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Prof. Dr. Aden Kumler

Department of Arts, Media, Philosophy
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Publications

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Kumler, A. (2024). Adjusted and radiant in the vestment of its appearance. Flavin’s epiphanic realism / Justiert und strahlend im Gewand seiner Erscheinung. Flavins epiphanischer Realismus. In Helfenstein, Josef; Osadtschy, Olga (Ed.), Dan Flavin. Widmungen aus Licht (pp. 184–199). Kunstmuseum Basel.

Kumler, A. (2023). Writing on the world beyond the page: medieval inscriptions as facta and ficta Schreiben auf der Welt jenseits der Seite: Mittelalterliche Inschriften als facta und ficta. Deutsche Vierteljahrsschrift Fur Literaturwissenschaft Und Geistesgeschichte, 97(2), 447–484. https://doi.org/10.1007/s41245-023-00196-8

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Kumler, Aden. (2023). Interview. In Images in Premodern Societies. A Dialogue about the State of the Field on the Occasion of the 20th Anniversary of “Iconographica” (pp. 175–183). Sismel, Edizione del Galluzzo. https://www.mirabileweb.it/edgalluzzo/saggi/m/1271/s/5954

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Aden Kumler. (2023). Disorientations/Orientierungsverlüste. In Andrea Büttner–The Heart of Relations (pp. 238–256). Kunstmuseum Basel; Kunstammlung Nordrhein-Westfalen; Hatje Canz Verlag.

Aden Kumler. (2023). Team-Teaching Across the Disciplines. In Approaches to Teaching the Romance of the Rose, (Vol. 170, pp. 170–190). Modern Language Association.

Kumler, Aden. (2023). “All form is a process of notation” . Hrabanus Maurus’s ‘exemplativist’ art. In L’art medieval est-il contemporain? / Is medieval art contemporary? (Vol. 1, pp. 91–111). Brepols.

Kumler, Aden. (2022). Altar as atelier. Codex Aquilarensis, 38, 141–168.

Kumler, Aden, Bois, Yve-Alain, Debiais, Vincent, Fontán del Junco, Manuel, Gertsman, & Elina. (2022). Narration / abstraction : réflexions croisées entre médiévistes et contemporanéistes. Perspective. Actualité En Histoire de L’art, 2, 69–96. https://doi.org/10.4000/perspective.27518

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Kumler, Aden, & Fricke, Beate. (2022). Destroyed-Disappeared-Lost-Never Were. In ICMA Books -Viewpoints (Vol. 1). Penn State University Press - International Center of Medieval Art. https://www.psupress.org/books/titles/978-0-271-09328-4.html

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Kumler, Aden. (2022). Whose Iconography? In Patton, Pamela; Fernandez, Catherine (Ed.), Iconography in a New Century (pp. 35–58). Penn State University Press & The Index of Medieval Art.

Kumler, Aden. (2022). Lyric Vessels. In Cervone, Cristina Maria; Watson, Nicholas (Ed.), What Kind of a Thing is a Middle English Lyric? (pp. 182–217). University of Pennsylvania Press.

Kumler, Aden. (2022). The Way We Live Now. In Lund, Karsten; (Ed.), Jill Magid: Tender (pp. 149–160). Renaissance Society.

Kumler, Aden, & Fricke, Beate. (2022). Introduction. Destroyed-Disappeared-Lost-Never Were. In Kumler, Aden; Fricke, Beate (ed.), Destroyed-Disappeared-Lost-Never Were (pp. 1–21). Penn State University Press & The Index of Medieval Art.

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Kumler, Aden. (2021). “Where your treasure is, there is your heart also: A Kesslerian view from the Soissons Gospels”. Codex Aquilarensis, 37, 109–126.

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Kumler, Aden. (2021). Abstraction’s gothic grounds. In Gertsman, Elina (Ed.), Abstraction in Medieval Art. Beyond the Ornament (pp. 55–88). Amsterdam University Press. https://doi.org/10.5117/9789462989894

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Kumler, Aden. (2019). Periculum and peritia: aesthetics and affects in the medieval ‘ars market’. Codex Aquilarensis, 35, 157–178.

