Professur für Neuere Englische Literaturwissenschaft

Schmid, Philippe Bernhard (2024) ‘The Ott Papers, Anglo-Swiss Families and Early Modern Huguenot Networks’, Huguenot Society Journal, 37, pp. 84–87. Available at: https://doi.org/10.3828/huguenot.2024.37.7.

Schmid, Philippe Bernhard (2024) ‘The interlopers: early Stuart projects and the undisciplining of knowledge, by Vera Keller. Baltimore, Johns Hopkins University Press, 2023, 360 pp., $60 (hb), $60 (eb), ISBN 9781421445922’, Intellectual History Review. 08.02.2024. Taylor and Francis, pp. 882–885. Available at: https://doi.org/10.1080/17496977.2024.2309441.

Schmid, Philippe Bernhard (2024) ‘Transnational Service: John Henry Ott and the Professionalisation of Information Brokerage, 1716–1743’, in Swiss Association of Medieval and Early Modern English Studies (SAMEMES), Eighth Biennial Conference: ‘Medieval and Early Modern Swiss-British Relations’. University of Basel (Swiss Association of Medieval and Early Modern English Studies (SAMEMES), Eighth Biennial Conference: ‘Medieval and Early Modern Swiss-British Relations’).

Schmid, Philippe Bernhard (2024) ‘Wettstein’s Friends: Migration and Early Modern Confessional Networks’, SwissBritNet Stories. Basel: University of Basel (SwissBritNet Stories), 30 August.

Schmid, Philippe Bernhard (2024) ‘Martin Mulsow, Fremdprägung: Münzwissen in Zeiten der Globalisierung. Berlin, Matthes & Seitz, 2023. isbn 978-3-7518-0380-9. 413 pp., 35 col. illus., 164 b. & w. illus. 42€.’, Journal of the History of Collections. 15.03.2024. Oxford Academic, pp. 361–362. Available at: https://doi.org/10.1093/jhc/fhae010.

Schmid, Philippe Bernhard (2024) ‘Wrong Move: Johann Conrad Werndly and the Microhistory of Weak Ties’, in Symposium: ‘Agents and Messengers in the Early Modern History of Information’. Global Information History Workshop, co-hosted by the University of Basel, Harvard University, the Ludwig Maximilian University of Munich and the University of Zurich (Symposium: ‘Agents and Messengers in the Early Modern History of Information’).

Schmid, Philippe Bernhard (2024) ‘Collecting the Renaissance Library: Historia litteraria and the Early Modern University’, in 11th annual meeting of Scientiae: Disciplines of Knowing. Vrije Universiteit Brussel (11th annual meeting of Scientiae: Disciplines of Knowing).

Schmid, Philippe Bernhard (2024) ‘Reisende Sekretäre: Schweizer Geistliche und die Organisation der Aufklärung’, in Kolloquium Ältere Schweizer Geschichte: ‘Neue Forschungen zur Älteren Schweizer Geschichte und Geschichte der Frühen Neuzeit’. Institute of History, University of Bern (Kolloquium Ältere Schweizer Geschichte: ‘Neue Forschungen zur Älteren Schweizer Geschichte und Geschichte der Frühen Neuzeit’).

Schmid, Philippe Bernhard (2024) ‘The Government at Auction: Urban Policy and the Market for Books in Eighteenth-Century Lübeck’, in Publishers, Censors and Collectors in the European Book Trade, 1650–1750. Leiden / Boston: Brill (Library of the Written Word - The Handpress World), pp. 238–262. Available at: https://doi.org/10.1163/9789004691940_011.

Hohl Trillini, Regula (2024) ‘The Interactive Verbal Network of Early Modern Theatre’, Critical Survey, 36(1), pp. 58–73. Available at: https://doi.org/10.3167/cs.2024.360105.

