Professur für Neuere Englische Literaturwissenschaft

Heeg, Stefanie (2025) ‘Anglo-Swiss Travel Networks at the Turn of the Seventeenth Century’, Swiss Papers in English Language and Literature, 2025(45), pp. 227–247. Available at: https://doi.org/10.33675/spell/2025/45/16.

Habermann, Ina (2025) Wartime Cinema, Englishness and Propaganda: Michael Powell and the “Pressburger Touch”. Manchester: Manchester University Press.

Schmid, Philippe Bernhard (2025) ‘Switzerland’s India: The Schaub Family and the Early Modern British Empire’, SwissBritNet Stories. Basel: University of Basel (SwissBritNet Stories), 19 September.

Stefanie Heeg (2025) Sightseeing London Through the Centuries.

Habermann, I. (2025) ‘Space/religion: Shakespearean roads to redemption from The Two Gentlemen of Verona to The Two Noble Kinsmen’, in Shakespeare / Space: Contemporary Readings in Spatiality, Culture and Drama. 1. London: Bloomsbury (Arden Shakespeare Intersections), pp. 115–139. Available at: https://doi.org/10.5040/9781350283008.

Habermann, Ina (2025) ‘Review of Lorna Hutson’s England’s Insular Imagining, Cambridge University Press, 2023’, Shakespeare-Jahrbuch, 161, pp. 261–263.

Habermann, Ina (2025) ‘Nach dem Krieg: Das britische Kino zwischen Nacht und Morgen’, Stadtkino Basel Programminformation. (Stadtkino Basel Programminformation), 1 January.

Habermann, Ina and Dutton, Elisabeth (2025) Medieval and Early Modern Swiss-British Relations, Swiss Papers in English Language and Literature. Heidelberg: Winter (Swiss Papers in English Language and Literature, 45).

Habermann, Ina and Dutton, Elisabeth (2025) ‘Introduction: Medieval and Early Modern Swiss-British Relations’, in Medieval and Early Modern Swiss-British Relations. Heidelberg: Winter (Medieval and Early Modern Swiss-British Relations), pp. 9–25.

Küng, Melanie (2025) Bordering Europe: the English Channel in British literature and culture from the Second World War to Brexit. Doctoral Thesis. University of Basel.

Schmid, Philippe Bernhard (2025) ‘The Beneficed Broker: John Henry Ott and Anglo-Swiss Confessional Networks after the War of the Spanish Succession’, Swiss Papers in English Language and Literature, 2025(45), pp. 141–168. Available at: https://doi.org/10.33675/spell/2025/45/12.

Schmid, Philippe Bernhard (2024) ‘The Ott Papers, Anglo-Swiss Families and Early Modern Huguenot Networks’, Huguenot Society Journal, 37, pp. 84–87. Available at: https://doi.org/10.3828/huguenot.2024.37.7.

Schmid, Philippe Bernhard (2024) ‘The interlopers: early Stuart projects and the undisciplining of knowledge, by Vera Keller. Baltimore, Johns Hopkins University Press, 2023, 360 pp., $60 (hb), $60 (eb), ISBN 9781421445922’, Intellectual History Review. 08.02.2024. Taylor and Francis, pp. 882–885. Available at: https://doi.org/10.1080/17496977.2024.2309441.

Schmid, Philippe Bernhard (2024) ‘Wettstein’s Friends: Migration and Early Modern Confessional Networks’, SwissBritNet Stories. Basel: University of Basel (SwissBritNet Stories), 30 August.

Schmid, Philippe Bernhard (2024) ‘Martin Mulsow, Fremdprägung: Münzwissen in Zeiten der Globalisierung. Berlin, Matthes & Seitz, 2023. isbn 978-3-7518-0380-9. 413 pp., 35 col. illus., 164 b. & w. illus. 42€.’, Journal of the History of Collections. 15.03.2024. Oxford Academic, pp. 361–362. Available at: https://doi.org/10.1093/jhc/fhae010.

