosyne. Supplements), pp. 1–9. Available at: https://doi.org/10.1163/9789004314832_002.

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Bierl, Anton (2015) ‘Nach der Konferenz “Sappho in the Third Millennium” ein renommierter Band zur Neuesten Sappho’, EUCOR-Newsletter. Collegium Beatus Rhenanus, 18. Available at: https://easyweb-lite-001.unibas.ch/cbr/wp-content/uploads/sites/27/2016/10/Newsletter-18-2015.pdf.

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Bierl, Anton (2015) ‘Die Literaturkonzertreihe ‘Die Neue Sappho’. Sappho, Penelope, Joyce oder Wissenschaft als Kunst’, EUCOR-Newsletter. Collegium Beatus Rhenanus, 18. Available at: https://easyweb-lite-001.unibas.ch/cbr/wp-content/uploads/sites/27/2016/10/Newsletter-18-2015.pdf.

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Krieter-Spiro, Martha (2015) Vierzehnter Gesang. Faszikel 2: Kommentar, Homers Ilias: Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar / BK)).

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Stoevesandt, Magdalene (2015) Book VI, Homer’s Iliad. The Basel Commentary. Berlin: De Gruyter (Homer’s Iliad. The Basel Commentary). Available at: https://doi.org/10.1515/9781501501760.

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West, Martin L. and Latacz, Joachim (2015) Vierzehnter Gesang. Faszikel 1: Text und Übersetzung, Homers Ilias: Gesamtkommentar (Basler Kommentar / BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar / BK)).

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West, Martin L. and Latacz, Joachim (2015) Achtzehnter Gesang. Faszikel 1: Text und Übersetzung, Homers Ilias: Gesamtkommentar (Basler Kommentar/ BK). Berlin: De Gruyter (Homers Ilias: Gesamtkommentar (Basler Kommentar/ BK)).

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Bierl, Anton (2015) ‘New Trends in Homeric Scholarship (NTHS)’, in Bierl, Anton; Latacz, Joachim (ed.) Prolegomena : Homer’s Iliad. The Basel Commentary. Berlin: De Gruyter (Prolegomena : Homer’s Iliad. The Basel Commentary), pp. 177–203. Available at: https://doi.org/10.1515/9781501501746-013.

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Bierl, Anton (2015) ‘Preface to the English Edition’, in Bierl, Anton; Latacz, Joachim (ed.) Prolegomena : Homer’s Iliad. The Basel Commentary. Berlin: De Gruyter (Prolegomena : Homer’s Iliad. The Basel Commentary), pp. 11–26. Available at: https://doi.org/10.1515/9781501501746-002.

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Bierl, Anton (2015) ‘Diachronic Shifts between the Epic Past and Future at the Phaeacians: Binding, Chorality, and Fluidity in Demodokos” Song of Ares and Aphrodite in Homer’s Odyssey (8.266-366)’, in González, José M. (ed.) Diachrony. Diachronic Studies of Ancient Greek Literature and Culture. Berlin: Walter de Gruyter (MythosEikonPoiesis), pp. 43–77. Available at: https://doi.org/10.1515/9783110422962-004.

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Bierl, Anton (2014) ‘Choreia und Fest: Neue Ansätze in der Interpretation der griechischen Liedkultur’, Gymnasium, 121(3), pp. 217–239.

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Bierl, Anton (2014) ‘Sappho, der sensationelle Neufund und die weltweit führende Lyrikforschung in Castelen bei Basel: Bericht über die Tagung ‘Sappho in the Third Millennium. New Approaches, Readings and the “Brand-New Sappho”’ - Core Group Meeting of the Network for the Study of Archaic and Classical Greek Song, Landgut Castelen bei Augst/Basel, 26.-28. Juni 2014’, EUCOR-Newsletter. Collegium Beatus Rhenanus, 17. Available at: https://easyweb-lite-001.unibas.ch/cbr/wp-content/uploads/sites/27/2016/10/Newsletter-17-2014.pdf.