Schmid, Philippe Bernhard (2024) ‘The Workplace of Enlightenment: Colin Campbell and the Repurposing of Paper’, in 53rd Annual Conference ‘Work and Play’ of the British Society for Eighteenth-Century Studies (BSECS). St Hugh’s College, University of Oxford (53rd Annual Conference ‘Work and Play’ of the British Society for Eighteenth-Century Studies (BSECS)).

Alassi, S., Rosenthaler, L., Habermann, I., Alassi, S., Rosenthaler, L., Habermann, I. and Alassi, S., Rosenthaler, L., Habermann, I. (2024) ‘SwissBritNet: Exploring Swiss-British Relations in Early Modern Times through an RDF-star-based Knowledge Graph’, in DH2024. Arlington, VA, USA (DH2024). Available at: https://doi.org/https://doi.org/10.5281/zenodo.13761079.

Blaschi, S. (2023) Power, Control and Resistance in the Feminist Dystopian Novel: A Comparative Analysis of Atwood’s Canonical The Handmaid’s Tale (1985), Alderman’s The Power (2016) and Zumas’s Red Clocks (2018).

Eberhardt, A. (2023) Binary Narratives: The Male Gaze and Otherness in Contemporary Science Fiction Films.

Erb, L. (2023) Disintegrating the Private and the Public: Configurations of Space in the Commemoration of the Troubles in Post-Agreement Northern Irish Fiction.

Felber, N.I. (2023) Dogs in the Deluge: Canine Companionship in Young Adult Fiction Novels about Hurricane Katrina.

Habermann, Ina (2023) ‘In the Thick of the Woods: Contemporary Obscurity in the RSC’s 2021 Virtual “Dream”’, Shakespeare Bulletin, 1(41), pp. 35–50.

Heeg, S. (2023) ‘This little Divell, Love’: Love, Magic, and Medicine - Jacques Ferrand and Robert Burton’s Strategies Writing about Love Magic.

Luisoni, R. (2023) «Wait, is this fucking play about us?»: The Dialogues of Queer Theory, Affect Studies and Psychoanalysis in Euphoria.

Schultze, S. (2023) Losing the Plot: A Critical Dissection of Depression, Agoraphobia, and OCD in Contemporary North American Young Adult Fiction.

Streib Ladner, S. (2023) How will boys be boys? Depictions of Masculinity in Jeff Zentner’s The Serpent King, Adib Khorram’s Darius the Great Is Not Okay and Justin Torres’ We the Animals.

Habermann, Ina (2022) ‘Something rotten in the state of gibraltar: m. g. sanchez’s autobiographical explorations of borderlands’, Mediterranean Studies, 30(2), pp. 163–176. Available at: https://doi.org/10.5325/mediterraneanstu.30.2.0163.

Danomara, N. (2022) Is this the real life? Is this just fantasy?’: (Re)Constructing Identities in Bohemian Rhapsody (2018) and Rocketman (2019)”’.

Geiser, S. (2022) ‘She Must Rise, or They Will Fall’: An Analysis of Ancient Greek Mythological Agency and Determinism in Josephine Angelini’s Starcrossed Series.

Grasso, A. (2022) ‘It’s Promethean, man!’ – Posthuman Negotiations and Representations of Artificial Intelligence in Frankissstein, Ex Machina, and Machines Like Me.

Gut, J. (2022) ‘I am a Forest now. An Uprising Forest.’ Transformations of the Female Body in Atwood’s The Edible Woman, Han’s The Vegetarian, Garland’s Annihilation, and Langseth’s Love and Anarchy.

Liniger, M. (2022) Magic Portals in Children’s and Young Adult Portal Fantasy Literature: Literary Thresholds to Other Possible Worlds.

Theuer, F. (2022) ‘we detectives have to look at everything’: Instrumentalizing the Gaze in Victorian Detective Fiction: A Comparison of Female and Male Investigators’ Working Method, Usage of Sight and Disguise.