Schmid, Philippe Bernhard (2024) ‘The Government at Auction: Urban Policy and the Market for Books in Eighteenth-Century Lübeck’, in Publishers, Censors and Collectors in the European Book Trade, 1650–1750. Leiden / Boston: Brill (Library of the Written Word - The Handpress World), pp. 238–262. Available at: https://doi.org/10.1163/9789004691940_011.

Hohl Trillini, Regula (2024) ‘The Interactive Verbal Network of Early Modern Theatre’, Critical Survey, 36(1), pp. 58–73. Available at: https://doi.org/10.3167/cs.2024.360105.

Begley, Justin (2024) ‘The Medical Roots of Margaret Cavendish’s Matter Theory’, Revue d’histoire des sciences, 77(2).

Begley, Justin (2024) ‘Distilling the Art of Distillation in an Unstudied Manuscript of “Chymicall Notions”’, Ambix, 71(3). Available at: https://doi.org/10.1080/00026980.2024.2371260.

Begley, Justin (2024) ‘Biblical Vegetarianism and its Revival: Thomas Browne on the Origins of a Fad Diet’, Blog des Kulturwissenschaftlichen Instituts Essen. (Blog des Kulturwissenschaftlichen Instituts Essen), 1 January. Available at: https://doi.org/10.37189/kwi-blog/20241023-0830.

Schmid, P.B. (2023) ‘Reading Mathematics in Early Modern Europe: Studies in the Production, Collection, and Use of Mathematical Books’, British Journal for the History of Mathematics, 38(1), pp. 55–57. Available at: https://doi.org/10.1080/26375451.2023.2169567.

Habermann, Ina (2023) ‘In the Thick of the Woods: Contemporary Obscurity in the RSC’s 2021 Virtual “Dream”’, Shakespeare Bulletin, 1(41), pp. 35–50.

Schmid, P.B. (2023) ‘The Student as Broker: Friedrich Wilhelm Roloff and the Translation of Early Modern Biblical Scholarship’, 8. Available at: https://doi.org/10.1163/24055069-08010002.

Habermann, Ina (2022) ‘Something rotten in the state of gibraltar: m. g. sanchez’s autobiographical explorations of borderlands’, Mediterranean Studies, 30(2), pp. 163–176. Available at: https://doi.org/10.5325/mediterraneanstu.30.2.0163.

Philippe Bernhard Schmid (2022) A Culture of Reuse: Libraries, Learning and Memory in Early Modern Germany. Available at: https://doi.org/10.17630/STA/202.

Habermann, Ina (2022) ‘“A Little Touch of Harry in the Night”: Mysteries of Kingship and the Stage in Shakespeare’s The Life of King Henry the Fifth’, in Poplawski, Paul (ed.) Studying English Literature in Context. Cambridge: Cambridge University Press (Studying English Literature in Context), pp. 117–131.

Habermann, Ina (2022) ‘Shakespeare heute?’, in Theater Basel (ed.) Ein Sommernachtstraum. Schauspiel - Programmheft. Basel: Theater Basel (Ein Sommernachtstraum. Schauspiel - Programmheft), pp. 21–25.

Keller, Daniela and Habermann, Ina (2021) Brexit and Beyond: Nation and Identity, Swiss Papers in English Language and Literature. Tübingen: Narr Francke Attempto (Swiss Papers in English Language and Literature).

Philippe Schmid (2021) ‘Sharing marks in early modern books’, Imprimatur, NF 27, pp. 31–52.

Schmid, P. (2021) ‘Catalogues in Catalogues: Imitation and Competition in Early Modern Book Collecting’, in Library of the Written Word. (Library of the Written Word). Available at: https://doi.org/10.1163/9789004422247_015.

Habermann, Ina (2021) ‘Chang(el)ing spaces: dramatic forms of worlding in late Jacobean England’, in McMullan, Gordon; Stage, Kelly (ed.) The Changeling: The State of Play. The Arden Shakespeare. London: Bloomsbury (The Changeling: The State of Play), pp. 42–58.

