Ältere Musikgeschichte
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Zeller Dotlačilová, Petra (2026) Performance Costume in 18th-Century France: Louis-René Boquet between Tradition and Reform. London: Bloomsbury. Available at: https://doi.org/https://www.bloomsbury.com/us/performance-costume-in-18thcentury-france-9781350531024/.
Zeller Dotlačilová, Petra (2026) Performance Costume in 18th-Century France: Louis-René Boquet between Tradition and Reform. London: Bloomsbury. Available at: https://doi.org/https://www.bloomsbury.com/us/performance-costume-in-18thcentury-france-9781350531024/.
Gebhart, Helen (2026) ‘Listening to a Night Watchman’s Song: Music, Time Keeping and Nocturnal Authority in Swiss Cities’, RMA/BFE Research Students’ Conference. (RMA/BFE Research Students’ Conference), 9 January.
Gebhart, Helen (2026) ‘Listening to a Night Watchman’s Song: Music, Time Keeping and Nocturnal Authority in Swiss Cities’, RMA/BFE Research Students’ Conference. (RMA/BFE Research Students’ Conference), 9 January.
Stark, Jonathan (2025) ‘Musik mit Herz, Kopf und Hand: Machen Musikwissenschaftler:innen eigentlich Musik?’ Basel, 21 November.
Stark, Jonathan (2025) ‘Musik mit Herz, Kopf und Hand: Machen Musikwissenschaftler:innen eigentlich Musik?’ Basel, 21 November.
Zeller Dotlačilová, Petra (2025) ‘Historically Informed Costume: Between History, Creativity and Embodied Research’, Art and Science: Thinking Outside the Box. (Art and Science: Thinking Outside the Box), 18 November.
Zeller Dotlačilová, Petra (2025) ‘Historically Informed Costume: Between History, Creativity and Embodied Research’, Art and Science: Thinking Outside the Box. (Art and Science: Thinking Outside the Box), 18 November.
FEDERICO LANZELLOTTI (2025) Carlo Ambrogio Lonati, violinista, cantante e compositore nell’Europa del Seicento, Collection ‘Epitome musical’. Turnhout: Brepols (Collection ‘Epitome musical’). Available at: https://doi.org/https://doi.org/10.1484/M.EM-EB.5.152863.
FEDERICO LANZELLOTTI (2025) Carlo Ambrogio Lonati, violinista, cantante e compositore nell’Europa del Seicento, Collection ‘Epitome musical’. Turnhout: Brepols (Collection ‘Epitome musical’). Available at: https://doi.org/https://doi.org/10.1484/M.EM-EB.5.152863.
Gebhart, Helen et al. (2025) ‘Nocturnal Musicking across Europe: Reconsidering Temporal and Conceptual Boundaries’, 77th Annual Conference of the Gesellschaft für Musikforschung. (77th Annual Conference of the Gesellschaft für Musikforschung), 9 October.
Gebhart, Helen et al. (2025) ‘Nocturnal Musicking across Europe: Reconsidering Temporal and Conceptual Boundaries’, 77th Annual Conference of the Gesellschaft für Musikforschung. (77th Annual Conference of the Gesellschaft für Musikforschung), 9 October.
Walsdorf, Hanna (2025) ‘Le Roi-Soleil géocentrique : Observations sur la genèse et position historique du ‘Ballet des Sept Planètes’ (1662)’, Bulletin du Centre de Recherche du Château de Versailles, 26. Available at: https://doi.org/https://doi.org/10.4000/14vul.
Walsdorf, Hanna (2025) ‘Le Roi-Soleil géocentrique : Observations sur la genèse et position historique du ‘Ballet des Sept Planètes’ (1662)’, Bulletin du Centre de Recherche du Château de Versailles, 26. Available at: https://doi.org/https://doi.org/10.4000/14vul.
Zeller Dotlačilová, Petra (2025) ‘Alceste d’un siècle à l’autre: l’opéra de cour comme un lieu de la réforme du costume’, Bulletin du Centre de recherche du château de Versailles. 08.10.2025, 26. Available at: https://doi.org/10.4000/14vun.
Zeller Dotlačilová, Petra (2025) ‘Alceste d’un siècle à l’autre: l’opéra de cour comme un lieu de la réforme du costume’, Bulletin du Centre de recherche du château de Versailles. 08.10.2025, 26. Available at: https://doi.org/10.4000/14vun.
Robinson, Alexander (2025) ‘‘‘L’heure du soir’: nocturnal boundaries and music in Paris c.1775-c.1815′’, Basel NightMuse kick-off conference, 5 September 2025. (Basel NightMuse kick-off conference, 5 September 2025), 5 September.
Robinson, Alexander (2025) ‘‘‘L’heure du soir’: nocturnal boundaries and music in Paris c.1775-c.1815′’, Basel NightMuse kick-off conference, 5 September 2025. (Basel NightMuse kick-off conference, 5 September 2025), 5 September.
Gebhart, Helen (2025) ‘‘Abends Concert. Nachts bey Hr. Sarasin’. Mapping Nocturnal Music-Making in 18th-Century Basel.’, Let There Be Night: Musicking after Sunset in Early Modern Europe. (Let There Be Night: Musicking after Sunset in Early Modern Europe), 4 September.