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Bierl, Anton (2014) ‘Love, Myth, and Ritual: The Mythic Dimension and Adolescence in Longus” Daphnis and Chloe’, in A companion to the ancient novel. Chichester: Wiley Blackwell (Blackwell companions to the ancient world), pp. 441–455. Available at: https://doi.org/10.1002/9781118350416.ch28.

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Bierl, Anton (2014) ‘“Riddles over Riddles”: “Mysterious” and “Symbolic” (Inter)textual Strategies. The Problem of Language in the Derveni Papyrus’, in Papadopoulou, Ioanna; Muellner, Leonard (ed.) Poetry as Initiation : The Center for Hellenic Studies Symposium on the Derveni Papyrus. Washington, D.C.: Center for Hellenic Studies (Hellenic Studies), pp. 187–210. Available at: https://chs.harvard.edu/CHS/article/display/5694.

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Futre Pinheiro, Marília, Bierl, Anton and Beck, Roger (2013) Intende, lector : echoes of myth, religion and ritual in the ancient novel, MythosEikonPoiesis. Berlin: de Gruyter (MythosEikonPoiesis). Available at: https://doi.org/10.1515/9783110311907.

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Bierl, Anton (2013) ‘Maenadism as Self-Referential Chorality in Euripides” Bacchae’, in Choral Mediations in Greek Tragedy. Cambridge: Cambridge University Press (Choral Mediations in Greek Tragedy), pp. 211–226. Available at: https://doi.org/10.1017/cbo9781139519564.009.

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Bierl, Anton (2013) ‘Dionysos in Old Comedy : Staging of Experiments on Myth and Cult’, in Redefining Dionysos. Berlin ; Boston: De Gruyter (MythosEikonPoiesis), pp. 366–385. Available at: https://doi.org/10.1515/9783110301328.366.

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Bierl, Anton (2013) ‘Myth and the Novel: Introductory Remarks and Comments on the Roundtable Discussion’, in Intende, Lector : Echoes of Myth, Religion and Ritual in the Ancient Novel. Berlin ; Boston: De Gruyter (MythosEikonPoiesis), pp. 7–23. Available at: https://doi.org/10.1515/9783110311907.7.

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Bierl, Anton (2013) ‘From Mystery to Initiation: A Mytho-Ritual Poetics of Love and Sex in the Ancient Novel even in Apuleius” Golden Ass?’, in Intende, Lector : Echoes of Myth, Religion and Ritual in the Ancient Novel. Berlin ; Boston: De Gruyter (MythosEikonPoiesis), pp. 82–99. Available at: https://doi.org/10.1515/9783110311907.82.

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Bierl, Anton (2013) ‘Der vielnamige Dionysos : Wesen und Funktion des Gottes im Spiegel seiner Beinamen’, in Dionysos : Rausch und Ekstase. Bucerius Kunstforum. München: Hirmer (Dionysos : Rausch und Ekstase), pp. 30–39.

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Bierl, Anton (2012) ‘[Rezension von] Cécile Corbel-Morana, Le Bestiaire d’Aristophane (Collection d’études anciennes. Série grecque 144) : Paris, 2012’, Bryn Mawr Classical Review. Available at: http://www.bmcreview.org/2012/08/20120805.html.

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Bierl, Anton (2012) ‘Postdramatic Theater and Politics: The Oresteia Today’, Atene e Roma nuova serie seconda, 6(3-4), pp. 283–296.

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Bierl, Anton (2012) ‘Dionysοs” Epiphany in Performance. The God of Ecstatic Cry, Noise, Song, Music, and Choral Dance’, in: Electra 2: Dionysus: Myth, Cult, Ritual’, Electra, 2, pp. 1–12. Available at: http://electra.lis.upatras.gr/index.php/electra/issue/view/235.