Habermann, Ina and Keller, Daniela (2021) ‘Introduction: In the Shallows of National Identity’, in Keller, Daniela; Habermann, Ina (ed.) Brexit and Beyond: Nation and Identity. Tübingen: Narr Francke Attempto (Swiss Papers in English Language and Literature), pp. 9–22.

Keller, Daniela (2021) ‘Sensing I and Eyes in Ali Smith’s “How to Be Both”’, in Merten, Kai (ed.) Diffractive Reading: New Materialism, Theory, Critique. Blue Ridge Summit: Rowman & Littlefield (New Critical Humanities), pp. 153–173.

Habermann, Ina (2020) The road to Brexit: A cultural perspective on British attitudes of Europe. Manchester: Manchester University Press. Available at: https://doi.org/10.7765/9781526145093.

Habermann, Ina (2020) ‘Gibraltarian Hauntologies: Spectres of Colonialism in the Fiction of M. G. Sanchez’, Open Library of the Humanities, 6(1), p. 19. Available at: https://doi.org/10.16995/olh.503.

Habermann, Ina and Krug, Christian (2020) And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales, FAU Studien aus der Philosophischen Fakultät. Erlangen: FAU University Press (FAU Studien aus der Philosophischen Fakultät). Available at: https://doi.org/10.25593/978-3-96147-343-4.

Hohl Trillini, Regula (2019) ‘[Review of] Fazel, Valerie M. and Louise Geddes (eds.), The Shakespeare User. Critical and Creative Appropriations in a Networked Culture (Palgrave Macmillan, 2017)’, Shakespeare-Jahrbuch, pp. 272–273.

Rostek, Joanna, Zwierlein, Anne Julia and Habermann, Ina (2019) Literatures of Brexit. Journal for the Study of British Cultures, Journal for the Study of British Cultures. Journal for the Study of British Cultures. Würzburg: Königshausen & Neumann (Journal for the Study of British Cultures, 2).

Habermann, Ina (2018) ‘Machtwort und Wortgewalt im Fall Othello’, Zeitsprünge - Forschungen zur Frühen Neuzeit, 22(3-4), pp. 286–301.

Habermann, Ina (2018) ‘British- European Entanglements: M.G. Sanchez” The Escape Artist and the Case of Gibraltar’, Journal for Literary and Intermedial Crossings, (2), pp. b1–20. Available at: http://www.jlic.be/doku.php?id=spaces_of_entanglement.

Habermann, Ina (2018) ‘The Road to Brexit - A Students” Podcast Project’. University of Basel. Available at: https://soundcloud.com/user-426594293/the-road-to-brexit-a-students-podcast-project.

Witen, Michelle (2018) James Joyce and Absolute Music, Historicizing Modernism. London: Bloomsbury Academic (Historicizing Modernism).

Witen, Michelle (2018) ‘An Evening of Absolute Joyce’, Bloomsbury Literary Studies Blog. Bloomsbury. Available at: http://bloomsburyliterarystudiesblog.com/continuum-literary-studie/2018/05/an-evening-of-absolute-joyce.html.

Habermann, Ina (2018) ‘The Literary Channel: Identity and Liminal Space in Island Fictions’, in Riquet, Johannes; Kollmann, Elizabeth (ed.) Spatial Modernities: Geography, Narrative, Imaginaries. London: Routledge (Spatial Modernities: Geography, Narrative, Imaginaries), pp. 150–160.

Habermann, Ina (2018) ‘English Visions: The Work of Jacquetta Hawkes Priestley’, in Orgis, Rahel Orgis; Heim, Matthias (ed.) Fashioning England and the English Literature, Nation, Gender. Basingstoke: Palgrave Macmillan (Oxford studies in postcolonial literatures), pp. 253–271. Available at: https://doi.org/10.1007/978-3-319-92126-6_11.

Habermann, Ina (2018) ‘Public Intellectuals and the Politics of Literature: The Causes and Collaborations of J.B. Priestley and Jacquetta Hawkes Priestley’, in Plain, Gill (ed.) British Literature in Transition, 1940-1960: Postwar. Cambridge: Cambridge University Press (British Literature in Transition), pp. 192–208. Available at: https://doi.org/10.1017/9781316340530.012.