Ueberwasser, A. (2022) How to Put Magic into a Spell: The Claim to Magical Authority and the Incorporation of Magical Power into Acts of Verbal Communication in Aleister Crowley’s Magick in Theory and Practice, Janet and Stewart Farrar’s Spells and How They Work and Elizabeth Pepper’s Magic Spells and Incantations.

Wenk, A. (2022) Detecting Nation and Gender: Contemporary Scottish Crime Fiction by Louise Welsh, Val McDermid and Denise Mina.

Habermann, Ina (2022) ‘“A Little Touch of Harry in the Night”: Mysteries of Kingship and the Stage in Shakespeare’s The Life of King Henry the Fifth’, in Poplawski, Paul (ed.) Studying English Literature in Context. Cambridge: Cambridge University Press (Studying English Literature in Context), pp. 117–131.

Habermann, Ina (2022) ‘Shakespeare heute?’, in Theater Basel (ed.) Ein Sommernachtstraum. Schauspiel - Programmheft. Basel: Theater Basel (Ein Sommernachtstraum. Schauspiel - Programmheft), pp. 21–25.

Keller, Daniela and Habermann, Ina (2021) Brexit and Beyond: Nation and Identity, Swiss Papers in English Language and Literature. Tübingen: Narr Francke Attempto (Swiss Papers in English Language and Literature).

Moser, S. (2021) Narrating Petro-Urbanisms: Oil Towns in the North American Novels Long Change (2015), Heat and Light (2016) and Valentine (2020).

Offreda, F. (2021) ‘A Daemon Is Not an Animal [...] a Daemon Is a Person’. The Liberation of Literary Animals in Philip Pullman’s “His Dark Materials”: A Literary Animal Studies Case Study.

Plattner, N. (2021) ‘lt’s About the Kink of Your Hair’. The Politics of Hair in Chimamanda Ngozi Adichie’s Half of a Yellow Sun, Americanah, The Thing Around Your Neck and Hair.

Wittwer, B. (2021) Book Reviews in the Digital Age: the Case of BookTube.

Habermann, Ina (2021) ‘Chang(el)ing spaces: dramatic forms of worlding in late Jacobean England’, in McMullan, Gordon; Stage, Kelly (ed.) The Changeling: The State of Play. The Arden Shakespeare. London: Bloomsbury (The Changeling: The State of Play), pp. 42–58.

Habermann, Ina and Keller, Daniela (2021) ‘Introduction: In the Shallows of National Identity’, in Keller, Daniela; Habermann, Ina (ed.) Brexit and Beyond: Nation and Identity. Tübingen: Narr Francke Attempto (Swiss Papers in English Language and Literature), pp. 9–22.

Keller, Daniela (2021) ‘Sensing I and Eyes in Ali Smith’s “How to Be Both”’, in Merten, Kai (ed.) Diffractive Reading: New Materialism, Theory, Critique. Blue Ridge Summit: Rowman & Littlefield (New Critical Humanities), pp. 153–173.

Aresta, L. (2020) The Homoerotic Grand Tour.

Büttler, E. (2020) Die Zeit malen – Die Bildpoetik aus der Perspektive einer visuellen Narratologie.

Habermann, Ina (2020) The road to Brexit: A cultural perspective on British attitudes of Europe. Manchester: Manchester University Press. Available at: https://doi.org/10.7765/9781526145093.

Habermann, Ina (2020) ‘Gibraltarian Hauntologies: Spectres of Colonialism in the Fiction of M. G. Sanchez’, Open Library of the Humanities, 6(1), p. 19. Available at: https://doi.org/10.16995/olh.503.

Habermann, Ina and Krug, Christian (2020) And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales, FAU Studien aus der Philosophischen Fakultät. Erlangen: FAU University Press (FAU Studien aus der Philosophischen Fakultät). Available at: https://doi.org/10.25593/978-3-96147-343-4.