Gebhart, Helen (2025) ‘‘Abends Concert. Nachts bey Hr. Sarasin’. Mapping Nocturnal Music-Making in 18th-Century Basel.’, Let There Be Night: Musicking after Sunset in Early Modern Europe. (Let There Be Night: Musicking after Sunset in Early Modern Europe), 4 September.
Stark, Jonathan (2025) ‘’Was habt ihr da zu schaffen? Kann man nicht ruhig schlafen?’ A Survey of Nocturnal Settings in Viennese Opera, 1776‒1801’, NightMuse Kick-off Conference. (NightMuse Kick-off Conference), 4 September.
Stark, Jonathan (2025) ‘’Was habt ihr da zu schaffen? Kann man nicht ruhig schlafen?’ A Survey of Nocturnal Settings in Viennese Opera, 1776‒1801’, NightMuse Kick-off Conference. (NightMuse Kick-off Conference), 4 September.
Gebhart, Helen (2025) ‘Nocturnal Sounds and Signals: Tower Guards in Basel.’, Biennial International Conference on Baroque Music. (Biennial International Conference on Baroque Music), 18 July.
Gebhart, Helen (2025) ‘Nocturnal Sounds and Signals: Tower Guards in Basel.’, Biennial International Conference on Baroque Music. (Biennial International Conference on Baroque Music), 18 July.
Robinson, Alexander (2025) ‘“‘Pour jouer la nuit’: the mandolin and nocturnal musicking in late 18th-century Paris”, individual contribution as part of the roundtable “Nocturnal Musicking across Europe, c.1650–c.1800: reconsidering temporal and conceptual boundaries”’, Biennial Baroque Conference, 17 July 2025. (Biennial Baroque Conference, 17 July 2025), 17 July.
Robinson, Alexander (2025) ‘“‘Pour jouer la nuit’: the mandolin and nocturnal musicking in late 18th-century Paris”, individual contribution as part of the roundtable “Nocturnal Musicking across Europe, c.1650–c.1800: reconsidering temporal and conceptual boundaries”’, Biennial Baroque Conference, 17 July 2025. (Biennial Baroque Conference, 17 July 2025), 17 July.
Stark, Jonathan (2025) ‘Light, Shadow, Command, and Confession: Selected Night Scenes from Forgotten Viennese Operas’, 21st Biennial International Conference on Baroque Music. (21st Biennial International Conference on Baroque Music), 17 July.
Stark, Jonathan (2025) ‘Light, Shadow, Command, and Confession: Selected Night Scenes from Forgotten Viennese Operas’, 21st Biennial International Conference on Baroque Music. (21st Biennial International Conference on Baroque Music), 17 July.
Stark, Jonathan (2025) ‘Summer School Musikwissenschaft 2025’. Basel, 10 July.
Stark, Jonathan (2025) ‘Summer School Musikwissenschaft 2025’. Basel, 10 July.
Walsdorf, Hanna (2025) ‘‘Toll durch die Reihen’ und ‘am Klavier Tänze’: Richard Wagners Aufforderungen zum Tanz’, wagnerspectrum, 40(1), pp. 25–42.
Walsdorf, Hanna (2025) ‘‘Toll durch die Reihen’ und ‘am Klavier Tänze’: Richard Wagners Aufforderungen zum Tanz’, wagnerspectrum, 40(1), pp. 25–42.
Zeller Dotlačilová, Petra (2025) ‘Review of BLOOMSBURY HISTORIC DRESS IN DETAIL, WRITTEN BY PAULINE LOVEN, DIRECTED BY NICOLE LOVEN AND FILMED BY CROW’S EYE PRODUCTIONS (2024)’, Studies in Costume & Performance. 01.07.2025, 10(1), pp. 149–152. Available at: https://doi.org/doi.org/10.1386/scp_00137_5.
Zeller Dotlačilová, Petra (2025) ‘Review of BLOOMSBURY HISTORIC DRESS IN DETAIL, WRITTEN BY PAULINE LOVEN, DIRECTED BY NICOLE LOVEN AND FILMED BY CROW’S EYE PRODUCTIONS (2024)’, Studies in Costume & Performance. 01.07.2025, 10(1), pp. 149–152. Available at: https://doi.org/doi.org/10.1386/scp_00137_5.
FEDERICO LANZELLOTTI and Ilaria Contesotto (2025) ‘Un’opera «di universale sodisfattione»: “Ariberto e Flavio, regi de’ Longobardi” (Venezia, Teatro San Salvatore, 1684-1685)’, Studi musicali, pp. 1–69.
FEDERICO LANZELLOTTI and Ilaria Contesotto (2025) ‘Un’opera «di universale sodisfattione»: “Ariberto e Flavio, regi de’ Longobardi” (Venezia, Teatro San Salvatore, 1684-1685)’, Studi musicali, pp. 1–69.
Zeller Dotlačilová, Petra (2025) ‘“Witnesses of the Past: Costumes as Material Evidence of the Ephemeral Performance’’, Status Quaestionis: Language, Text, Culture. 25.06.2025, 28, pp. 225–249. Available at: https://doi.org/https://doi.org/10.13133/2239-1983/19181.
Zeller Dotlačilová, Petra (2025) ‘“Witnesses of the Past: Costumes as Material Evidence of the Ephemeral Performance’’, Status Quaestionis: Language, Text, Culture. 25.06.2025, 28, pp. 225–249. Available at: https://doi.org/https://doi.org/10.13133/2239-1983/19181.