Habermann, Ina (2017) ‘Review of M. Matei-Chesnoiu, Geoparsing Early Modern English Drama, G. Hollis, The Absence of America. The London Stage, 1576-1642, Peter Whitfield, Mapping Shakespeare’s World’, Shakespeare-Jahrbuch, 153, pp. 247–250.

Habermann, Ina (2017) ‘Death by Water: The Theory and Practice of Shipwrecking’, in Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and Culture. Taylor and Francis (Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and Culture), pp. 104–120. Available at: https://doi.org/10.4324/9781315255279-14.

Keller, Daniela (2017) ‘Rev. of British Nuclear Culture: Official and Unofficial Narratives in the Long 20th Century (2016), by Jonathan Hogg’, Journal for the study of British cultures, 24(1), pp. 91–94.

Habermann, Ina (2017) ‘The Pressburger Touch. Ein ungarischer Jude im britischen Filmgeschäft’, in Kuhn, Konrad; Sontag, Katrin; Leimgruber, Walter (ed.) Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard. Köln: Böhlau (Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard), pp. 133–142. Available at: https://doi.org/10.7788/9783412510268.133.

Lüthi, Daniel (2017) ‘Jenseits der Todorov’schen Grenze: Versuch eines Brückenschlags zwischen zeitgenössischer Fantastik und Fantasy anhand von Michel Mettlers Roman Die Spange (2006)’, in Klimek, Sonja; Lambrecht, Tobias; Kindt, Tom (ed.) Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945. Heidelberg: Universitätsverlag Winter (Wissenschaft und Kunst), pp. 155–171.

Witen, Michelle (2017) ‘From Passion to Mania: ‘Frankenstein’ as a Tale of Hysteria’, in Moeckli, Justine; Van Tillburg, Merel (ed.) Nightfall: The Gothic Imagination since Frankenstein. Los Angeles, Geneva: DoPe Press et Musées d’art et d’histoire (Nightfall: The Gothic Imagination since Frankenstein), pp. 372–383. Available at: http://www.dopepress.fr/2016/12/nightfall-gothic-imagination-since-frankenstein/.

Bezzola Lambert, Ladina (2016) ‘Returning from the “infernal deepes”: Fiammetta’s Early Modern English Stepsisters’, Rassegna Europea di Letteratura Italiana, 47, pp. 105–118.

Habermann, Ina (2016) ‘Running Rings Round London: Psychogeography in Iain Sinclair’s London Orbital’, in Spatial Practices. Amsterdam: Brill Academic Publishers (Spatial Practices), pp. 61–73. Available at: https://doi.org/10.1163/9789004322271_006.

Habermann, Ina and Keller, Daniela (2016) English Topographies in Literature and Culture. Space, Place, and Identity, Spatial practices. Leiden: Koninklijke Brill NV (Spatial practices). Available at: http://www.brill.com/products/book/english-topographies-literature-and-culture.

Habermann, Ina and Witen, Michelle (2016) Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm, Palgrave Shakespeare studies. London: Palgrave Macmillan (Palgrave Shakespeare studies). Available at: https://doi.org/10.1057/978-1-137-51835-4.

Lüthi, Daniel (2016) ‘Romance of the Grail: The Magic and Mystery of Arthurian Myth’, Mythlore, 35(1), pp. 152–154.

Bezzola Lambert, Ladina (2016) ‘Repetition with a Difference: Reproducibility in Literature Studies’, in Atmanspacher, Harald; Maasen, Sabine (ed.) Reproducibility: principles, problems, practices, and prospects. London: Wiley-Blackwell (Reproducibility: principles, problems, practices, and prospects), pp. 491–510.

Habermann, Ina and Keller, Daniela (2016) ‘English Topographies: Introduction’, in Habermann, Ina; Keller, Daniela (ed.) English Topographies in Literature and Culture. Space, Place, and Identity. Leiden: Brill Rodopi (Spatial practices volume), pp. 1–13.