Mathys, D. (2020) ‘What World ls This?’: Constructions of Space and Place in Shakespeare’s Pericles, Antony and Cleopatra and Twelfth Night.

Hohl Trillini, Regula (2019) ‘[Review of] Fazel, Valerie M. and Louise Geddes (eds.), The Shakespeare User. Critical and Creative Appropriations in a Networked Culture (Palgrave Macmillan, 2017)’, Shakespeare-Jahrbuch, pp. 272–273.

Rostek, Joanna, Zwierlein, Anne Julia and Habermann, Ina (2019) Literatures of Brexit. Journal for the Study of British Cultures, Journal for the Study of British Cultures. Journal for the Study of British Cultures. Würzburg: Königshausen & Neumann (Journal for the Study of British Cultures, 2).

Bettschen, L. (2018) A Whore for Bread, five Times a Wife, and a Woman of Pleasure: Literary Depictions of Female Prostitution in Daniel Defoe’s ‘Roxana’ and ‘Moll Flanders’ and John Cleland’s ‘Fanny Hill’.

Cadalbert, L. (2018) Fortified Morally by the Luxurious Surroundings”: The Interrelation Between Individualist and Consumerist E(s)th(et)ics in Patricia Highsmith’s Ripliad.

Habermann, Ina (2018) ‘Machtwort und Wortgewalt im Fall Othello’, Zeitsprünge - Forschungen zur Frühen Neuzeit, 22(3-4), pp. 286–301.

Habermann, Ina (2018) ‘British- European Entanglements: M.G. Sanchez” The Escape Artist and the Case of Gibraltar’, Journal for Literary and Intermedial Crossings, (2), pp. b1–20. Available at: http://www.jlic.be/doku.php?id=spaces_of_entanglement.

Habermann, Ina (2018) ‘The Road to Brexit - A Students” Podcast Project’. University of Basel. Available at: https://soundcloud.com/user-426594293/the-road-to-brexit-a-students-podcast-project.

Hägele, K. (2018) ‘A Guide for the Greedy’: Elizabeth Robins Pennell and Women’s Changing Habitus in the Nineteenth Century.

Mondia, M. (2018) Chasing the Green Light: (Self-)deception and disillusionment in F.Scott Fitzgerald’s novels.

Witen, Michelle (2018) James Joyce and Absolute Music, Historicizing Modernism. London: Bloomsbury Academic (Historicizing Modernism).

Witen, Michelle (2018) ‘An Evening of Absolute Joyce’, Bloomsbury Literary Studies Blog. Bloomsbury. Available at: http://bloomsburyliterarystudiesblog.com/continuum-literary-studie/2018/05/an-evening-of-absolute-joyce.html.

Habermann, Ina (2018) ‘The Literary Channel: Identity and Liminal Space in Island Fictions’, in Riquet, Johannes; Kollmann, Elizabeth (ed.) Spatial Modernities: Geography, Narrative, Imaginaries. London: Routledge (Spatial Modernities: Geography, Narrative, Imaginaries), pp. 150–160.

Habermann, Ina (2018) ‘English Visions: The Work of Jacquetta Hawkes Priestley’, in Orgis, Rahel Orgis; Heim, Matthias (ed.) Fashioning England and the English Literature, Nation, Gender. Basingstoke: Palgrave Macmillan (Oxford studies in postcolonial literatures), pp. 253–271. Available at: https://doi.org/10.1007/978-3-319-92126-6_11.

Habermann, Ina (2018) ‘Public Intellectuals and the Politics of Literature: The Causes and Collaborations of J.B. Priestley and Jacquetta Hawkes Priestley’, in Plain, Gill (ed.) British Literature in Transition, 1940-1960: Postwar. Cambridge: Cambridge University Press (British Literature in Transition), pp. 192–208. Available at: https://doi.org/10.1017/9781316340530.012.