Gebhart, Helen (2025) ‘Sounds, Signals and Songs: Tower Guards & Night Watchmen in Basel’, Listening to Disruption: Changing Acoustemologies in the Swiss Confederacy, c.1750–1815,. (Listening to Disruption: Changing Acoustemologies in the Swiss Confederacy, c.1750–1815,), 23 June.
Gebhart, Helen (2025) ‘Sounds, Signals and Songs: Tower Guards & Night Watchmen in Basel’, Listening to Disruption: Changing Acoustemologies in the Swiss Confederacy, c.1750–1815,. (Listening to Disruption: Changing Acoustemologies in the Swiss Confederacy, c.1750–1815,), 23 June.
Zeller Dotlačilová, Petra (2025) ‘Teaterkostymer I det tidigmoderna Europa – rolltyper och förebilder’, in Teaterkungens kostymer. Stockholm: Statens historiska museer (Teaterkungens kostymer), pp. 40–49. Available at: https://doi.org/https://livrustkammaren.se/press/unikt-kulturarv-samlat-for-forsta-gangen-i-boken-teaterkungens-kostymer/.
Zeller Dotlačilová, Petra (2025) ‘Teaterkostymer I det tidigmoderna Europa – rolltyper och förebilder’, in Teaterkungens kostymer. Stockholm: Statens historiska museer (Teaterkungens kostymer), pp. 40–49. Available at: https://doi.org/https://livrustkammaren.se/press/unikt-kulturarv-samlat-for-forsta-gangen-i-boken-teaterkungens-kostymer/.
Robinson, Alexander (2025) ‘“Evoking Joan of Arc’s Soundworld in Jacques Rivette’s Jeanne la Pucelle (1994): Authenticity versus Cinematic Musical Convention.”’, The Musical Quarterly, 107(iii-iv (2024)), pp. 213–242. Available at: https://doi.org/https://doi.org/10.1093/musqtl/gdaf002.
Robinson, Alexander (2025) ‘“Evoking Joan of Arc’s Soundworld in Jacques Rivette’s Jeanne la Pucelle (1994): Authenticity versus Cinematic Musical Convention.”’, The Musical Quarterly, 107(iii-iv (2024)), pp. 213–242. Available at: https://doi.org/https://doi.org/10.1093/musqtl/gdaf002.
Lanzellotti, Federico (2025) ‘Review Six Chamber Cantatas with Strings (1708): Works for Soprano or Alto with Violins, Violoncello, and Basso Continuo from A-Wn, Mus. Hs. 17607 Antonio Bononcini (1677–1726)’, Eighteenth-Century Music. Cambridge University Press, pp. 133–136. Available at: https://doi.org/10.1017/S1478570624000411.
Lanzellotti, Federico (2025) ‘Review Six Chamber Cantatas with Strings (1708): Works for Soprano or Alto with Violins, Violoncello, and Basso Continuo from A-Wn, Mus. Hs. 17607 Antonio Bononcini (1677–1726)’, Eighteenth-Century Music. Cambridge University Press, pp. 133–136. Available at: https://doi.org/10.1017/S1478570624000411.
Stark, Jonathan (2025) ‘Composing the Night in 18th Century Viennese Opera’, British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference. (British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference), 9 January.
Stark, Jonathan (2025) ‘Composing the Night in 18th Century Viennese Opera’, British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference. (British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference), 9 January.
Zeller Dotlačilová, Petra (2025) ‘Images of horror: Visual Narrativity in Noverre’s ballet Hypermnestre’, 54th Annual Conference: ‘Bodies and Embodiment’ BSECS (British Sociery for Eighteenth-Century Studies). (54th Annual Conference: ‘Bodies and Embodiment’ BSECS (British Sociery for Eighteenth-Century Studies)), 8 January.
Zeller Dotlačilová, Petra (2025) ‘Images of horror: Visual Narrativity in Noverre’s ballet Hypermnestre’, 54th Annual Conference: ‘Bodies and Embodiment’ BSECS (British Sociery for Eighteenth-Century Studies). (54th Annual Conference: ‘Bodies and Embodiment’ BSECS (British Sociery for Eighteenth-Century Studies)), 8 January.
Federico Lanzellotti (2025) ‘Tartini’s Music in Venice Some Cases of Textual Instability and Instrumental Pasticcio’, Musicological Annual, pp. 63–91. Available at: https://doi.org/https://doi.org/10.4312/mz.61.2.63-91.
Federico Lanzellotti (2025) ‘Tartini’s Music in Venice Some Cases of Textual Instability and Instrumental Pasticcio’, Musicological Annual, pp. 63–91. Available at: https://doi.org/https://doi.org/10.4312/mz.61.2.63-91.
Lanzellotti, Federico (2025) ‘Colasanti, Silvia’, DEUMM online. New York: RILM (DEUMM online).
Lanzellotti, Federico (2025) ‘Colasanti, Silvia’, DEUMM online. New York: RILM (DEUMM online).