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Kumler, Aden. (2019). Counterfeiting the Eucharist in Late Medieval Art and Life. In Melion, Walter; Carson Pastan, Elizabeth; Palmer Wandel, Lee (Ed.), Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700 (pp. 57–81). Brill. https://doi.org/10.1163/9789004408944_003

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Kumler, Aden. (2019). Materials, Materia, “Materiality”. In Rudolph, Conrad (Ed.), A Companion to Medieval Art: Romanesque and Gothic in Northern Europe (pp. 95–117). Wiley Blackwell. https://doi.org/10.1002/9781119077756.ch4

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Kumler, Aden. (2018). Signatis... vultus tui: (Re)impressing the Holy Face before and after the European Cult of the Veronica. Convivium, Supplementum, 2, 102–113.

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Kumler, Aden. (2018). Seeing the worldly with a moral eye: Illuminated observation as introspection in the later Middle Ages. In Kessler, Herbert; Newhauser, Richard (Ed.), Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s Moral Treatise on the Eye (pp. 47–63). Pontifical Institute of Mediaeval Studies Press.

Kumler, Aden. (2017). Handling the letter. In Collins, Kristen; Fisher, Matthew (Ed.), St. Albans and the Markyate Psalter: Seeing and Reading in 12th Century England (pp. 69–100). Medieval Institute Publications.

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Kumler, A. (2016). Catalog entry for Houghton Library, MS Typ 555. In Davis, Lisa Fagin; Eze, Anne-Marie ; Hamburger, Jeffrey F.; Netzer, Nancy; Stoneman, William; (Ed.), Beyond Words: Illuminated Manuscripts in Boston Collections (Exhibition Catalog) (pp. 113–115). University of Chicago Press.

Kumler, Aden. (2016). Sacrament to Street Food. Cabinet: A Quarterly of Art and Culture, 58, 63–71.

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Kumler, Aden. (2015). Manufacturing the sacred in the Middle Ages: The Eucharist and other medieval works of ars. English Language Notes, 53(2), 9–44. https://doi.org/10.1215/00138282-53.2.9

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Kumler, Aden. (2014). Accidentally on purpose. Cabinet: A Quarterly of Art and Culture, 54, 74–80.

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Kumler, Aden. (2014). Imitatio rerum: Sacred objects in the St Giles’s Hospital Processional. Journal of Medieval and Early Modern Studies, Special Issue, 44(3), 469–502. https://doi.org/10.1215/10829636-2791500

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Kumler, Aden. (2014). ‘The Genealogy of Jean le Blanc’: Accounting for the Materiality of the Medieval Eucharist. In Anderson, Christy; Dunlop, Anne; Smith, Pamela (Ed.), The Matter of Art: Materials, Technologies, Meanings, c. 1250-1650 (pp. 119–140). Manchester University Press.

Kumler, Aden. (2013). The Patron-Function. In Hourihane, Colum (Ed.), Medieval Patronage: Patronage, Power and Agency in Medieval Art (pp. 297–319). Penn State University Press.

Kumler, A. (2012). Aden Kumler. Review of “Tabula Picta: Painting and Writing in Medieval Law” by Marta Madero, Monique Dascha Inciarte, and Roland David Valayre. [Journal-article]. caa.reviews. https://doi.org/10.3202/caa.reviews.2012.44

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Kumler, A. (2012). Panofsky, unexpected. Harvard Library Bulletin, 23, 40–42.

Kumler, Aden, & Lakey, Christopher R. (2012). Res et significatio: The Material Sense of Things in the Middle Ages. Gesta, 51(1), 1–17. https://doi.org/10.1086/669944

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Kumler, Aden. (2012). Translating ma dame de Saint-Pol: The privilege & predicament of the devotee in Paris, BnF, MS naf 4338. In Fresco, Karen; Wright, Charles (Ed.), Translating the Middle Ages (pp. 35–54). Ashgate.

Kumler, Aden. (2011). Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England. Yale University Press.

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Kumler, Aden. (2011). The Multiplication of the Species: Eucharistic Morphology in the Middle Ages. Res: Anthropology and Aesthetics, 59-60, 179–191. https://doi.org/10.1086/resvn1ms23647789

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Kumler, Aden. (2008). Faire translater, faire historier: Charles V’s Bible historiale and the Visual Rhetoric of Vernacular Sapience. Studies in Iconography, 29, 90–135.

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