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Faculty of Humanities and Social Sciences

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GraphAfghanica: Building a Federated Knowledge Infrastructure for Afghan Historical Images

Research Project  | 2 Project Members

GraphAfghanica aims to develop a federated digital humanities infrastructure for the study of historical photographs of Afghanistan from the 1970s, a decade marked by profound social and political transformation. Afghan visual heritage from this period is widely dispersed across international institutions, private collections, and local archives, where it remains unevenly described, difficult to access, and rarely studied in a connected manner. Focusing initially on two major collections, the Bibliotheca Afghanica (BA) at the University Library of Basel and the EWA-76 ethnographic collection preserved in the Józef Burszta Digital archive in Poland, the project addresses this fragmentation by interlinking distributed photographic holdings through a provenance-aware

knowledge graph (KG). Rather than centralizing data, GraphAfghanica enables cross-collection exploration while preserving institutional custodianship and data sovereignty. A dedicated web-based application will provide scholars and the public with integrated access to images, metadata, and relationships across repositories, supporting chronological, spatial, and thematic inquiry into Afghanistan’s visual history.


Methodologically, the project integrates knowledge representation with interpretable computer vision and controlled multilingual description generation within a transparent, provenance-rich framework. Photographs will be enriched through image classification, similarity detection, and GraphRAG-based description generation, with all computational outputs explicitly documented, confidence-scored, and open to scholarly scrutiny. By embedding these methods directly into the KG, GraphAfghanica enables historically meaningful analyses of visual patterns, such as transformations of urban environments and changes in women’s visibility in public space. All software components, ontologies, and workflows will be released as open-source resources, ensuring transferability beyond the Afghan case study. GraphAfghanica thus delivers both a sustainable research infrastructure and a reusable methodological framework for the responsible application of AI-assisted approaches to historical visual archives, advancing digital humanities scholarship while supporting ethical engagement with culturally sensitive heritage.

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Curated Escapes and Derelict Landscapes in Times of Climate Change

Research Project  | 5 Project Members

Curated Escapes and Derelict Landscape in Times of Climate Change


From private islands in the Pacific to luxury bunkers in the Alps to eco-estates bordering national parks in southern Africa, land is being transformed into ‘curated escapes’ for the wealthy to flee the social and ecological effects of climate change. Simultaneously, ordinarily people face disastrous effects of climate change, having to re-imagine their own escapes from (or even to) such landscapes deemed ‘derelict’ and incapable of sustaining life and livelihoods. Declarations of dereliction can be as powerful as truly degraded lands, leading to forced displacement and dispossession.


This project investigates how—amidst socio-economic inequalities—climate change is transforming land tenure and the relationship of ordinary people and elites to the land. By considering diverse case studies (Namibia, South Africa, Switzerland, Sierra Leone, Mauritius, the Chagos Archipelago, Tuvalu, and Antarctica), this project looks at how rhetorics and realities of land degradation and human displacement often go hand-in-hand with elite capture of sometimes the very same lands. The CEDEL team looks into these questions from the past to the present, showing that these contemporary challenges are rooted in historical processes.


The CEDEL team looks into (1) historically-developed ‘escapes’, such as private nature conservation and eco-estates in southern Africa. These dynamics of escape and dereliction have been ongoing for decades and relate to current debates of land tenure and equity. We also examine (2) contemporary dilemmas of dereliction and escape, often related to debates around ‘sinking’ islands and melting permafrost and how to make use of lands (and waters) which are facing imminent ecological changes. From the coasts of Sierra Leone and the Indian Ocean to the Swiss Alps, these questions are pertinent for local populations and global debates concerning (un)inhabitability. Finally, the team considers (3) future visions of escape, rooted in eco-fiction (cli-fi) but with real-world proponents. From proposals to build digital clones of the nation of Tuvalu to escapes into outer space, the CEDEL team examines how communities engage in future-making from the past to the present.

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Transcoding the Earth Systems: Climate and Weather Models in Digital Games

Research Project  | 1 Project Members

The project explores how contemporary computer games such as Microsoft Flight Simulator (2020) aspire to create a “digital twin” of Earth by integrating geospatial imagery, real‑time meteorological data, machine vision, and cloud‑based computational pipelines. Rather than focusing on the representational claims to realism of these simulated worlds, the project examines their underlying image‑making logistics: the design protocols and imaging infrastructures that contribute to producing a navigable and plausible version of the planet. Combining design‑documentation analysis, media‑ethnographic approaches, and the collection of gameplay imagery, the project considers how these global models operate as technical images. It further explores the hypothesis that the rising prominence of climate and nature in games may be less an expression of environmental awareness or a drive toward photorealism than a repurposing of the cultural techniques that first made climate intelligible as a planetary, technically mediated image. The project is funded by the NOMIS Foundation.