Lanzellotti, Federico (2025) ‘«La Sig.ra Cunigunda Sutterin», virtuosa alla corte di Leopoldo I e Giuseppe I d’Asburgo’, in Canterine e virtuose sulle scene teatrali del XVIII secolo, Atti del Convegno internazionale di Studi (Reggio Calabria, 1– 2 ottobre 2018), Nicolò Maccavino (ed.). Reggio Calabria: Edizioni del Conservatorio di Musica “Francesco Cilea”. (Canterine e virtuose sulle scene teatrali del XVIII secolo, Atti del Convegno internazionale di Studi (Reggio Calabria, 1– 2 ottobre 2018), Nicolò Maccavino (ed.). Reggio Calabria: Edizioni del Conservatorio di Musica “Francesco Cilea”), pp. 245–339.
Lanzellotti, Federico (2025) ‘«La Sig.ra Cunigunda Sutterin», virtuosa alla corte di Leopoldo I e Giuseppe I d’Asburgo’, in Canterine e virtuose sulle scene teatrali del XVIII secolo, Atti del Convegno internazionale di Studi (Reggio Calabria, 1– 2 ottobre 2018), Nicolò Maccavino (ed.). Reggio Calabria: Edizioni del Conservatorio di Musica “Francesco Cilea”. (Canterine e virtuose sulle scene teatrali del XVIII secolo, Atti del Convegno internazionale di Studi (Reggio Calabria, 1– 2 ottobre 2018), Nicolò Maccavino (ed.). Reggio Calabria: Edizioni del Conservatorio di Musica “Francesco Cilea”), pp. 245–339.
Russell, Tilden (2025) Three Handbooks on Dance. Translated with Introduction and Annotation by Tilden Russell, tanz | dokumente. Edited by Walsdorf, Hanna Verena. Berlin: Frank & Timme (tanz | dokumente, 4).
Russell, Tilden (2025) Three Handbooks on Dance. Translated with Introduction and Annotation by Tilden Russell, tanz | dokumente. Edited by Walsdorf, Hanna Verena. Berlin: Frank & Timme (tanz | dokumente, 4).
Shabalina, Tatiana (2025) Kurtzer Entwurff von der Zuläßigkeit des sowol natürlichen als künstlichen Tantz-Exercitii. Kommentierte Erstausgabe mit Transkription | First Edition with Transcription and Commentary, tanz | dokumente. Edited by Walsdorf, Hanna Verena. Berlin: Frank & Timme (tanz | dokumente, 3).
Shabalina, Tatiana (2025) Kurtzer Entwurff von der Zuläßigkeit des sowol natürlichen als künstlichen Tantz-Exercitii. Kommentierte Erstausgabe mit Transkription | First Edition with Transcription and Commentary, tanz | dokumente. Edited by Walsdorf, Hanna Verena. Berlin: Frank & Timme (tanz | dokumente, 3).
Stark, Jonathan (2025) ‘Rezension von: Bianca Bapst, Himmlische Liebschaften. Die Mondreise im Musiktheater des 18. Jahrhunderts, Berlin: Peter Lang 2024.’, MusikTheorie - Zeitschrift für Musikwissenschaft. Laaber, pp. 377–379.
Stark, Jonathan (2025) ‘Rezension von: Bianca Bapst, Himmlische Liebschaften. Die Mondreise im Musiktheater des 18. Jahrhunderts, Berlin: Peter Lang 2024.’, MusikTheorie - Zeitschrift für Musikwissenschaft. Laaber, pp. 377–379.
Stark, Jonathan (2025) ‘Notationskunde’. Basel, 1 January.
Stark, Jonathan (2025) ‘Notationskunde’. Basel, 1 January.
Walsdorf, Hanna (2025) ‘Vorwort’, in Gottfried Taubert, Kurtzer Entwurff von Der Zuläßigkeit des sowol natürlichen als künstlichen Tantz-Exercitii. Kommentierte Erstausgabe mit Transkription | First Edition with Transcription and Commentary. (Gottfried Taubert, Kurtzer Entwurff von Der Zuläßigkeit des sowol natürlichen als künstlichen Tantz-Exercitii. Kommentierte Erstausgabe mit Transkription | First Edition with Transcription and Commentary), pp. 38–63.
Walsdorf, Hanna (2025) ‘Vorwort’, in Gottfried Taubert, Kurtzer Entwurff von Der Zuläßigkeit des sowol natürlichen als künstlichen Tantz-Exercitii. Kommentierte Erstausgabe mit Transkription | First Edition with Transcription and Commentary. (Gottfried Taubert, Kurtzer Entwurff von Der Zuläßigkeit des sowol natürlichen als künstlichen Tantz-Exercitii. Kommentierte Erstausgabe mit Transkription | First Edition with Transcription and Commentary), pp. 38–63.
Walsdorf, Hanna and Schmidt, Matthias (2025) ‘Wie und warum erzählen wir Musikgeschichte?’, Bulletin / Vereinigung der Schweizerischen Hochschuldozierenden, 49(1), pp. 7–11.
Walsdorf, Hanna and Schmidt, Matthias (2025) ‘Wie und warum erzählen wir Musikgeschichte?’, Bulletin / Vereinigung der Schweizerischen Hochschuldozierenden, 49(1), pp. 7–11.
Zeller Dotlačilová, Petra and Rafajová, Zuzana (2025) Dance Context Journal 2025: Identities in Dance. 2 edn., Dance Context Journal. 2 edn. Prague: Dance Context (Dance Context Journal, 1). Available at: https://doi.org/https://www.dancecontext.com/journal-2025.
