Publications
24 found
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, Bonhomme, Max, Joschke, Christian, & Somaini, Antonio. (2025). Introduction. Photographies et Algorithmes [Éditions Macula]. Transbordeur. Photographie, Historie, Société, 9, 216. https://doi.org/https://doi.org/10.4000/13dwn
, Bonhomme, Max, Joschke, Christian, & Somaini, Antonio. (2025). Introduction. Photographies et Algorithmes [Éditions Macula]. Transbordeur. Photographie, Historie, Société, 9, 216. https://doi.org/https://doi.org/10.4000/13dwn
, & Linke, Armin. (2023). Image Capital. Intercom Verlag. https://image-capital.com
, & Linke, Armin. (2023). Image Capital. Intercom Verlag. https://image-capital.com
, & Nerini Davide. (2022). Micro-Histories: An Online Anthology on Microforms, 1900-1970. University of Lausanne. https://micro-histories.ch
, & Nerini Davide. (2022). Micro-Histories: An Online Anthology on Microforms, 1900-1970. University of Lausanne. https://micro-histories.ch
. (2021). Bilder orten, Welt ordnen. Geotagging und die Fotografie. In Hoffmann, Felix; Schönegg, Kathrin (Ed.), Send me an Image. From Postcards to Social Media (pp. 259–274). Steidl. https://steidl.de/Buecher/Send-Me-an-Image-From-Postcards-to-Social-Media-1735444850.html
. (2021). Bilder orten, Welt ordnen. Geotagging und die Fotografie. In Hoffmann, Felix; Schönegg, Kathrin (Ed.), Send me an Image. From Postcards to Social Media (pp. 259–274). Steidl. https://steidl.de/Buecher/Send-Me-an-Image-From-Postcards-to-Social-Media-1735444850.html
. (2021). Rarity vs. Ubiquity in Photographic Collections. In Caraffa, Costanza (Ed.), On Alinari: Archive in Transition (pp. 142–147). A+Mbookstore.
. (2021). Rarity vs. Ubiquity in Photographic Collections. In Caraffa, Costanza (Ed.), On Alinari: Archive in Transition (pp. 142–147). A+Mbookstore.
. (2021). The camera that takes a face, can take a page: Microfilm as a scientific aid. In Hillnhütter, Sara; Klamm, Stefanie; Tietjen, Friederich (Ed.), Hybrid Photography. Intermedial Practices in Sciences and Humanities (pp. 132–142). Routledge. https://doi.org/10.4324/9781003157854
. (2021). The camera that takes a face, can take a page: Microfilm as a scientific aid. In Hillnhütter, Sara; Klamm, Stefanie; Tietjen, Friederich (Ed.), Hybrid Photography. Intermedial Practices in Sciences and Humanities (pp. 132–142). Routledge. https://doi.org/10.4324/9781003157854
. (2021). Nadya Bair, The Decisive Network. Magnunm Photos and the Postwar Image Market, 2020. Transbordeur Photographie, 5, 178–179.
. (2021). Nadya Bair, The Decisive Network. Magnunm Photos and the Postwar Image Market, 2020. Transbordeur Photographie, 5, 178–179.
. (2021, January 1). Image Capital [Fotomuseum Winterthur]. Blog “Still Searching...”. https://www.fotomuseum.ch/de/series/image-capital/
. (2021, January 1). Image Capital [Fotomuseum Winterthur]. Blog “Still Searching...”. https://www.fotomuseum.ch/de/series/image-capital/
. (2021). Infrastructures of Automated Photography. Automated Photography, 205–213 / 09. http://ecal-shop.ch/en/product/automated-photography/
. (2021). Infrastructures of Automated Photography. Automated Photography, 205–213 / 09. http://ecal-shop.ch/en/product/automated-photography/
. (2020). Diskrete Operationen: Formen präemptiver Bildzensur in der KI-gestützten Fotografie. Bildwelten Des Wissens, 16, 32–41. https://doi.org/10.1515/9783110715293-005
. (2020). Diskrete Operationen: Formen präemptiver Bildzensur in der KI-gestützten Fotografie. Bildwelten Des Wissens, 16, 32–41. https://doi.org/10.1515/9783110715293-005
. (2019). From Microform to the Drawing Bot: The Photographic Image as Data. Grey Room, 75, 60–83. https://doi.org/10.1162/grey_a_00270
. (2019). From Microform to the Drawing Bot: The Photographic Image as Data. Grey Room, 75, 60–83. https://doi.org/10.1162/grey_a_00270
, & Nerini, Davide. (2019). Câble. Copie, Code: Photographie et technologies de l’information. In Transbordeur photographie histoire société (3 ed., Vol. 3). Macula.
, & Nerini, Davide. (2019). Câble. Copie, Code: Photographie et technologies de l’information. In Transbordeur photographie histoire société (3 ed., Vol. 3). Macula.
