Ältere Kunstgeschichte

Kumler, A. (2024) ‘Adjusted and radiant in the vestment of its appearance. Flavin’s epiphanic realism / Justiert und strahlend im Gewand seiner Erscheinung. Flavins epiphanischer Realismus’, in Helfenstein, Josef; Osadtschy, Olga (ed.) Dan Flavin. Widmungen aus Licht. Basel: Kunstmuseum Basel (Dan Flavin. Widmungen aus Licht), pp. 184–199.

Kumler, A. (2023) ‘Writing on the world beyond the page: medieval inscriptions as facta and ficta Schreiben auf der Welt jenseits der Seite: Mittelalterliche Inschriften als facta und ficta’, Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte, 97(2), pp. 447–484. Available at: https://doi.org/10.1007/s41245-023-00196-8.

Kumler, Aden (2023) ‘Interview’, in Images in Premodern Societies. A Dialogue about the State of the Field on the Occasion of the 20th Anniversary of “Iconographica”. Florence: Sismel, Edizione del Galluzzo (Images in Premodern Societies. A Dialogue about the State of the Field on the Occasion of the 20th Anniversary of “Iconographica”), pp. 175–183. Available at: https://www.mirabileweb.it/edgalluzzo/saggi/m/1271/s/5954.

Aden Kumler (2023) ‘Disorientations/Orientierungsverlüste’, in Andrea Büttner–The Heart of Relations. Berlin: Kunstmuseum Basel; Kunstammlung Nordrhein-Westfalen; Hatje Canz Verlag (Andrea Büttner–The Heart of Relations), pp. 238–256.

Aden Kumler (2023) ‘Team-Teaching Across the Disciplines’, in Approaches to Teaching the Romance of the Rose,. New York, NY: Modern Language Association (Approaches to Teaching the Romance of the Rose,), pp. 170–190.

Kumler, Aden (2023) ‘“All form is a process of notation” . Hrabanus Maurus’s ‘exemplativist’ art’, in L’art medieval est-il contemporain? / Is medieval art contemporary? Turnhout: Brepols (L’art medieval est-il contemporain? / Is medieval art contemporary?), pp. 91–111.

Kumler, Aden (2022) ‘Altar as atelier’, Codex Aquilarensis, 38, pp. 141–168.

Kumler, Aden et al. (2022) ‘Narration / abstraction : réflexions croisées entre médiévistes et contemporanéistes’, Perspective. Actualité en histoire de l’art, (2), pp. 69–96. Available at: https://doi.org/10.4000/perspective.27518.

Kumler, Aden and Fricke, Beate (2022) Destroyed-Disappeared-Lost-Never Were, ICMA Books -Viewpoints. College Park, PA: Penn State University Press - International Center of Medieval Art (ICMA Books -Viewpoints). Available at: https://www.psupress.org/books/titles/978-0-271-09328-4.html.

Kumler, Aden (2022) ‘Whose Iconography?’, in Patton, Pamela; Fernandez, Catherine (ed.) Iconography in a New Century. College Park, PA: Penn State University Press & The Index of Medieval Art (Signa: Papers of the Index of Medieval Art at Princeton University), pp. 35–58.

Kumler, Aden (2022) ‘Lyric Vessels’, in Cervone, Cristina Maria; Watson, Nicholas (ed.) What Kind of a Thing is a Middle English Lyric? Philadelphia: University of Pennsylvania Press (What Kind of a Thing is a Middle English Lyric?), pp. 182–217.

Kumler, Aden (2022) ‘The Way We Live Now’, in Lund, Karsten; (ed.) Jill Magid: Tender. Chicago, IL: Renaissance Society (Jill Magid: Tender), pp. 149–160.

Kumler, Aden and Fricke, Beate (2022) ‘Introduction. Destroyed-Disappeared-Lost-Never Were’, in Kumler, Aden; Fricke, Beate (ed.) Destroyed-Disappeared-Lost-Never Were. College Park, PA: Penn State University Press & The Index of Medieval Art (Destroyed-Disappeared-Lost-Never Were), pp. 1–21.

Kumler, Aden (2021) ‘‘Where your treasure is, there is your heart also: A Kesslerian view from the Soissons Gospels’’, Codex Aquilarensis, 37, pp. 109–126.

Kumler, Aden (2021) ‘Abstraction’s gothic grounds’, in Gertsman, Elina (ed.) Abstraction in Medieval Art. Beyond the Ornament. Amsterdam: Amsterdam University Press (Abstraction in Medieval Art. Beyond the Ornament), pp. 55–88. Available at: https://doi.org/10.5117/9789462989894.