Zeller Dotlačilová, Petra and Rafajová, Zuzana (2025) Dance Context Journal 2025: Identities in Dance. 2 edn., Dance Context Journal. 2 edn. Prague: Dance Context (Dance Context Journal, 1). Available at: https://doi.org/https://www.dancecontext.com/journal-2025.
Lanzellotti, Federico (2024) ‘Il tempo della ripetizione nella musica violinistica di H. I. F. von Biber e C. A. Lonati’, Annali della Facoltà di Studi Umanistici dell’Università degli Studi di Milano (ACME), 77(1), pp. 73–92. Available at: https://doi.org/10.54103/2282-0035/26671.
Lanzellotti, Federico (2024) ‘Il tempo della ripetizione nella musica violinistica di H. I. F. von Biber e C. A. Lonati’, Annali della Facoltà di Studi Umanistici dell’Università degli Studi di Milano (ACME), 77(1), pp. 73–92. Available at: https://doi.org/10.54103/2282-0035/26671.
Walsdorf, H. (2024) ‘Lost in translation? Tracing Lullian tunes in Edward Ravenscroft’s The Citizen Turn’d Gentleman (1672)’, Early Music, 52(2), pp. 143–158. Available at: https://doi.org/10.1093/em/caae030.
Walsdorf, H. (2024) ‘Lost in translation? Tracing Lullian tunes in Edward Ravenscroft’s The Citizen Turn’d Gentleman (1672)’, Early Music, 52(2), pp. 143–158. Available at: https://doi.org/10.1093/em/caae030.
Zeller Dotlačilová, Petra (2024) ‘Performance Lecture at The Museum of Swedish Royal History: Gods, shepherds and furies - Dance costume in motion’. Livrustkamaren (The Museum of Swedish Royal History), Stockholm. Available at: https://doi.org/https://www.youtube.com/watch?v=XXY8LyJSRJw.
Zeller Dotlačilová, Petra (2024) ‘Performance Lecture at The Museum of Swedish Royal History: Gods, shepherds and furies - Dance costume in motion’. Livrustkamaren (The Museum of Swedish Royal History), Stockholm. Available at: https://doi.org/https://www.youtube.com/watch?v=XXY8LyJSRJw.
Federico Lanzellotti (2024) ‘La musica di Carlo Ambrogio Lonati alla corte estense di Francesco II d’Este’, Recercare [Preprint], (36).
Federico Lanzellotti (2024) ‘La musica di Carlo Ambrogio Lonati alla corte estense di Francesco II d’Este’, Recercare [Preprint], (36).
Gebhart, Helen (2024) ‘Eine Zauberflöte ohne Diskriminierung’, Schweizer Musikzeitung.
Gebhart, Helen (2024) ‘Eine Zauberflöte ohne Diskriminierung’, Schweizer Musikzeitung.
Lanzellotti, Federico (2024) Le composizioni di Giuseppe Tartini nelle collezioni musicali veneziane. Trieste: Edizioni del Conservatorio Giuseppe Tartini. Available at: https://doi.org/10.82043/DiscoverTartini0001.
Lanzellotti, Federico (2024) Le composizioni di Giuseppe Tartini nelle collezioni musicali veneziane. Trieste: Edizioni del Conservatorio Giuseppe Tartini. Available at: https://doi.org/10.82043/DiscoverTartini0001.
Lanzellotti, Federico and Badolato, Nicola (2024) ‘Patrimonio musicale e digitalizzazione: un complesso dialogo tra musicologia e Digital Humanities’, in Botti, Federica;Carile, Maria Cristina;Mazzeo, Rocco;Neve, Mario (ed.) Il cinquantenario della Convenzione UNESCO a tutela del patrimonio culturale (1972-2022): percorsi multidisciplinari. Bologna: Alma Mater Studiorum Università di Bologna (Il patrimonio culturale: riflessioni e prospettive), pp. 17–26. Available at: https://doi.org/10.60923/pcrp_2024-5.
Lanzellotti, Federico and Badolato, Nicola (2024) ‘Patrimonio musicale e digitalizzazione: un complesso dialogo tra musicologia e Digital Humanities’, in Botti, Federica;Carile, Maria Cristina;Mazzeo, Rocco;Neve, Mario (ed.) Il cinquantenario della Convenzione UNESCO a tutela del patrimonio culturale (1972-2022): percorsi multidisciplinari. Bologna: Alma Mater Studiorum Università di Bologna (Il patrimonio culturale: riflessioni e prospettive), pp. 17–26. Available at: https://doi.org/10.60923/pcrp_2024-5.
Walsdorf, Hanna (2024) ‘Filippo Taglioni in German Lands’, in Ligore, Bruno (ed.) Filippo Taglioni. Padre del ballo romantico. Rom: Aracne (Danza da Leggere ), pp. 115–151. Available at: https://www.aracneeditrice.eu/it/pubblicazioni/filippo-taglioni-bruno-omar-ligore-9791221810462.html.
Walsdorf, Hanna (2024) ‘Filippo Taglioni in German Lands’, in Ligore, Bruno (ed.) Filippo Taglioni. Padre del ballo romantico. Rom: Aracne (Danza da Leggere ), pp. 115–151. Available at: https://www.aracneeditrice.eu/it/pubblicazioni/filippo-taglioni-bruno-omar-ligore-9791221810462.html.