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Honold, Alexander, Bierl, Anton and Luppi, Valentina (2012) Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel. Paderborn: Wilhelm Fink. Available at: http://deposit.d-nb.de/cgi-bin/dokserv?id=4050406&prov=M&dok_var=1&dok_ext=htm.

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Luppi, Valentina (2012) ‘[Rezension zu] A. Missiou, Literacy and Democracy in Fifth-Century Athens, Cambridge 2011’, Museum Helveticum, pp. 235–236.

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Bierl, Anton (2012) ‘Odysseus als Sänger im Prozess narrativer Sinnbildung : eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee’, in Das Erzählen in frühen Hochkulturen. München: Wilhelm Fink (Ägyptologie und Kulturwissenschaft), pp. 197–220.

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Bierl, Anton (2012) ‘Women on the Acropolis and Mental Mapping: Comic Body-Politics in a City in Crisis, or Ritual and Metaphor in Aristophanes” Lysistrata’, in Markantonatos, A; Zimmermann, B (ed.) Crisis on Stage : Tragedy and Comedy in Late Fifth-Century Athens. Berlin: De Gruyter (Trends in Classics. Supplementary Volumes), pp. 255–290. Available at: https://doi.org/10.1515/9783110271560.255.

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Bierl, Anton (2012) ‘Demodokos” song of Ares and Aphrodite in Homer’s Odyssey (8.266-366) : an epyllion? Agonistic performativity and cultural metapoetics’, in Brill’s Companion to Greek and Latin Epyllion and its Reception. Leiden ; Boston: Brill (Brill’s Companions in Classical Studies), pp. 111–134. Available at: https://doi.org/10.1163/9789004233058_006.

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Bierl, Anton (2012) ‘Orality, fluid textualization and interweaving themes : some remarks on the Doloneia : magical horses from night to light and death to life’, in Montanari, F; Rengakos, A; Tsagalis, C (ed.) Homeric Contexts : Neoanalysis and the Interpretation of Oral Poetry. Berlin ; Boston: De Gruyter (Trends in Classics. Supplementary Volumes), pp. 133–174. Available at: https://doi.org/10.1515/9783110272017.133.

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Bierl, Anton (2012) ‘Ästhetik, Sex und Opfer : der Blick auf die hingeschlachtete Jungfrau im Liebesroman des Achilleus Tatios’, in Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel. Munich: Fink (Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel), pp. 131–161.

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Bierl, Anton (2012) ‘Traumatic dreams : lacanian love, Kubrick’s Eyes Wide Shut, and the Ancient Greek Novel, or, gliding in phantasmagoric chains of metonymy’, in Donum natalicium digitaliter confectum Gregorio Nagy septuagenario a discipulis collegis familiaribus oblatum : a virtual birthday gift presented to Gregory Nagy on turning seventy by his students, colleagues, and friends. : http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Bers_etal_eds.Donum_Natalicium_Gregorio_Nagy.2012. Washington, DC: Harvard Press (Donum natalicium digitaliter confectum Gregorio Nagy septuagenario a discipulis collegis familiaribus oblatum : a virtual birthday gift presented to Gregory Nagy on turning seventy by his students, colleagues, and friends). Available at: http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=4388.

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Luppi, Valentina (2012) ‘Das polyvalente Opferritual am Ende der Euripideischen Helena’, in Honold, Alexander; Bierl, Anton; Luppi, Valentina (ed.) Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel. München: Fink (Ästhetik des Opfers : Zeichen/Handlungen in Ritual und Spiel), p. S. 97–106.

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Luppi, Valentina (2011) ‘La doppia identità di Elena nell’omonima tragedia di Euripide’, Quaderni urbinati di cultura classica, 98, pp. 11–20.

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Luppi, Valentina (2011) ‘G. Mastromarco-P. Totaro, Storia del teatro greco : Milano, 2008’, Museum Helveticum, p. 216. Available at: https://www.e-periodica.ch/digbib/view?pid=mhl-001:2011:68#238.