Habermann, Ina (2017) ‘Review of M. Matei-Chesnoiu, Geoparsing Early Modern English Drama, G. Hollis, The Absence of America. The London Stage, 1576-1642, Peter Whitfield, Mapping Shakespeare’s World’, Shakespeare-Jahrbuch, 153, pp. 247–250.

Habermann, I. (2017) ‘Death by Water: The Theory and Practice of Shipwrecking’. Taylor and Francis, pp. 104–120. Available at: https://doi.org/10.4324/9781315255279-14.

Keller, Daniela (2017) ‘Rev. of British Nuclear Culture: Official and Unofficial Narratives in the Long 20th Century (2016), by Jonathan Hogg’, Journal for the study of British cultures, 24(1), pp. 91–94.

Habermann, Ina (2017) ‘The Pressburger Touch. Ein ungarischer Jude im britischen Filmgeschäft’, in Kuhn, Konrad; Sontag, Katrin; Leimgruber, Walter (ed.) Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard. Köln: Böhlau (Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard), pp. 133–142. Available at: https://doi.org/10.7788/9783412510268.133.

Lüthi, Daniel (2017) ‘Jenseits der Todorov’schen Grenze: Versuch eines Brückenschlags zwischen zeitgenössischer Fantastik und Fantasy anhand von Michel Mettlers Roman Die Spange (2006)’, in Klimek, Sonja; Lambrecht, Tobias; Kindt, Tom (ed.) Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945. Heidelberg: Universitätsverlag Winter (Wissenschaft und Kunst), pp. 155–171.

Witen, Michelle (2017) ‘From Passion to Mania: ‘Frankenstein’ as a Tale of Hysteria’, in Moeckli, Justine; Van Tillburg, Merel (ed.) Nightfall: The Gothic Imagination since Frankenstein. Los Angeles, Geneva: DoPe Press et Musées d’art et d’histoire (Nightfall: The Gothic Imagination since Frankenstein), pp. 372–383. Available at: http://www.dopepress.fr/2016/12/nightfall-gothic-imagination-since-frankenstein/.

Bezzola Lambert, Ladina (2016) ‘Returning from the “infernal deepes”: Fiammetta’s Early Modern English Stepsisters’, Rassegna Europea di Letteratura Italiana, 47, pp. 105–118.

Habermann, Ina and Keller, Daniela (2016) English Topographies in Literature and Culture. Space, Place, and Identity, Spatial practices. Leiden: Koninklijke Brill NV (Spatial practices). Available at: http://www.brill.com/products/book/english-topographies-literature-and-culture.

Habermann, Ina and Witen, Michelle (2016) Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm, Palgrave Shakespeare studies. London: Palgrave Macmillan (Palgrave Shakespeare studies). Available at: https://doi.org/10.1057/978-1-137-51835-4.

Lüthi, Daniel (2016) ‘Romance of the Grail: The Magic and Mystery of Arthurian Myth’, Mythlore, 35(1), pp. 152–154.

Bezzola Lambert, Ladina (2016) ‘Repetition with a Difference: Reproducibility in Literature Studies’, in Atmanspacher, Harald; Maasen, Sabine (ed.) Reproducibility: principles, problems, practices, and prospects. London: Wiley-Blackwell (Reproducibility: principles, problems, practices, and prospects), pp. 491–510.

Habermann, Ina and Keller, Daniela (2016) ‘English Topographies: Introduction’, in Habermann, Ina; Keller, Daniela (ed.) English Topographies in Literature and Culture. Space, Place, and Identity. Leiden: Brill Rodopi (Spatial practices volume), pp. 1–13.

Habermann, Ina and Witen, Michelle (2016) ‘Introduction’, in Habermann, Ina; Witen, Michelle (ed.) Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Basingstoke: Palgrave Macmillan (Palgrave Shakespeare Studies), pp. 1–13. Available at: https://doi.org/10.1057/978-1-137-51835-4_1.