Habermann, Ina and Witen, Michelle (2016) ‘Introduction’, in Habermann, Ina; Witen, Michelle (ed.) Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Basingstoke: Palgrave Macmillan (Palgrave Shakespeare Studies), pp. 1–13. Available at: https://doi.org/10.1057/978-1-137-51835-4_1.

Witen, Michelle (2016) ‘“A Musical Pattern of Sound”: Absolute Music and Four Quartets’, in Dickey, Frances; Morgenstern, John D. (ed.) The Edinburgh Companion to T. S. Eliot and the Arts. Edinburgh: Edinburgh University Press (The Edinburgh Companion to T. S. Eliot and the Arts), pp. 179–188. Available at: https://edinburghuniversitypress.com/book-the-edinburgh-companion-to-t-s-eliot-and-the-arts.html.

Habermann, Ina (2015) ‘Review of Andrew James Hartley, Shakespeare & Political Theatre in Practice, Palgrave Macmillan 2013 and Daniel Juan Gil, Shakespeare’s Anti-Politics. Sovereign Power and the Life of the Flesh, Palgrave Macmillan 2013’, Shakespeare-Jahrbuch, pp. 254–256. Available at: http://www.digizeitschriften.de/dms/resolveppn/?PID=PPN338286934_0151%7CLOG_0025.

Habermann, Ina (2015) ‘Ominous Feasts. Celebration in Shakespeare’s Drama’, Shakespeare-Jahrbuch, 151, pp. 116–130. Available at: http://www.digizeitschriften.de/download/PPN338286934_0151/PPN338286934_0151___LOG_0014.pdf.

Atmanspacher, Harald et al. (2014) ‘Relevance Relations for the Concept of Reproducibility’, Interface : journal of the Royal Society, 11(94), p. 20131030. Available at: https://doi.org/10.1098/rsif.2013.1030.

Keller, Daniela (2014) ‘Rev. of Travelling Goods, Travelling Moods. Varieties of Cultural Appropriation (1850-1950), ed. Christian Huck and Stefan Bauernschmidt’, Journal for the study of British cultures, 21(1), pp. 106–109.

Lüthi, Daniel (2014) ‘Toying With Fantasy: The Postmodern Playground of Terry Pratchett’s Discworld Novels’, Mythlore, 33(1), pp. 125–142. Available at: https://dc.swosu.edu/mythlore/vol33/iss1/8.

Witen, Michelle (2014) ‘Review of ‘The Great American Songbooks: Musical Texts, Modernism & The Value of Popular Culture’ by T. Austin Graham’, Time Present: The Newsletter of the T. S. Eliot Society, 84. Available at: http://tseliot.sites.luc.edu/newsletter/84%20fall%2014.pdf.

Habermann, Ina (2014) ‘Hamlets Misogynie?’, in Marx, Peter W. (ed.) Hamlet-Handbuch. Stuttgart: Metzler (Hamlet-Handbuch), pp. 62–66. Available at: https://doi.org/10.1007/978-3-476-00516-8_14.

Bezzola Lambert, Ladina (2013) Ortlose Mitte: Das Ich als kulturelle Hervorbringung. Göttingen: Wallstein.

Habermann, Ina (2013) ‘Review of Wes Williams, Monsters & their Meanings in Early Modern Culture: Mighty Magic, Oxford University Press 2011’, Shakespeare-Jahrbuch, pp. 280–281.

Habermann, Ina (2013) ‘Review of Ann Margaret Lange, Writing the Way Out. Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth, Peter Lang 2011’, Anglistik. International journal of English studies, pp. 222–223.

Habermann, Ina (2013) ‘Introduction: Political Topographies’, Archiv für das Studium der neueren Sprachen und Literaturen, 20(2), pp. 91–95. Available at: https://doi.org/10.1093/acprof:oso/9780199929177.003.0008.

Habermann, Ina (2013) Political Topographies, Journal for the study of British cultures. Würzburg: Königshausen & Neumann (Journal for the study of British cultures, 2).