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Bierl, A. (2011) ‘Prozessionen auf der griechischen Bühne: Performativität des einziehenden Chors als Manifestation des Dionysos in der Parodos der Euripideischen Bakchen’, in Medialität der Prozession : Performanz ritueller Bewegung in Texten und Bildern der Vormoderne = Médialité de la procession : performance du mouvement rituel en textes et en images à l’époque pré-moderne. Heidelberg: Universitätsverlag Winter (GRM-Beiheft), pp. 35–61.

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Bierl, Anton (2011) ‘Alcman at the end of Aristophanes” Lysistrata : ritual interchorality’, in Athanassaki, L; Bowie, E (ed.) Archaic and Classical Choral Song : Performance, Politics and Dissemination. Trends in Classics, Supp. 10. Berlin: De Gruyter (Trends in Classics. Supplementary Volumes), pp. 415–436. Available at: https://doi.org/10.1515/9783110254020.415.

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Bierl, Anton (2011) ‘Il dramma satiresco di Pratina e il Ciclope di Euripide. Movimento selvaggio, autoreferenzialità corale e liberazione dell’energia accumulata sotto il segno di Dioniso’, in Rodighiero, Andrea; Scattolin, Paolo (ed.) ‘... un enorme individuo, dotato di polmoni soprannaturali’. Funzioni, interpretazioni e rinascite del coro drammatico greco. im Druck. Verona: Edizioni Fiorini (Kátoptron. Studi e testi di filologia greca), pp. 67–95.

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Bierl, Anton (2011) ‘Dionysos auf der Bühne : gattungsspezifische Aspekte des Theatergottes in Tragödie, Satyrspiel und Komödie’, in A different god? : Dionysos and Ancient Polytheism. Berlin: De Gruyter (A different god? : Dionysos and Ancient Polytheism), pp. 315–341. Available at: https://doi.org/10.1515/9783110222357.315.

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Bierl, Anton (2011) ‘‘Riddles over Riddles’ : ‘mysterious’ and ‘symbolic’ (inter)textual strategies’, in Proceedings of the Derveni Papyrus Conference. Washington: Center for Hellenic Studies (Proceedings of the Derveni Papyrus Conference), pp. 1–30.

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Bierl, Anton (2011) ‘Enigmatic hints at the hidden meaning of two central homeric passages : the Derveni-author as homeric philologist in PDerv. col XXVI’, in Tracing Orpheus : Studies of Orphic Fragments (In Honour of Alberto Bernabé). Berlin ; Boston: De Gruyter (Sozomena), pp. 393–398. Available at: https://doi.org/10.1515/9783110260533.393.

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Bierl, Anton (2011) ‘Fest und Spiele in der griechischen Literatur’, in Thesaurus cultus et rituum antiquorum : (ThesCRA). Los Angeles: The J. Paul Getty Museum (Thesaurus cultus et rituum antiquorum : (ThesCRA)).

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Bierl, Anton and Leber, Manfred (2011) ‘Die Orestie auf der zeitgenössischen postdramatischen Bühne’, in Bogner, Ralf (ed.) Tragödie : Die bleibende Herausforderung. Saarbrücken: universaar (Saarbrücker literaturwissenschaftliche Ringvorlesungen), pp. 227–263. Available at: http://universaar.uni-saarland.de/monographien/volltexte/2011/26/pdf/tragoedie_ebook.pdf.

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Bierl, A. (2010) ‘Die Orestie auf der zeitgenössischen postdramtischen Bühne’, Freiburger Unversitätsblätter, 189, pp. 31–74.

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Bierl, Anton (2010) ‘Sappho in Athens: reperformance and performative contextualizations of the New Cologne Papyrus, or old age and rejuvenation through chorality’. Athens Dialogues. Available at: http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36.

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