Witen, Michelle (2016) ‘“A Musical Pattern of Sound”: Absolute Music and Four Quartets’, in Dickey, Frances; Morgenstern, John D. (ed.) The Edinburgh Companion to T. S. Eliot and the Arts. Edinburgh: Edinburgh University Press (The Edinburgh Companion to T. S. Eliot and the Arts), pp. 179–188. Available at: https://edinburghuniversitypress.com/book-the-edinburgh-companion-to-t-s-eliot-and-the-arts.html.

Habermann, Ina (2015) ‘Review of Andrew James Hartley, Shakespeare & Political Theatre in Practice, Palgrave Macmillan 2013 and Daniel Juan Gil, Shakespeare’s Anti-Politics. Sovereign Power and the Life of the Flesh, Palgrave Macmillan 2013’, Shakespeare-Jahrbuch, pp. 254–256. Available at: http://www.digizeitschriften.de/dms/resolveppn/?PID=PPN338286934_0151%7CLOG_0025.

Habermann, Ina (2015) ‘Ominous Feasts. Celebration in Shakespeare’s Drama’, Shakespeare-Jahrbuch, 151, pp. 116–130. Available at: http://www.digizeitschriften.de/download/PPN338286934_0151/PPN338286934_0151___LOG_0014.pdf.

Atmanspacher, Harald et al. (2014) ‘Relevance Relations for the Concept of Reproducibility’, Interface : journal of the Royal Society, 11(94), p. 20131030. Available at: https://doi.org/10.1098/rsif.2013.1030.

Keller, Daniela (2014) ‘Rev. of Travelling Goods, Travelling Moods. Varieties of Cultural Appropriation (1850-1950), ed. Christian Huck and Stefan Bauernschmidt’, Journal for the study of British cultures, 21(1), pp. 106–109.

Lüthi, Daniel (2014) ‘Toying With Fantasy: The Postmodern Playground of Terry Pratchett’s Discworld Novels’, Mythlore, 33(1), pp. 125–142. Available at: https://dc.swosu.edu/mythlore/vol33/iss1/8.

Witen, Michelle (2014) ‘Review of ‘The Great American Songbooks: Musical Texts, Modernism & The Value of Popular Culture’ by T. Austin Graham’, Time Present: The Newsletter of the T. S. Eliot Society, 84. Available at: http://tseliot.sites.luc.edu/newsletter/84%20fall%2014.pdf.

Habermann, Ina (2014) ‘Hamlets Misogynie?’, in Marx, Peter W. (ed.) Hamlet-Handbuch. Stuttgart: Metzler (Hamlet-Handbuch), pp. 62–66. Available at: https://doi.org/10.1007/978-3-476-00516-8_14.

Bezzola Lambert, Ladina (2013) Ortlose Mitte: Das Ich als kulturelle Hervorbringung. Göttingen: Wallstein.

Habermann, Ina (2013) ‘Review of Wes Williams, Monsters & their Meanings in Early Modern Culture: Mighty Magic, Oxford University Press 2011’, Shakespeare-Jahrbuch, pp. 280–281.

Habermann, Ina (2013) ‘Review of Ann Margaret Lange, Writing the Way Out. Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth, Peter Lang 2011’, Anglistik. International journal of English studies, pp. 222–223.

Habermann, Ina (2013) ‘Introduction: Political Topographies’, Archiv für das Studium der neueren Sprachen und Literaturen, 20(2), pp. 91–95. Available at: https://doi.org/10.1093/acprof:oso/9780199929177.003.0008.

Habermann, Ina (2013) Political Topographies, Journal for the study of British cultures. Würzburg: Königshausen & Neumann (Journal for the study of British cultures, 2).

Bezzola Lambert, Ladina (2013) ‘Zur Emanzipation eines neuen Gewerbes’, in Kut, Elvan; Schmid, Martin (ed.) Heilen - Gesunden. Das andere Arzneibuch. Zurich: Collegium Helveticum (Edition Collegium Helveticum), pp. 227–232.