. (2016). Bewirtschaften: Verwertungsprozesse digitaler Bildsammlungen. In Güttler, Nils; Heumann, Ina (Ed.), Sammlungsökonomien. Vom Wert wissenschaftlicher Dinge (pp. 111–132). transcript.
. (2016). Bewirtschaften: Verwertungsprozesse digitaler Bildsammlungen. In Güttler, Nils; Heumann, Ina (Ed.), Sammlungsökonomien. Vom Wert wissenschaftlicher Dinge (pp. 111–132). transcript.
. (2016). The Excess of the Photographic Archive. In Wilder, Kelley; Mitman, Gregg (Ed.), Documenting the World. Photography, Film and the Scientific Record (pp. 224–253). University of Chicago Press.
. (2016). The Excess of the Photographic Archive. In Wilder, Kelley; Mitman, Gregg (Ed.), Documenting the World. Photography, Film and the Scientific Record (pp. 224–253). University of Chicago Press.
. (2016). Installed for your protection. Mikrofilm als Medium der Bürokratie. Archiv Der Mediengeschichte, 16, 151–162. https://doi.org/10.30965/9783846761281_015
. (2016). Installed for your protection. Mikrofilm als Medium der Bürokratie. Archiv Der Mediengeschichte, 16, 151–162. https://doi.org/10.30965/9783846761281_015
. (2016). Bilder als Kapital. Corbis, Getty Images und der digitale Bildermarkt. Fotogeschichte, 36(142), 49–54.
. (2016). Bilder als Kapital. Corbis, Getty Images und der digitale Bildermarkt. Fotogeschichte, 36(142), 49–54.
. (2016). Banking on Images. The Bettmann Archive and Corbis. Spector Books.
. (2016). Banking on Images. The Bettmann Archive and Corbis. Spector Books.
, & Braun, Reinhard. (2015). Disputed Landscape. In Bucher Trantow, Katrin; Huemer, Katia; Pakesch, Peter (Ed.), Landscape : construction of a reality (pp. 98–106). König.
, & Braun, Reinhard. (2015). Disputed Landscape. In Bucher Trantow, Katrin; Huemer, Katia; Pakesch, Peter (Ed.), Landscape : construction of a reality (pp. 98–106). König.
. (2014). Spiralen der Erinnerung. Fotografie als Gedächtnismedium des Ersten Weltkriegs. In Derenthal, Ludger; Klamm, Stefanie (Ed.), Fotografie im ersten Weltkrieg (pp. 104–113). E.A. Seemann.
. (2014). Spiralen der Erinnerung. Fotografie als Gedächtnismedium des Ersten Weltkriegs. In Derenthal, Ludger; Klamm, Stefanie (Ed.), Fotografie im ersten Weltkrieg (pp. 104–113). E.A. Seemann.
. (2014). Making History a Slightly Profitable Thing. The Bettmann Archive and the Commodification of Images. Visual Resources. An International Journal of Documentation, 30(3), 222–238. https://doi.org/10.1080/01973762.2014.936101
. (2014). Making History a Slightly Profitable Thing. The Bettmann Archive and the Commodification of Images. Visual Resources. An International Journal of Documentation, 30(3), 222–238. https://doi.org/10.1080/01973762.2014.936101
, Linke, Armin, & Mende, Doreen. (2013). Bilder für den Westen. Illinx. Berliner Beiträge Zur Kulturwissenschaft, 3, 117–129. https://doi.org/10.18452/6686
, Linke, Armin, & Mende, Doreen. (2013). Bilder für den Westen. Illinx. Berliner Beiträge Zur Kulturwissenschaft, 3, 117–129. https://doi.org/10.18452/6686
Mende, Doreen, , & Linke, Armin. (2013). Doppelte Ökonomien. Vom Lesen eines Fotoarchivs aus der DDR, 1967-1990 = Double Bound Economies. Reading an East German photo archive, 1967-1990. Spector Books.
Mende, Doreen, , & Linke, Armin. (2013). Doppelte Ökonomien. Vom Lesen eines Fotoarchivs aus der DDR, 1967-1990 = Double Bound Economies. Reading an East German photo archive, 1967-1990. Spector Books.
. (2009). Du fonds photographique à la banque d’images. L’Exploitation commerciale du visuel via la photographie. Le Fonds Bettmann et Corbis. Études Photographiques, 24, 150–181.
. (2009). Du fonds photographique à la banque d’images. L’Exploitation commerciale du visuel via la photographie. Le Fonds Bettmann et Corbis. Études Photographiques, 24, 150–181.
. (2009). Jeff Wall. Near Documentary - proche du documéntaire. Bulletin de l’Institut d’Histoire Du Temps Présent IHTP/CNRS, 89(6), 53–77.
. (2009). Jeff Wall. Near Documentary - proche du documéntaire. Bulletin de l’Institut d’Histoire Du Temps Présent IHTP/CNRS, 89(6), 53–77.