Walsdorf, Hanna (2024) ‘Inken Meents, »Die Vorstellungskraft spazieren führen«. Zur Entstehungs- und Frühgeschichte der französischen Kantate zwischen Kulturtransfer und Neuerfindung. Studien und Materialien zur Musikwissenschaft 122 (Hildesheim: Georg Olms Verlag 2023).’, Die Musikforschung, pp. 420–422.
Walsdorf, Hanna (2024) ‘Inken Meents, »Die Vorstellungskraft spazieren führen«. Zur Entstehungs- und Frühgeschichte der französischen Kantate zwischen Kulturtransfer und Neuerfindung. Studien und Materialien zur Musikwissenschaft 122 (Hildesheim: Georg Olms Verlag 2023).’, Die Musikforschung, pp. 420–422.
Walsdorf, Hanna and Lee, Michael (2024) Lully in London (and beyond), Early Music. Oxford University Press (Early Music). Available at: https://academic.oup.com/em.
Walsdorf, Hanna and Lee, Michael (2024) Lully in London (and beyond), Early Music. Oxford University Press (Early Music). Available at: https://academic.oup.com/em.
Federico Lanzellotti (2023) ‘«I’ll pass that yawning cave and seek the spring»: il viaggio di Proserpina da Ovidio a Mary Shelley, a Silvia Colasanti’, in Sediziose voci. Studi sul melodramma. (Sediziose voci. Studi sul melodramma). Available at: https://www.lim.it/it/opere-collettive/6655-ill-pass-that-yawning-cave-and-seek-the-spring-9788855433327.html#/1-tipo_prodotto-pdf_lim.
Federico Lanzellotti (2023) ‘«I’ll pass that yawning cave and seek the spring»: il viaggio di Proserpina da Ovidio a Mary Shelley, a Silvia Colasanti’, in Sediziose voci. Studi sul melodramma. (Sediziose voci. Studi sul melodramma). Available at: https://www.lim.it/it/opere-collettive/6655-ill-pass-that-yawning-cave-and-seek-the-spring-9788855433327.html#/1-tipo_prodotto-pdf_lim.
Haug, Judith I. and Walsdorf, Hanna (2023) Music and Mirrored Hybridities: Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century), Istanbuler Texte und Studien. Baden-Baden: Ergon (Istanbuler Texte und Studien, 49).
Haug, Judith I. and Walsdorf, Hanna (2023) Music and Mirrored Hybridities: Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century), Istanbuler Texte und Studien. Baden-Baden: Ergon (Istanbuler Texte und Studien, 49).
Holzer, Irene and Walsdorf, Hanna (2023) Musik als kulturelles Ordnungszeichen, MusikTheorie - Zeitschrift für Musikwissenschaft. Laaber (MusikTheorie - Zeitschrift für Musikwissenschaft, 3).
Holzer, Irene and Walsdorf, Hanna (2023) Musik als kulturelles Ordnungszeichen, MusikTheorie - Zeitschrift für Musikwissenschaft. Laaber (MusikTheorie - Zeitschrift für Musikwissenschaft, 3).
Lanzellotti, Federico (2023) ‘The Sonatas in Four Parts by Giuseppe Tartini: New Perspectives’, in Giuseppe Tartini: Fundamental Questions. Peter Lang AG (Giuseppe Tartini: Fundamental Questions), pp. 279–306.
Lanzellotti, Federico (2023) ‘The Sonatas in Four Parts by Giuseppe Tartini: New Perspectives’, in Giuseppe Tartini: Fundamental Questions. Peter Lang AG (Giuseppe Tartini: Fundamental Questions), pp. 279–306.
Walsdorf, Hanna (2023) Für Gott und die Welt. Musik zu den Statuspassagen Ludwigs XIV. (1638–1662), Musica poetica. Beeskow: Ortus Musikverlag (Musica poetica, 6).
Walsdorf, Hanna (2023) Für Gott und die Welt. Musik zu den Statuspassagen Ludwigs XIV. (1638–1662), Musica poetica. Beeskow: Ortus Musikverlag (Musica poetica, 6).
Walsdorf, Hanna (2023) ‘Tanzlied, Singtanz, ›Singballett‹. Eine repertoire- und forschungsgeschichtliche Erkundung’, in Cazaux, Christelle; Papiro, Martina; Pavanello, Agnese (eds.) (ed.) Tanz als Musik: Zwischen Klang und Bewegung (2021). Schola Cantorum Basiliensis: Schwabe (Tanz als Musik: Zwischen Klang und Bewegung (2021)), pp. 57–133.
Walsdorf, Hanna (2023) ‘Tanzlied, Singtanz, ›Singballett‹. Eine repertoire- und forschungsgeschichtliche Erkundung’, in Cazaux, Christelle; Papiro, Martina; Pavanello, Agnese (eds.) (ed.) Tanz als Musik: Zwischen Klang und Bewegung (2021). Schola Cantorum Basiliensis: Schwabe (Tanz als Musik: Zwischen Klang und Bewegung (2021)), pp. 57–133.
Walsdorf, Hanna (2023) ‘Plaude laetare Gallia. Musik zu Ehren des Grand Dauphin und die drei Körper des Königs (1661–1668)’, MusikTheorie - Zeitschrift für Musikwissenschaft, 3(Musik als kulturelles Ordnungszeichen), pp. 36–224.