Bezzola Lambert, Ladina (2013) ‘Zur Emanzipation eines neuen Gewerbes’, in Kut, Elvan; Schmid, Martin (ed.) Heilen - Gesunden. Das andere Arzneibuch. Zurich: Collegium Helveticum (Edition Collegium Helveticum), pp. 227–232.

Bezzola Lambert, Ladina (2013) ‘»Von uns selber schweigen wir« Francis Bacon auf der Schwelle zum modernen Wissenschaftsverständnis’, in Mettler, Michel; Bezzola Lambert, Ladina (ed.) Ortlose Mitte: Das Ich als kulturelle Hervorbringung. Göttingen: Wallstein (Ortlose Mitte: Das Ich als kulturelle Hervorbringung), pp. 86–101.

Habermann, Ina (2013) ‘Wann denkt Shakespeare an Ovid?’, in Harich-Schwarzbauer, Henriette; Honold, Alexander (ed.) Carmen Perpetuum. Ovids Metamorphosen in der Weltliteratur. Basel: Schwabe (Weltliteratur intertextuell), pp. 149–163.

Habermann, I. (2012) ‘Sabine Mollenhauer: Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen. Der Beitrag moralischdidaktischer Traktate in der elisabethanischen und jakobäischen Zeit’, Archiv für das Studium der neueren Sprachen und Literaturen [Preprint], (2). Available at: https://doi.org/10.37307/j.1866-5381.2012.02.45.

Habermann, Ina (2012) ‘“I shall have share in this most happy wreck” - Shakespeare’s Topology of Shipwrecking’, Shakespeare-Jahrbuch, 148, pp. 55–72. Available at: http://www.digizeitschriften.de/download/PPN338286934_0148/PPN338286934_0148___LOG_0014.pdf.

Habermann, Ina (2012) ‘Review of Merle Tönnies and Heike Buschmann (eds.), Spatial Representations of British Identities, Winter 2012’, Anglia, pp. 589–592. Available at: https://doi.org/10.1515/ang-2012-0543.

Habermann, Ina (2012) ‘Review of Sabine Mollenhauer, Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen, Winter 2011’, Archiv für das Studium der neueren Sprachen und Literaturen, pp. 431–433.

Hohl Trillini, Regula (2012) ‘Review of ‘Erin Minear: Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation’’, Renaissance Quarterly, pp. 1356–1357. Available at: https://doi.org/10.1086/669466.

Marti, Markus (2012) ‘Objective reviews? No, thanks!’, Cahiers Elisabethains, 81, pp. 27–30. Available at: https://doi.org/10.7227/ce.spiss12.5.

Marti, Markus (2012) ‘Shakespeare als Unterhaltungsautor - Shakespeare-Aufführungen auf Schweizer Bühnen’, Shakespeare-Jahrbuch, 148, pp. 199–206.

Bezzola Lambert, Ladina (2012) ‘Shakespeares perverse Sonette: Zur Poetik der Wiedervergabe in A Lover’s Complaint’, in Egidi, Margreth; Lieb, Ludger; Schnyder, Mireille; Wedell, Moritz (ed.) Liebesgaben: Kommunikative, performative und poetologische Dimensionen in der Literatur des Mittelalters und der Frühen Neuzeit. Berlin: Erich Schmidt Verlag (Philologische Studien und Quellen), pp. 413–430.

Habermann, Ina and Kuhn, Nikolaus (2011) ‘Sustainable Fictions - Geographical, Literary and Cultural Intersections in J.R.R. Tolkien’s The Lord of the Rings’, The Cartographic Journal, 48(4), pp. 263–273. Available at: https://doi.org/10.1179/1743277411y.0000000024.

Marti, Markus (2011) ‘Eindampfen, destillieren, entschlacken - oder lieber nicht? Richard III in Basel, Was ihr Wollt und Volpone in Zürich’, Shakespeare-Jahrbuch, 147, pp. 208–213.