Kumler, Aden (2019) ‘Periculum and peritia: aesthetics and affects in the medieval “ars market”’, Codex Aquilarensis, 35, pp. 157–178.

Kumler, Aden (2019) ‘Counterfeiting the Eucharist in Late Medieval Art and Life’, in Melion, Walter; Carson Pastan, Elizabeth; Palmer Wandel, Lee (ed.) Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700. Leiden; Boston: Brill (Intersections), pp. 57–81. Available at: https://doi.org/10.1163/9789004408944_003.

Kumler, Aden (2019) ‘Materials, Materia, ‘Materiality’’, in Rudolph, Conrad (ed.) A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. Malden, MA: Wiley Blackwell (Wiley Blackwell companions to art history), pp. 95–117. Available at: https://doi.org/10.1002/9781119077756.ch4.

Kumler, Aden (2018) ‘Signatis... vultus tui: (Re)impressing the Holy Face before and after the European Cult of the Veronica’, Convivium, Supplementum, 2, pp. 102–113.

Kumler, Aden (2018) ‘Seeing the worldly with a moral eye: Illuminated observation as introspection in the later Middle Ages’, in Kessler, Herbert; Newhauser, Richard (ed.) Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s Moral Treatise on the Eye. Toronto: Pontifical Institute of Mediaeval Studies Press (Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s Moral Treatise on the Eye), pp. 47–63.

Kumler, Aden (2017) ‘Handling the letter’, in Collins, Kristen; Fisher, Matthew (ed.) St. Albans and the Markyate Psalter: Seeing and Reading in 12th Century England. Kalamazoo, MI: Medieval Institute Publications (St. Albans and the Markyate Psalter: Seeing and Reading in 12th Century England), pp. 69–100.

Kumler, Aden (2016) ‘Sacrament to Street Food’, Cabinet: A Quarterly of Art and Culture, (58), pp. 63–71.

Kumler, Aden (2015) ‘Manufacturing the sacred in the Middle Ages: The Eucharist and other medieval works of ars’, English Language Notes, 53(2), pp. 9–44. Available at: https://doi.org/10.1215/00138282-53.2.9.

Kumler, Aden (2014) ‘Accidentally on purpose’, Cabinet: A Quarterly of Art and Culture, (54), pp. 74–80.

Kumler, Aden (2014) ‘Imitatio rerum: Sacred objects in the St Giles’s Hospital Processional’, Journal of Medieval and Early Modern Studies, special issue, 44(3), pp. 469–502. Available at: https://doi.org/10.1215/10829636-2791500.

Kumler, Aden (2014) ‘“The Genealogy of Jean le Blanc”: Accounting for the Materiality of the Medieval Eucharist’, in Anderson, Christy; Dunlop, Anne; Smith, Pamela (ed.) The Matter of Art: Materials, Technologies, Meanings, c. 1250-1650. Manchester: Manchester University Press (The Matter of Art: Materials, Technologies, Meanings, c. 1250-1650), pp. 119–140.

Kumler, Aden (2013) ‘The Patron-Function’, in Hourihane, Colum (ed.) Medieval Patronage: Patronage, Power and Agency in Medieval Art. Princeton: Penn State University Press (Medieval Patronage: Patronage, Power and Agency in Medieval Art), pp. 297–319.

Kumler, Aden and Lakey, Christopher R. (2012) ‘Res et significatio: The Material Sense of Things in the Middle Ages’, Gesta, 51(1), pp. 1–17. Available at: https://doi.org/10.1086/669944.

Kumler, Aden (2012) ‘Translating ma dame de Saint-Pol: The privilege & predicament of the devotee in Paris, BnF, MS naf 4338’, in Fresco, Karen; Wright, Charles (ed.) Translating the Middle Ages. Farnham: Ashgate (Translating the Middle Ages), pp. 35–54.

Kumler, Aden (2011) Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England. New Haven, CT: Yale University Press.

Kumler, Aden (2011) ‘The Multiplication of the Species: Eucharistic Morphology in the Middle Ages’, Res: Anthropology and Aesthetics, (59-60), pp. 179–191. Available at: https://doi.org/10.1086/resvn1ms23647789.

Kumler, Aden (2008) ‘Faire translater, faire historier: Charles V’s Bible historiale and the Visual Rhetoric of Vernacular Sapience’, Studies in Iconography, 29, pp. 90–135.