Walsdorf, Hanna (2023) ‘Plaude laetare Gallia. Musik zu Ehren des Grand Dauphin und die drei Körper des Königs (1661–1668)’, MusikTheorie - Zeitschrift für Musikwissenschaft, 3(Musik als kulturelles Ordnungszeichen), pp. 36–224.
Walsdorf, Hanna (2023) ‘Der Markgraf und der Hofkaplan. Kontroversen um das Ballettanzen am Bayreuther Hof um 1700’, Medialität. Historische Perspektiven/Newsletter ZHM , 26, pp. 3–10.
Walsdorf, Hanna (2023) ‘Der Markgraf und der Hofkaplan. Kontroversen um das Ballettanzen am Bayreuther Hof um 1700’, Medialität. Historische Perspektiven/Newsletter ZHM , 26, pp. 3–10.
Walsdorf, Hanna (2023) ‘Von Bergdämonen und Geisterwalzern: Tanz in Louis Spohrs romantischer Oper ›Der Berggeist‹ (1825)’, Spohr-Jahrbuch, (2022), pp. 9–27.
Walsdorf, Hanna (2023) ‘Von Bergdämonen und Geisterwalzern: Tanz in Louis Spohrs romantischer Oper ›Der Berggeist‹ (1825)’, Spohr-Jahrbuch, (2022), pp. 9–27.
Walsdorf, Hanna (2023) ‘Georg Maas, Wolfgang Thiel und Hans Jürgen Wulff (Hg.), Walzerfilme und Filmwalzer: Die Rezeption und Analyse des Walzers und des Walzertanzens im Film. Film – Musik – Sound 1 (Marburg: Schüren 2022).’, MEDIENwissenschaft , (3), pp. 34–333.
Walsdorf, Hanna (2023) ‘Georg Maas, Wolfgang Thiel und Hans Jürgen Wulff (Hg.), Walzerfilme und Filmwalzer: Die Rezeption und Analyse des Walzers und des Walzertanzens im Film. Film – Musik – Sound 1 (Marburg: Schüren 2022).’, MEDIENwissenschaft , (3), pp. 34–333.
Walsdorf, Hanna (2023) ‘Heavenly sonatas, heroic rivers, and demonic dancing’, Early Music, (3), pp. 23–321. Available at: https://doi.org/10.1093/em/caad022.
Walsdorf, Hanna (2023) ‘Heavenly sonatas, heroic rivers, and demonic dancing’, Early Music, (3), pp. 23–321. Available at: https://doi.org/10.1093/em/caad022.
Walsdorf, Hanna (2023) ‘Sounding ›La Turquie‹ in France and Prussia: From Lully to Campra to Graun’, in Haug, Judith I.; Walsdorf, Hanna (eds.) (ed.) Music and Mirrored Hybridities: Cultural Communities Converging in French, German and Turkish Stage Productions (17th–20th Century). Baden-Baden: Ergon (Istanbuler Texte und Studien), pp. 85–116.
Walsdorf, Hanna (2023) ‘Sounding ›La Turquie‹ in France and Prussia: From Lully to Campra to Graun’, in Haug, Judith I.; Walsdorf, Hanna (eds.) (ed.) Music and Mirrored Hybridities: Cultural Communities Converging in French, German and Turkish Stage Productions (17th–20th Century). Baden-Baden: Ergon (Istanbuler Texte und Studien), pp. 85–116.
Walsdorf, Hanna (2022) ‘Zur Frewde gantz bequem: Tanzmusik in Mitteldeutschland im Spiegel der Leipziger Messkataloge (1594-1665)’, Die Tonkunst, IV, pp. 428–436. Available at: www.die-tonkunst.de/deposit/dtk_2204_the_Walsdorf_Tabelle.pdf.
Walsdorf, Hanna (2022) ‘Zur Frewde gantz bequem: Tanzmusik in Mitteldeutschland im Spiegel der Leipziger Messkataloge (1594-1665)’, Die Tonkunst, IV, pp. 428–436. Available at: www.die-tonkunst.de/deposit/dtk_2204_the_Walsdorf_Tabelle.pdf.
Walsdorf, Hanna (2022) ‘Marcie Ray, Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater (Rochester: Rochester University Press, 2020)’, Die Musikforschung, 3, pp. 297–298.
Walsdorf, Hanna (2022) ‘Marcie Ray, Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater (Rochester: Rochester University Press, 2020)’, Die Musikforschung, 3, pp. 297–298.
Walsdorf, Hanna (2022) ‘Musikgeschichte erzählen’, Generalprogramm 2022/2023. Freunde Alter Musik Basel. Available at: https://famb.ch/saison-20222023.
Walsdorf, Hanna (2022) ‘Musikgeschichte erzählen’, Generalprogramm 2022/2023. Freunde Alter Musik Basel. Available at: https://famb.ch/saison-20222023.
Walsdorf, Hanna and Berg, Jenny (2022) ‘Musikalische Komödien: Wie Molière die Komponisten inspirierte’, Radio SRF 2 Kultur. Switzerland (Radio SRF 2 Kultur). Available at: https://www.srf.ch/audio/kuenste-im-gespraech/400-jahre-moliere?id=12121832.