Bezzola Lambert, Ladina (2013) ‘»Von uns selber schweigen wir« Francis Bacon auf der Schwelle zum modernen Wissenschaftsverständnis’, in Mettler, Michel; Bezzola Lambert, Ladina (ed.) Ortlose Mitte: Das Ich als kulturelle Hervorbringung. Göttingen: Wallstein (Ortlose Mitte: Das Ich als kulturelle Hervorbringung), pp. 86–101.

Habermann, Ina (2013) ‘Wann denkt Shakespeare an Ovid?’, in Harich-Schwarzbauer, Henriette; Honold, Alexander (ed.) Carmen Perpetuum. Ovids Metamorphosen in der Weltliteratur. Basel: Schwabe (Weltliteratur intertextuell), pp. 149–163.

Habermann, I. (2012) ‘Sabine Mollenhauer: Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen. Der Beitrag moralischdidaktischer Traktate in der elisabethanischen und jakobäischen Zeit’, Archiv für das Studium der neueren Sprachen und Literaturen [Preprint], (2). Available at: https://doi.org/10.37307/j.1866-5381.2012.02.45.

Habermann, Ina (2012) ‘“I shall have share in this most happy wreck” - Shakespeare’s Topology of Shipwrecking’, Shakespeare-Jahrbuch, 148, pp. 55–72. Available at: http://www.digizeitschriften.de/download/PPN338286934_0148/PPN338286934_0148___LOG_0014.pdf.

Habermann, Ina (2012) ‘Review of Merle Tönnies and Heike Buschmann (eds.), Spatial Representations of British Identities, Winter 2012’, Anglia, pp. 589–592. Available at: https://doi.org/10.1515/ang-2012-0543.

Habermann, Ina (2012) ‘Review of Sabine Mollenhauer, Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen, Winter 2011’, Archiv für das Studium der neueren Sprachen und Literaturen, pp. 431–433.

Hohl Trillini, Regula (2012) ‘Review of ‘Erin Minear: Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation’’, Renaissance Quarterly, pp. 1356–1357. Available at: https://doi.org/10.1086/669466.

Marti, Markus (2012) ‘Objective reviews? No, thanks!’, Cahiers Elisabethains, 81, pp. 27–30. Available at: https://doi.org/10.7227/ce.spiss12.5.

Marti, Markus (2012) ‘Shakespeare als Unterhaltungsautor - Shakespeare-Aufführungen auf Schweizer Bühnen’, Shakespeare-Jahrbuch, 148, pp. 199–206.

Bezzola Lambert, Ladina (2012) ‘Shakespeares perverse Sonette: Zur Poetik der Wiedervergabe in A Lover’s Complaint’, in Egidi, Margreth; Lieb, Ludger; Schnyder, Mireille; Wedell, Moritz (ed.) Liebesgaben: Kommunikative, performative und poetologische Dimensionen in der Literatur des Mittelalters und der Frühen Neuzeit. Berlin: Erich Schmidt Verlag (Philologische Studien und Quellen), pp. 413–430.

Habermann, Ina and Kuhn, Nikolaus (2011) ‘Sustainable Fictions - Geographical, Literary and Cultural Intersections in J.R.R. Tolkien’s The Lord of the Rings’, The Cartographic Journal, 48(4), pp. 263–273. Available at: https://doi.org/10.1179/1743277411y.0000000024.

Hoffmann, C. (2011) “Ouvrir un livre capable d’inspirer”. Transformationen literarischer Einflüsse in Delacroix” Werk.

Marti, Markus (2011) ‘Eindampfen, destillieren, entschlacken - oder lieber nicht? Richard III in Basel, Was ihr Wollt und Volpone in Zürich’, Shakespeare-Jahrbuch, 147, pp. 208–213.