Habermann, Ina (2011) ‘Reaching Beyond Silence: Metaphors of Ineffability in English Poetry - Donne, Wordsworth, Keats, Eliot’, in Fludernik, Monika (ed.) Beyond Cognitive Metaphor Theory. Perspectives on Literary Metaphor. New York: Routledge (Beyond Cognitive Metaphor Theory. Perspectives on Literary Metaphor), pp. 77–93.

Habermann, Ina (2011) ‘Shakespeare’s Comedies: A Midsummer Night’s Dream and Twelfth Night’, in Baumbach, Sibylle; Neumann, Birgit; Nünning, Ansgar (ed.) A History of British Drama: Genres, Developments, Interpretations. Trier: WVT (WVT-Handbücher zum literaturwissenschaftlichen Studium), pp. 47–62.

Habermann, Ina (2010) Myth, memory and the middlebrow: Priestley, du Maurier and the symbolic form of Englishness. Basingstoke: Palgrave Macmillan. Available at: https://doi.org/10.1057/9780230277496.

Habermann, Ina (2010) ‘Review of ‘The Martin Marprelate Tracts. A Modernized and Annotated Edition’ by Joseph L. Black (CUP 2008)’, Anglistik. International journal of English studies, pp. 187–188.

Habermann, Ina (2010) ‘Review John A. Lynn II, Women, Armies, and Warfare in Early Modern Europe, Ros King and Paul J.C.M. Franssen (eds.), Shakespeare and War, 2008’, Shakespeare-Jahrbuch, pp. 254–257.

Marti, Markus (2010) William Shakespeare’s Sonnets = William Shakespeares Sonette = Dum Willjam Scheikspiir schiini Sonetti. Dozwil: Ed. Signathur.

Marti, Markus (2010) ‘Liebeswirren - mal leicht, mal schwer : Shakespeare auf Schweizer Alternativbühnen’, Shakespeare-Jahrbuch, pp. 212–217.

Bezzola Lambert, Ladina (2010) ‘New Historicism’, in Schmid, Ulrich (ed.) Literaturtheorien des 20. Jahrhunderts. Stuttgart: Philipp Reclam jun. (Literaturtheorien des 20. Jahrhunderts), pp. 377–383.

Habermann, Ina and Kern-Stähler, Annette (2010) ‘Introduction: Literature and Silence’, in Helbig, Jörg; Schalleger, René (ed.) Anglistentag 2009 Klagenfurt: Proceedings. Trier: WVT (Anglistentag 2009 Klagenfurt: Proceedings), pp. 377–381.

Marti, Markus (2010) ‘Not needed, but nice to have: Shakespeare’s Sonnets in Swiss German (Schwyzerdütsch)’, in Pfister, Manfred; Gutsch, Jürgen (ed.) William Shakespeare’s sonnets for the first time globally reprinted : a quatercentenary anthology. Dozwil: Ed. Signathur (William Shakespeare’s sonnets for the first time globally reprinted : a quatercentenary anthology), p. S. 667–675.

Habermann, Ina (2009) ‘Review of Ekkehart Krippendorf: Shakespeares Komödien. Spiele aus dem Reich der Freiheit’, Archiv für das Studium der neueren Sprachen und Literaturen. journal-article, (1). Available at: https://doi.org/10.37307/j.1866-5381.2009.01.27.

Bezzola Lambert, Ladina (2009) ‘Shakespeare’s belated Lucrece’, in Ghose, Indira; Renevey, Denis (ed.) Spell. Gunter Narr Verlag: Gunter Narr Verlag (Spell).

Habermann, Ina (2009) ‘‘What Sounds are Those, Helvellyn?’ : William Wordsworths geistige Landschaften’, Colloquium Helveticum, 39 (2008), pp. 41–60.

Habermann, Ina (2009) ‘[Review of] Dympna Callaghan, The Impact of Feminism on Renaissance Studies, Basingstoke (Palgrave Macmillan) 2006, XIV-346 S., ISBN 1-4039-9212-6, GBP 55,00’, Francia Recensio : Forschungen zur westeuropäischen Geschichte, pp. 1–3. Available at: http://www.perspectivia.net/content/publikationen/francia/francia-recensio/2009-1/FN/Callaghan_Habermann.