Walsdorf, Hanna and Berg, Jenny (2022) ‘Musikalische Komödien: Wie Molière die Komponisten inspirierte’, Radio SRF 2 Kultur. Switzerland (Radio SRF 2 Kultur). Available at: https://www.srf.ch/audio/kuenste-im-gespraech/400-jahre-moliere?id=12121832.
Walsdorf, Hanna and Heiter, Gerrit Berenike (2022) Stadt Land Hof, Prospektiven. Leipzig: Leipziger Universitätsverlag (Prospektiven). Available at: https://www.univerlag-leipzig.de/catalog/bookstore/article/2193-Stadt_Land_Hof.
Walsdorf, Hanna and Heiter, Gerrit Berenike (2022) Stadt Land Hof, Prospektiven. Leipzig: Leipziger Universitätsverlag (Prospektiven). Available at: https://www.univerlag-leipzig.de/catalog/bookstore/article/2193-Stadt_Land_Hof.
Walsdorf, Hanna (2022) ‘Morgens in die Kirche, abends zum Ball. Versuch über das historiographische Erzählen vom Musikleben im Frankreich des 17. Jahrhunderts’, in Walsdorf, Hanna; Heiter, Gerrit Berenike (ed.) Stadt Land Hof. Leipzig: Leipziger Universitätsverlag (Prospektiven), pp. 237–259.
Walsdorf, Hanna (2022) ‘Morgens in die Kirche, abends zum Ball. Versuch über das historiographische Erzählen vom Musikleben im Frankreich des 17. Jahrhunderts’, in Walsdorf, Hanna; Heiter, Gerrit Berenike (ed.) Stadt Land Hof. Leipzig: Leipziger Universitätsverlag (Prospektiven), pp. 237–259.
LANZELLOTTI, FEDERICO (2021) ‘IN SEARCH of PERFECT HARMONY: GIUSEPPE TARTINI’S MUSIC and MUSIC THEORY in LOCAL and EUROPEAN CONTEXTS LJUBLJANA, 16-17 NOVEMBER 2020’, Eighteenth-Century Music, 18(2), pp. 329–331. Available at: https://doi.org/10.1017/s1478570621000038.
LANZELLOTTI, FEDERICO (2021) ‘IN SEARCH of PERFECT HARMONY: GIUSEPPE TARTINI’S MUSIC and MUSIC THEORY in LOCAL and EUROPEAN CONTEXTS LJUBLJANA, 16-17 NOVEMBER 2020’, Eighteenth-Century Music, 18(2), pp. 329–331. Available at: https://doi.org/10.1017/s1478570621000038.
Federico Lanzellotti (2020) ‘Sotto le ali della «grand’aquila»: L’Euleo festeggiante di Giovanni Bononcini’, in Marc Vanscheeuwijck (ed.) I Bononcini. Da Modena all’Europa (1666-1747). LIM (I Bononcini. Da Modena all’Europa (1666-1747)). Available at: https://www.lim.it/it/opere-collettive/5904-sotto-le-ali-della-grandaquila-leuleo-9788855430272.html#/1-tipo_prodotto-pdf_lim.
Federico Lanzellotti (2020) ‘Sotto le ali della «grand’aquila»: L’Euleo festeggiante di Giovanni Bononcini’, in Marc Vanscheeuwijck (ed.) I Bononcini. Da Modena all’Europa (1666-1747). LIM (I Bononcini. Da Modena all’Europa (1666-1747)). Available at: https://www.lim.it/it/opere-collettive/5904-sotto-le-ali-della-grandaquila-leuleo-9788855430272.html#/1-tipo_prodotto-pdf_lim.
Lanzellotti, Federico (2020) ‘Preface to François Couperin “le Grand” - Sonades inédites: La Steinquerque, La Sultane, La Superbe’, in François Couperin “le Grand” - Sonades inédites: La Steinquerque, La Sultane, La Superbe. (François Couperin “le Grand” - Sonades inédites: La Steinquerque, La Sultane, La Superbe). Available at: https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/4263.html.
Lanzellotti, Federico (2020) ‘Preface to François Couperin “le Grand” - Sonades inédites: La Steinquerque, La Sultane, La Superbe’, in François Couperin “le Grand” - Sonades inédites: La Steinquerque, La Sultane, La Superbe. (François Couperin “le Grand” - Sonades inédites: La Steinquerque, La Sultane, La Superbe). Available at: https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/4263.html.
LANZELLOTTI, FEDERICO (2019) ‘“PADRON MIO COLENDISSIMO⋯”: CARTAS SOBRE A MÚSICA E O ESPECTÁCULO NO SÉCULO XVIII/LETTERS ABOUT MUSIC AND STAGE IN THE EIGHTEENTH CENTURY QUELUZ NATIONAL PALACE, 29 JUNE-1 JULY 2018’, Eighteenth-Century Music, 16(1), pp. 102–104. Available at: https://doi.org/10.1017/s1478570618000520.
LANZELLOTTI, FEDERICO (2019) ‘“PADRON MIO COLENDISSIMO⋯”: CARTAS SOBRE A MÚSICA E O ESPECTÁCULO NO SÉCULO XVIII/LETTERS ABOUT MUSIC AND STAGE IN THE EIGHTEENTH CENTURY QUELUZ NATIONAL PALACE, 29 JUNE-1 JULY 2018’, Eighteenth-Century Music, 16(1), pp. 102–104. Available at: https://doi.org/10.1017/s1478570618000520.